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Restri??es formais, transcria??o concreta e algo mais no Oulipo e em La Disparition, de Georges PerecCarneiro, Vin?cius Gon?alves 09 January 2015 (has links)
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Previous issue date: 2015-01-09 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / The Oulipo (Ouvroir de litt?rature potentielle [Workshop of Potential Literature]) is a
post-World War literary movement founded by mathematicians and
writers amongst whom we find famous personalities such as Raymond Queneau,
Italo Calvino, Georges Perec and Jacques Roubaud. The Oulipo is based on
the formal constraint as a "machine" of artistic creation in two ways: on the one side,
an analytical approach which studies "plagiats par anticipation [anticipatory
plagiarism]", i.e., the writers who worked on the formal constraints before the Oulipo;
on the other hand, a synthetic approach based on innovation and experimentation
with new literary constraints. Firstly, this doctoral dissertation discusses
concepts (implicitly or explicitly) presented in the manifestos of the group and in
the critical texts and interviews with Georges Perec, concerning mainly the concept
of constraint. Secondly, it discusses these notions in the work of Perec, including the
lipogram novel La disparition (2009a [1969]). The heart of this part is to analyze the
relationship between the discourse of the Oulipo and its immediate and visible effects
in La disparition, therefore between constraint and aesthetic formalism. As theoretical
basis, the concepts of metatextuality as proposed by Bernard Magn? (1986; 1989),
the death of the author as proposed by Roland Barthes (2004), intertextuality as
proposed by Kristeva (2005) and reader as proposed by Wolfgang Iser (1996; 1999)
and Umberto Eco (1991) are essentials, among others. At the end, extracts of La
disparition translated into Portuguese by the author are presented, based on the
theoretical work of Haroldo de Campos (2004), which considers translation as a
device of critical appropriation. / O grupo liter?rio Oulipo (Ouvroir de litt?rature potentielle [Ateli? de Literatura
Potencial]) surgiu na d?cada de 1960, na Fran?a, e postulava, a partir da
aproxima??o entre literatura e matem?tica, a utiliza??o de contraintes para a cria??o
liter?ria e para os estudos sobre literatura. Conforme o Oulipo, que tinha entre seus
integrantes Raymond Queneau, Italo Calvino, Jacques Roubaud e Georges Perec,
toda a obra liter?ria possui restri??es formais, cabendo ao escritor ter consci?ncia
desse processo. Um dos romances que tornaram o grupo famoso foi La disparition,
de 1969, escrito sem a vogal ?e?, a mais utilizada em franc?s. Nessa obra, a
restri??o est? intimamente ligada a um jogo metatextual, em que se alude
constantemente ? aus?ncia da vogal. Partindo da hip?tese de que nem um autor,
grupo ou movimento liter?rio tem controle sobre os sentidos ou interpreta??es dos
textos a ele ligados, este estudo se prop?e a debater os postulados oulipianos,
sobretudo o conceito de contrainte, e suas consequ?ncias nos estudos liter?rios.
Al?m disso, apresenta-se uma an?lise da obra de Georges Perec, com destaque
para o romance La disparition (2009a [1969]). Para efetivar tal an?lise, prop?e-se
tamb?m a tradu??o de extratos do livro, sendo a tradu??o aqui entendida como
cr?tica (CAMPOS, 2004). A discuss?o te?rica partir? de alguns conceitos da teoria
liter?ria, como os de morte do autor de Roland Barthes (2004), de intertextualidade
de Julia Kristeva (2005), de metatextual de Bernard Magn? (1986; 1989), de leitor de
Wolfgang Iser (1996; 1999) e Umberto Eco (1991) e de jogo de Huizinga (2012) e
Agamben (2007), dentre outros.
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