學者研究中國上古時期政治思想，往往以漢武帝以後的儒家思想作為國家權力正當性的基礎，但是此理論的缺憾是，如果只以儒家思想作為國家意識形態的標誌，就難以解釋西漢武帝以前的國家權力正當性是如何運作的。其實早在作為中國最早期實行帝制的秦王朝，已憑著統一的法律標準與有利於專制王權實行管治的官僚機構，確立國家專制權力的基本模式。 / 本文試圖從儒法之爭的框架跳出來，從法律思想的角度，考察先秦至秦代的法律觀念、法律與國家官僚機構的關係及法律原則與「國家意識形態」的關係等議題。為了更貼近自秦至秦知識分子的「生活世界」，本文採用回到文本本身的研究方法，找出反映儒、道、法各家思想特徵的文本及其中的思想如何互相對話與融合，並從中探討戰國中後期至秦的知識分子與國家官僚對法律與政治觀念的表達，及其中的政治關懷。 / 本文將從法律思想與國家意識形態的角度，更緊密地考察法律觀念背後反映的政治權力意識，從先秦至秦「刑」、「法」的觀念與實踐的起源、秦國家法律標準、秦法律原則與官僚政治道德的關係三方面探討秦代國家專制權力的正當性基礎。 / Conventional studies on Ancient Chinese political thoughts consider Confusianism as the basis for legitimising the ruling of the state. However, this theory fails at explaining the period before Han Wudi(漢武帝) officially proclaimed the supreme status of Confusianism. As early as Qin Dynasty(秦朝), the state has established a centralised authoritarian government through its standardised legal practice and complex bureaucratic system. / Therefore, this study avoids the orthodoxy in explaining political thoughts with the struggle between Confucianism and Legalism and investigates the relationship of laws and the bureaucratic system as well as that of legal principals and state ideology in pre-Qin and Qin period. By scrutinising the contemporary thoughts through careful textual analysis, this study expounds the encountering of Confusianism, Daoism, and Legalism and also their synthesis. Upon this, it moves on further to examine how the literati and the bureaucrats in later Warring-States period(戰國時代) to Qin Dynasty delineated laws, political beliefs, and the political concerns therein. / From the perspective of state ideology, this study aims at analysing the conception of political power as reflected by the legal thoughts in three dimensions: 1) the origin and practice of "xing"(刑) and "fa"(法) in Pre-Qin and Qin period; 2) the historical image and the relationship between legal standard and state ideology as embodied in the reform of Shang Yang(商鞅變法) in the Qin state(秦國); and 3) the legal principles and the political morality of the state bureaucrats in the later Warring-States period and Qin Dynasty. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 余嘉浩. / Thesis (M.Phil.) Chinese University of Hong Kong, 2015. / Includes bibliographical references (leaves 195-204). / Abstracts in Chinese and English. / Yu Jiahao.

本文是關於泰國導演阿比查邦·魏拉希沙可在2000 年至2010 年間作品的整體性研究，包括電影、短片和錄影裝置等不同形式。我們將討論阿比查邦的現代主義電影風格如何回應當下泰國的社會政治現實和歷史處境，並產生其文化政治效應。同時，我們也試圖借此重申和強調電影的美學研究在把握作品形式與外在歷史社會條件上的融貫性和理論重要性，尤其是在以時間為現代思想和經驗的內在線索這點上。 / 首先我們將阿比查邦置於世界電影史和泰國電影史交匯的座標之下，然後從個三方面考察他如何將泰國的"非同步"、複調節奏的社會現實納入對"非順時性時間"探索（與戰後現代主義電影的譜系一致）的美學風格中。第一個方面，是他在早期作品中關於"講故事"形式的實驗，據此他發展出一種新的敘事性，打破傳統敘事中統一的"敘述時間"，而替代以一種"居中性"的"時差"效應；同時發展出對分離的聲畫關係的各種新嘗試。第二個方面，是他中期作品中對感性經驗的重塑，包括引入異質化多元的時延、非個人知覺和情感模式。第三個方面，是貫穿電影長片和錄影裝置作品的"分叉"結構（或二分結構）。通過這一結構，他引入對時間性三維（過去現在未來）的靜態綜合和重新分配，即，將編年歷史的順時時間內攝於各種元素差異與重複建立起的超歷史（或非歷史）的時間分化；無論是過去還是當下的事件，都被體驗為一種對先在的純粹的事件如同儀式一般的召喚。這正是阿比查邦式的非歷史性的時間觀念和神話式敘述機制。同時，每一個方面都包含了阿比查邦在相應的作品中處理回應的泰國社會現實問題，將在論文中詳細展開。 / This dissertation has three ambitions. The first is to provide an interpretation of the works by Apichatpong Weerasethakul in the 2000s as an auteur study, including feature films, experimental shorts, and video installations, which requires a new vision for film criticism for the compelling mode of filmmaking practice. The second is to discuss the social-political function of the modernist cinema in a contemporary society with specific historical trajectory of modernity, by investigating how Apichatpong’s works relate/respond to Thai historical-social-politic circumstance. The third is to make an argument for the theoretical importance of aesthetics study of cinema in the light of the concern for time that is intrinsic to both thought and being and underlies modern experience. / By locating Apichatpong in the junction of global and local cinema with historical contextualization, this study will unfold around how Apichatpong registers the polyrhythm of the "non-synchronicity" of contemporary Thai reality on his artistic innovative of the non-chronological temporality in three main parts. The first is the "storytelling device" which creates a new narrativity by transforming the "diegetic time" into a pure "time-lag" or "in-between" with an experiment of the disparity of sound and image. The second is a reconfiguration of the sensible, which consists of heterogeneity of durations and impersonal perceptive and affective expression. The third is the "bifurcated structure" as structural composition which sets up an inter-assemblage relation. It redistributes the series of time (past-present-future) in virtual sense and leads toward a kind of dynamic mythology, that the historical event is experienced as ritualistic evocation of a pre-existing event. In so doing, Apichatpong links a supra-historical concept of time with the post-historical situation of our time. Correspondingly, each part thematically covers a set of social-political concerns in contemporary Thailand that Apichatpong tends to respond. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Wang, Yuanyuan. / Thesis (Ph.D.) Chinese University of Hong Kong, 2014. / Includes bibliographical references (leaves 155-164). / Abstracts also in Chinese. / Wang, Yuanyuan.

陳景祥. / 據稿本複印 / 論文(哲學碩士)--香港中文大學硏究院新聞傳播系,1993. / 參考文獻: leaves 103-107 / Chen Jingxiang. / Chapter 第1章 --- 前言：研究範圍 頁數 / 政治系统的劇變 --- p.1-6 / 本地政黨的背景及政治傾向 --- p.6-14 / 香港的傳媒系統 --- p.14-15 / 政治系统和傳媒系统的關係 --- p.15-18 / Chapter 第2章 --- 理論架構 / 國家控制大眾傳媒的程度 --- p.19 / 傳媒和政治精英的整合 --- p.19-20 / 大眾傳媒的政黨化程度 --- p.20-21 / 傳媒機構的「合法綱領」的本質 --- p.21-22 / 香港報紙與本地政黨的關係 --- p.22-23 / 香港報業的商業化主流 --- p.23-26 / Chapter 第3章 --- 假設 / 商業報紙的「客觀報道」 --- p.27-29 / 黨派報紙的政治路線 --- p.29-30 / Chapter 第4章 --- 硏究方法及操作 / 選擇四份報章 --- p.31-38 / 關於「客觀」的爭論 --- p.38-39 / 内容分析的設計 --- p.39-42 / 訪問 --- p.42-44 / Chapter 第5章 --- 研究結果 --- p.45-46 / 新聞報道的類別分布 --- p.46 -47 / 新聞來源的分布 --- p.47 -48 / 四份報紙的報道方向 --- p.49-66 / 研究結果與假設 --- p.67-69 / 訪問結果 --- p.70-84 / Chapter 第6章 --- 討論 / 客觀報道仍是新聞界最高原則 --- p.85 -89 / 傳媒和政治精英的整合 --- p.89 -92 / 報紙和本地政黨保持距離 --- p.92-93 / 中國經濟力量影響報業發展 --- p.93-96 / 商業報紙在新政治環境中的定位 --- p.96-99 / Chapter 第7章 --- 結論 --- p.100-102 / 附錄一：參考書目 --- p.103´ؤ107 / 附錄二至附錄八 --- p.108´ؤ116

by Cheng Tsz-yam, Frederick, Tam Wai Yun, Christina. / Thesis (M.B.A.)--Chinese University of Hong Kong, 1990. / Bibliography: leaves 48-49. / ABSTRACT --- p.ii / TABLE OF CONTENTS --- p.iii / LIST OF FIGURES --- p.v / ACKNOWLEDGEMENTS --- p.vi / Chapter / Chapter I. --- INTRODUCTION --- p.1 / Chapter II. --- LITERATURE REVIEW --- p.2 / Definition of Political Risk --- p.2 / Political Risk Assessment Methods --- p.3 / Political Risk Framework --- p.9 / Political Risk Avoidance Policies --- p.11 / Chapter III. --- CURRENT ISSUES --- p.14 / Economic Stability --- p.14 / Exchange Rate Stability --- p.15 / Currency Convertibility --- p.16 / Price Stability --- p.16 / Restriction on Capital/Profit Repatriation --- p.18 / Economic Recession --- p.18 / Labour Productivity --- p.18 / Change of Political Leaders --- p.19 / Policy Stability --- p.20 / Brain Drain --- p.20 / Labour Shortage --- p.22 / Industrial Relations --- p.23 / Social Demonstrations --- p.23 / Riots --- p.24 / Government Structure --- p.25 / Relations with China --- p.26 / Relations with Foreign Countries --- p.26 / Chapter IV. --- METHODOLOGY --- p.28 / Research Design --- p.28 / Data Collection Methods --- p.28 / Sampling Design --- p.30 / Data Analysis --- p.31 / Questionnaire Design --- p.31 / Chapter V. --- RESULTS AND ANALYSIS --- p.33 / Economic Stability --- p.33 / Exchange Rate Stability --- p.33 / Currency Convertibility --- p.34 / Price Stability --- p.34 / Restriction on Capital/Profit Repatriation --- p.35 / Economic Recession --- p.36 / Labour Productivity --- p.36 / Change of Political Leaders --- p.36 / Policy Stability --- p.37 / Brain Drain --- p.37 / Labour Shortage --- p.38 / Industrial Relations --- p.38 / Social Demonstrations --- p.40 / Riots --- p.40 / Government Structure --- p.41 / Relations with China --- p.41 / Relations with Foreign Countries --- p.42 / Risk Avoidance Strategies --- p.43 / Chapter VI. --- DISCUSSION --- p.46 / Chapter VII. --- REFERENCES --- p.48 / Chapter APPENDIX 1. --- Questionnaire --- p.50 / Chapter APPENDIX 2. --- Political Risk Factors from Expert Opinion --- p.53 / Chapter APPENDIX 3. --- Risk Avoidance Policies from Expert Opinion --- p.54 / Chapter APPENDIX 4. --- Households having residency right of a foreign country or intend to migrate --- p.55 / Chapter APPENDIX 5. --- Economic growth for Asian countries in 1988 and 1989 --- p.56 / Chapter APPENDIX 6. --- Political Risk Framework by Simon --- p.57

Qiu Linchuan (Jack). / Thesis (M.Phil.)--Chinese University of Hong Kong, 1999. / Includes bibliographical references (leaves 169-173). / Abstracts in English and Chinese. / Chapter Chapter 1 --- Introduction --- p.1 / The Objectives --- p.1 / The Assumptions --- p.2 / The Case --- p.4 / Methods --- p.9 / The Conceptual Framework --- p.11 / Chapter Chapter 2 --- Theoretical Background --- p.18 / Communication Technology as A Democratizer --- p.18 / Democratizer or Something Else? --- p.23 / The Concept of Mediation --- p.27 / The Mediationist Perspective --- p.33 / Chapter Chapter 3 --- China's Cyberspace --- p.37 / China 's Nets and Netizens --- p.40 / Bamboo Curtains Unfurled --- p.53 / Virtual Censorship vs. Mass Media Regulation: a Comparison --- p.67 / Concluding Remarks --- p.75 / Chapter Chapter 4 --- The Processes of Mediation --- p.79 / Internet Audience and Their Exposure --- p.80 / The Rugged Route from Exposure to Expression --- p.88 / The Gap between Virtuality and Reality --- p.98 / Concluding Remarks --- p.108 / Chapter Chapter 5 --- The Consequences of Mediation --- p.110 / Evaluating the Consequences --- p.110 / Selecting Online Arenas --- p.113 / Data Gathering and Coding --- p.119 / Findings --- p.130 / Concluding remarks --- p.147 / Chapter Chapter 6 --- Discussions --- p.151 / Summary --- p.151 / Methodological Issues --- p.154 / Broader Implications --- p.164 / Bibliography --- p.169

李祖喬. / "2009年1月". / "2009 nian 1 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (leaves 87-93). / Abstracts in Chinese and English. / Li Zuqiao. / Chapter 第一章 --- 序 --- p.3 / Chapter 第二章 --- 消失的空間，及維園的公共空間政治 --- p.7 / Chapter 第三章 --- 一個現代公園的誕生一一作爲紀念性空間的維園 --- p.28 / Chapter 第四章 --- 等同邏輯、差異邏輯與殖民領導權 --- p.45 / Chapter 第五章 --- 總結 --- p.83 / 參考書目 --- p.87

Levine Zachary Jonah. / Thesis submitted in: November 2006. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2007. / Includes bibliographical references (leaves 107-126). / Abstracts in English and Chinese. / "Title Page, Abstracts, Acknowledgements" --- p.i-v / Introduction --- p.1 / Chapter Chapter One: --- The Formation of a Taiwanese Identity --- p.6 / Chapter Chapter Two: --- Literature Review --- p.27 / Chapter Chapter Three: --- The Current State of Relations Between the United States of America and the People's Republic of China --- p.46 / Chapter Chapter Four: --- The History and Nature of America's Security Commitment to Taiwan --- p.56 / Chapter Chapter Five: --- Analysis of the Anti-Secession Law --- p.67 / Chapter Chapter Six: --- Reasons Behind the Passage of the Anti-Secession Law --- p.76 / Chapter Chapter Seven: --- Effects of the Anti-Secession Law --- p.93 / Chapter Chapter Eight: --- Conclusion --- p.102 / Sources --- p.107

This dissertation investigates the socio-cultural and musical transfigurations of a rural-identified musical genre known as música típica as it engages with the dynamics of Panama's rural-urban divide and the country's nascent engagement with the global political economy. Though regarded as emblematic of Panama's national folklore, música típica is also the basis for the country's principal and most commercially successful popular music style known by the same name. The primary concern of this project is to examine how and why this particular genre continues to undergo simultaneous processes of folklorization and commercialization. As an unresolved genre of music, I argue that música típica can offer rich insight into the politics of working out individual and national Panamanian identities. Based on eighteen months of ethnographic fieldwork conducted in Panama City and several rural communities in the country's interior, I examine the social struggles that subtend the emergence of música típica's genre variations within local, national, and transnational contexts. Through close ethnographic analysis of particular case studies, this work explores how musicians, fans, and the country's political and economic structures constitute divisions in regards to generic labeling and how differing fields of musical circulation and meaning are imagined. This study will first present an examination of late nineteenth and twentieth century Panamanian nationalist discourses in order to contextualize música típica's stylistic and ideological development as a commercial genre of popular music. The following chapter will construct a social history of música típica that takes into account the multiple historical trajectories that today's consumers and producers engage, negotiate, and contest in an attempt to ascribe social and cultural meaning to the role the genre assumes in contemporary discourses of national identity. Processes of folkloric canonization and reconstruction will then be examined in order to understand how the marketing efforts of the Panamanian government draw on a discourse of nationality. The role of corporate sponsorship in today's música típica scene will also be investigated, specifically addressing how the marketing of this genre by beer companies, national cultural festivals, and the Panamanian television industry builds on a foundation of commercial music practices. Subsequent chapters will focus on the local and transnational dynamics of genre formation and dissolution as revealed in the ideological discourses and socio-musical practices of música típica's practitioners, especially in accordion and vocal performance practices. An analysis of música típica's field of cultural production, with its particular mappings of identity, place, and sound, will provide insight into Panamanian modernity and the social experiences of Panamanians, especially within Latin American and global contexts.

This dissertation investigates the socio-cultural and musical transfigurations of a rural-identified musical genre known as música típica as it engages with the dynamics of Panama's rural-urban divide and the country's nascent engagement with the global political economy. Though regarded as emblematic of Panama's national folklore, música típica is also the basis for the country's principal and most commercially successful popular music style known by the same name. The primary concern of this project is to examine how and why this particular genre continues to undergo simultaneous processes of folklorization and commercialization. As an unresolved genre of music, I argue that música típica can offer rich insight into the politics of working out individual and national Panamanian identities. Based on eighteen months of ethnographic fieldwork conducted in Panama City and several rural communities in the country's interior, I examine the social struggles that subtend the emergence of música típica's genre variations within local, national, and transnational contexts. Through close ethnographic analysis of particular case studies, this work explores how musicians, fans, and the country's political and economic structures constitute divisions in regards to generic labeling and how differing fields of musical circulation and meaning are imagined. This study will first present an examination of late nineteenth and twentieth century Panamanian nationalist discourses in order to contextualize música típica's stylistic and ideological development as a commercial genre of popular music. The following chapter will construct a social history of música típca that takes into account the multiple historical trajectories that today's consumers and producers engage, negotiate, and contest in an attempt to ascribe social and cultural meaning to the role the genre assumes in contemporary discourses of national identity. Processes of folkloric canonization and reconstruction will then be examined in order to understand how the marketing efforts of the Panamanian government draw on a discourse of nationality. The role of corporate sponsorship in today's música típica scene will also be investigated, specifically addressing how the marketing of this genre by beer companies, national cultural festivals, and the Panamanian television industry builds on a foundation of commercial music practices. Subsequent chapters will focus on the local and transnational dynamics of genre formation and dissolution as revealed in the ideological discourses and socio-musical practices of música típica's practitioners, especially in accordion and vocal performance practices. An analysis of música típica's field of cultural production, with its particular mappings of identity, place, and sound, will provide insight into Panamanian modernity and the social experiences of Panamanians, especially within Latin American and global contexts.

作者何良懋. / 論文(哲學碩士) -- 香港中文大學硏究院傳播學部, 1996. / 參考文献 : leaves 83-92. / zuo zhe He Liangmao. / 序言 --- p.5 / Chapter 第一章 --- 緖論 --- p.7 / Chapter 第一節 --- 香港報紙與現 --- p.7 / Chapter 第二節 --- 過渡期的新華社角色 --- p.8 / Chapter 第三節 --- 中國版的掘起 --- p.9 / Chapter 第二章 --- 硏究重點 --- p.11 / Chapter 第三章 --- 理論探討 --- p.14 / Chapter 第一節 --- 組織與環境關係 --- p.14 / Chapter 第二節 --- 組織間(interorganizational)問題 --- p.21 / Chapter 第三節 --- 組織內(intraorganizational)問題 --- p.23 / Chapter (一） --- 守門人角 色 --- p.23 / Chapter (二） --- 新聞室的社會控制 --- p.24 / Chapter (三） --- 新聞組織科層特 色 --- p.24 / Chapter (四） --- 組織文化 --- p.26 / Chapter 第四章 --- 硏究方法 --- p.28 / Chapter 第一節 --- 選取報紙 --- p.38 / Chapter 第二節 --- 選取報紙的特點 --- p.32 / Chapter 第三節 --- 硏究時限 --- p.36 / Chapter 第四節 --- 專訪問題設計 --- p.36 / Chapter 第五節 --- 論文硏究方法 --- p.37 / Chapter 第五章 --- 研究結果 --- p.40 / Chapter 第一節 --- 過渡期政治衝擊波 --- p.40 / 環境因素一：權力中心與傳媒 --- p.41 / 環境因素二 ：限制採訪大陸 --- p.43 / 組織因素一：報業意識形態 --- p.44 / 組織因素二 ：報業主的控制 --- p.46 / Chapter 第二節 --- 政治過渡下中國報道的變化 --- p.49 / Chapter (一） --- 版面結構變 化 --- p.49 / Chapter (二） --- 「中國線」（China Beat)確立 --- p.51 / Chapter (三） --- 中國新聞來源 --- p.53 / Chapter (四） --- 開拓新聞人才資 源 --- p.56 / Chapter 第三節 --- 過渡期中國版編輯策略 --- p.58 / Chapter (一） --- 非政治化包裝手 法 --- p.58 / Chapter 1. --- 商品化取向(commodification) --- p.60 / Chapter 2. --- 本土歸化取向（domestication) --- p.62 / Chapter (二） --- 中國版：量變與質 變 --- p.64 / Chapter 第四節 --- 個案分析：扣壓中國新聞 --- p.72 / Chapter 第六章 --- 討論與總結 --- p.76 / 參考文獻 --- p.83 / 附錄1 ：深度訪談名單 --- p.93 / 附錄2 ：專訪問題 --- p.94