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Windows of exileSylvain, Patrick 12 March 2016 (has links)
Please note: creative writing theses are permanently embargoed in OpenBU. No public access is forecasted for these. To request private access, please click on the locked Download file link and fill out the appropriate web form. / Poetry / 2031-01-01
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André Mathieu and His Piano Concerto No. 4: The Influence of Arthur Honegger in Mathieu's Evolution Toward a Mature VoiceChan, Yun Jung Astrid January 2011 (has links)
André Mathieu (1929-1968), a Canadian composer and performer, received acclaim in Europe, Canada and United States from his earliest years. He revealed brilliant pianistic skill, and critics hailed him as the "young Canadian Mozart". Mathieu's early solo piano works, written mostly in ternary form, reveal an abundance of compositional ideas based on the influences of Romantic and Impressionist styles. However, when he began composing Piano Concerto No. 3, a much larger work, his lack of compositional training became evident. Formal weakness resulted in a disconnection between themes and lack of thematic and motivic development. Not until Mathieu studied with Swiss composer Arthur Honegger did he develop and clearly display a concept of formal structure. In this study, I will demonstrate that, through compositional studies with Arthur Honegger, André Mathieu assimilated a new approach to form, resulting in the discovery of his mature compositional voice found for the first time in the Piano Concerto No. 4. The synthesis of Romantic and Impressionistic styles in this concerto further contributes to the unique nature of this mature voice.This document is organized in six chapters. Chapter I reviews current literature on André Mathieu and his music and points out both the values and the limitations of this literature. Chapter II relates Mathieu's biography. Chapter III provides background information on Mathieu's solo piano works and four concerti, as well as the difficult pianistic techniques composed into those works. Chapter IV discusses the influences of Romantic and Impressionist styles in Piano Concerto No. 4 and how Mathieu synthesized both styles. Chapter V analyzes the form, motivic and thematic material, and rhythmic design of all three movements of Piano Concerto No. 4 and compares them with that of Piano Concerto No. 3. Honegger's influence also is discussed in Chapter V. Chapter VI is the conclusion. Musical examples throughout will illustrate points made.
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Program distribution estimation with grammar modelsShan, Yin, Information Technology & Electrical Engineering, Australian Defence Force Academy, UNSW January 2005 (has links)
This thesis studies grammar-based approaches in the application of Estimation of Distribution Algorithms (EDA) to the tree representation widely used in Genetic Programming (GP). Although EDA is becoming one of the most active fields in Evolutionary computation (EC), the solution representation in most EDA is a Genetic Algorithms (GA) style linear representation. The more complex tree representations, resembling GP, have received only limited exploration. This is unfortunate, because tree representations provide a natural and expressive way of representing solutions for many problems. This thesis aims to help fill this gap, exploring grammar-based approaches to extending EDA to GP-style tree representations. This thesis firstly provides a comprehensive survey of current research on EDA with emphasis on EDA with GP-style tree representation. The thesis attempts to clarify the relationship between EDA with conventional linear representations and those with a GP-style tree representation, and to reveal the unique difficulties which face this research. Secondly, the thesis identifies desirable properties of probabilistic models for EDA with GP-style tree representation, and derives the PRODIGY framework as a consequence. Thirdly, following the PRODIGY framework, three methods are proposed. The first method is Program Evolution with Explicit Learning (PEEL). Its incremental general-to-specific grammar learning method balances the effectiveness and efficiency of the grammar learning. The second method is Grammar Model-based Program Evolution (GMPE). GMPE realises the PRODIGY framework by introducing elegant inference methods from the formal grammar field. GMPE provides good performance on some problems, but also provides a means to better understand some aspects of conventional GP, especially the building block hypothesis. The third method is Swift GMPE (sGMPE), which is an extension of GMPE, aiming at reducing the computational cost. Fourthly, a more accurate Minimum Message Length metric for grammar learning in PRODIGY is derived in this thesis. This metric leads to improved performance in the GMPE system, but may also be useful in grammar learning in general. It is also relevant to the learning of other probabilistic graphical models.
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The Pleiadic Age of Stuart Poesie: Restoration Uranography, Dryden's Judicial Astrology, and the Fate of Anne KilligrewBrown, Morgan Alexander 30 April 2010 (has links)
The following Thesis is a survey of seventeenth-century uranography, with specific focus on the use of the Pleiades and Charles's Wain by English poets and pageant writers as astrological ciphers for the Stuart dynasty (1603-1649; 1660-1688). I then use that survey to address the problem of irony in John Dryden's 1685 Pindaric elegy, "To the Pious Memory of Mrs. Anne Killigrew," since the longstanding notion of what the Pleiades signify in Dryden's ode is problematic from an astronomical and astrological perspective. In his elegiac ode, Dryden translates a young female artist to the Pleiades to actuate her apotheosis, not for the sake of mere fulsome hypberbole, but in such a way that Anne (b. 1660-d. 1685) signifies for the reign of Charles II (1660-1685) in her Pleiadic catasterism. The political underpinnings of Killigrew's apotheosis reduce the probability that Dryden's hyperbole reserves pejorative ironic potential.
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