<p>A brief analysis of the treatment of the theme of war in the prose writings of V. P. Nekrasov.</p> / Master of Arts (MA)

<p>The thesis contains a preface and six chapter. Chapter I summarizes the works that have been published about Prishvin's style so far; it offers a few biographical comments about the writer and a brief outline of the contents of the analysed works. Chapters II - V deal with the main effects of his early prose: Chapter II looks at the homgeneity of the narrator and the material, Chapter III discusses the vividness of Prishvin's images, Chapter IV is concerned with the effect of mystery and Chapter V with humor. Chapter VI sums up our findings.</p> / Master of Arts (MA)

<p>An analysis of Chekhov's humour. Contains a preface, an introduction and four chapters. Introduction: Chekhov's Humour in its Context. Chapter I: First Period Beginnings up to 1885 a) Biographical, b) Analysis of the works. Chapter II: Second Period: 1886-1891, a) Biographical, b) Analysis of the works. Chapter III: Third Period 1892-1904. a) Biographical, b) Analysis of the works Chapter IV: Conclusion.</p> / Master of Arts (MA)

<p>A study of theme in the published work of Alexander Ismevich Solzhenitsyn</p> / Master of Arts (MA)

<p>An analysis of the portrayal of women in Maxim Gorky's short stories of 1892 - 1899 and some of the novels of 1899 - 1911.<br />The thesis contains a preface and four chapters. The preface gives a brief introductory sketch of the image of Maxim Gorky presented by Soviet literary criticism. The first chapter discusses some of the female characters in Gorky's early short stories. Chapter II deals with some of the women portrayed in his novels: Foma' Gordeev (1899), Troe (1900-1901), and Zhizn' Matveya Kazhemyakina (1911). The third chapter discusses the female personages in his novel Mat' (1907) and Chapter VI summarizes my main findings.</p> / Master of Arts (MA)

<p>The study of Zamyatin's Weltanschauung and its presentation in his works.</p> <p>The thesis contains a preface, five chapters and a conclusion. Chapter I attempts to define Zamyatin's concept of man as presentated in his novel Mbd. Chapter II deals with the two forces energy and entropy. Chapter III discusses the effect of entropy on man and as presented in Zamyatin' s creative writings. Chapter IV presents Zamyatin's view of literature and its role. Chapter V portrays some of Zamyatin's literary techniques which he employed to procure reader participation. The Conclusion summarizes Zamyatin's world outlook and evaluates his philosophy.</p> / Master of Arts (MA)

Master of Arts (MA)

<p>This thesis presents an attempt to classify the various types of fictional material commonly found in ancient Greek biographies, and to suggest to what extent the recognition of the recurrence of certain types of anecdote may provide a useful guideline for determining the historicity of biographical statements. After a discussion of the sources available to the biographers and the dangers inherent in the careless use of them, several types of recurring biographical motifs are isolated and particular instances of them are treated in detail. Among the factors seen to cause recurrence are: folk motifs underlying the material derived from popular tradition, topoi of invective present in the biographer's comic and rhetorical sources, the transference of general-purpose witty anecdotes, and recurring patterns of thought in the biographers' own minds due to their popularizing aims, preconceptions about history, and philosophical outlook.</p> / Master of Arts (MA)

<p>This work studies historically the preposition de, tracing the development of three important constructions with de from Latin to Old French. It also attempts to draw conclusions from the historical facts in accordance with modern synchronic linguistics, the aim being to promote the integration of synchronic and diachronic linguistics, particularly in the field of syntax.</p> / Master of Arts (MA)

<p>I wish to state here briefly something of the limits and aims of my study. Most importantly, it has not been possible to include within its scope any discussion concerning the origin and development of sympotic procedure. Nor have I examined social organizations, such as clubs or schools of philosophy, which regularly held symposia for their members. As a result, I have not attempted any evaluation of the institution in cultural or historical terms. Its social significance for the Greeks must therefore necessarily remain implicit, though in one or two places I have indicated the widespread nature of its appeal.</p> <p>Instead, my main center of interest is with the functioning of the symposium, and the question which I have been chiefly concerned to answer in the first three chapters is simply, "What exactly happened when a symposium took place?" The bulk of the evidence is drawn from Greek rather than Roman sources, and it is to be understood that what I have to say is primarily with reference to Greek procedure. On the other hand, two of my principal sources, Athenaeus and Plutarch, are Roman antiquarians seeking to recover a lost tradition, with the result that it is not always wise to insist upon a firm dividing line between the two.</p> <p>The final chapter, however, which forms a kind of appendix to the work as a whole, views the symposium in purely literary terms, as a setting for various poetic topoi, and draws from Greek and Roman verse without discrimination. It includes references from epic, tragic and comic sources, as well as lyric and elegiac.</p> <p>All abbreviations have been taken from the Oxford Classical Dictionary.</p> / Master of Arts (MA)