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21	Toward an integrated methodology : morphological analyses in the identification of prime objects and the sequence of image-change through historical accretions : Wu Zhen (1280-1354), a case study Stanley-Baker, Joan January 1987 (has links) The thesis is a demonstration of an integrated methodology in the investigation of Chinese paintings. Section I outlines methods of analysis used by specialists in China, Japan and the West, and proposes their integration. Section II implements the Integrated Methodology in the identification of prime objects in a group of works attributed to Wu Zhen now in the National Palace Museum, Taipei. Section III presents a systematic method of investigating the non-genuine works, and charts their respective relationships to the prime objects and/or to each other. The findings clarify fundamental issues regarding period styles in the fourteenth and fifteenth centuries and challenge, by implication, long held assumptions of authenticity of a great many works labelled with Yuan dates. They invite a reconsideration of our methodology as well as our basic assumptions of style-images associated with particular masters. 759.951 Painting ; Chinese ; Expertising
22	Painting in Yang-chou, 1710-1765 eccentricity or the literati tradition? / Weinstein, Vicki Frances, January 1972 (has links) Thesis (Ph. D)--Cornell University, 1972. / Vol. 2 (Appendix) consists chiefly of leaves of plates. Includes vita. Typescript. Includes bibliographical references (v. 1, leaves 312-330). Also issued in print. Painting, Chinese Painting Painters
23	Painting in Yang-chou, 1710-1765 eccentricity or the literati tradition? / Weinstein, Vicki Frances, January 1972 (has links) Thesis (Ph. D)--Cornell University, 1972. / Vol. 2 (Appendix) consists chiefly of leaves of plates. Includes vita. Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (v. 1, leaves 312-330). Painting, Chinese Painting Painters
24	Eighteen songs of a nomad flute: the story of Tsʻai Wen-chi Rorex, Robert A. January 1975 (has links) Thesis (Ph. D.)--Princeton University. / eContent provider-neutral record in process. Description based on print version record. Cai, Wenji, Painting, Chinese
25	Wang Mien and the Confucian factor in Chinese plum painting Hoar, William John. January 1983 (has links) Thesis (Ph. D.)--The University of Iowa. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 328-338). Wang, Mien. Painting, Chinese.
26	Huishi Fawei : the theoretical writing of Tangdai (1673 - after 1752) / Lam, Susan Y. Y. January 1999 (has links) Thesis (M. Phil.)--University of Hong Kong, 1999. / Includes bibliographical references (leaves 177-189). Tang, Tai, Painting, Chinese
27	Jiehua of the Qing Dynasty (1644-1911) / Chung, Miu-fun, Anita. January 1999 (has links) Thesis (Ph. D.)--University of Hong Kong, 1999. / Includes bibliographical references (leaves [253]-259). Landscape painting, Chinese
28	Huang Binhong (1865-1955) and his redefinition of the Chinese painting tradition in the twentieth century / Kotewall, Pik-yee. January 1998 (has links) Thesis (Ph. D.)--University of Hong Kong, 1999. / Includes bibliographical references (p. 288-317). Huang, Binhong, Painting, Chinese
29	Calligraphy as a developmental tool for Chinese painting / Shu, Jo-Lan, January 2006 (has links) (PDF) Honors Project--Brigham Young University. Dept. of Instructional Psychology and Technology, 2006. / Includes bibliographical references (p. 53-54). Calligraphy. Painting, Chinese.
30	Five hundred Lohans at the Daitokuji Fong, Wen. January 1900 (has links) Thesis--Princeton. / Photocopy. Ann Arbor, Mich. : University Microfilms, 1978. -- 21 cm. Bibliography: v. 1, leaves 244-248. Painting, Chinese. Art, Buddhist.

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