Thesis (C.A.D.) -- University of Western Sydney, [ 2002]. / "This research is submitted as partial fulfillment of the requirements for the degree of Doctor of Creative Art, Contemporary Art " Includes bibliography.

Thesis (M.F.A.)--Rochester Institute of Technology, 1989. / "Selected bibliography": leaves 25-26.

Thesis (Ph. D.)--University of Gothenburg, 1979. / Errata slip inserted. Summary in English. Includes bibliographical references (p. 187-208).

Chau, Tsz Kin. / "December 2011." / Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references. / Abstracts in English and Chinese. / Introduction --- p.1 / Chapter Chapter 1 --- Who's Pan Yuliang? Whose Pan Yuliang? --- p.7 / Who's Pan Yuliang? --- p.7 / Life and Art of Pan Yuliang: Existing Account --- p.12 / Whose Pan Yuliang? --- p.22 / "Summary of Existing Accounts: Biography, Oedipus complex and Narcissism" --- p.30 / Chapter Chapter 2 --- Reconsidering Pan Yuliang --- p.33 / Academic works in Mainland China and Taiwan since 2000 --- p.33 / Theorizing the Woman Painter --- p.42 / Background I: Modern Art in Republican China --- p.54 / Background II: Paris Modernism --- p.60 / Chapter Chapter 3 --- Expanding Biography into History --- p.63 / Chapter Chapter 4 --- The Political Xiesheng and its Gender Politics --- p.82 / "Pan Yuliang: from Shanghai (1928-32, 36-37) to Nanjing (1933-35)" --- p.83 / The Mission ofNanjang: National Administering of Modernism --- p.86 / Pan Yuliang and the Chinese Arts Association --- p.97 / Xiesheng and a New Woman/painter Subject --- p.113 / Conclusion: a Different Modern for a Woman Painter --- p.123 / Chapter Chapter 5 --- Differencing the Modern and Women's Culture --- p.127 / Theorizing Women's Culture --- p.130 / Pan Yuliang and Women's Community --- p.134 / Contextualizing Women's Community: Republican Modernity and Post-war / Pacifism --- p.137 / Conclusion: Women's Art and Modernism --- p.145 / Conclusion Rethinking Republican and Women's Art --- p.146 / Appendix --- p.150 / Glossary --- p.158 / Graphical Materials --- p.165 / Bibliography --- p.251

Interested in nurturing beauty, I create paintings that reference life processes through layers of struggle, discovery, recovery and generation. Employing a metaphor of the garden, my paintings can be seen as spaces where I determine what grows, stays, is mulched, or weeded out. I seek a balance between coexisting desires of restraint and control and extravagance with a sense of coming unbound. I emphasize the painting field as a whole, while also paying deep attention to the minute, inviting the viewer to discover complex worlds at different scales within each environment I create. My intimate, domesticated painted environments offer the viewer the possibility to experience the spaces I find beautiful and to add to the conversation of where beauty resides today in contemporary art. / by Kim Spivey. / Thesis (M.F.A.)--Florida Atlantic University, 2011. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2011. Mode of access: World Wide Web.

Lifeline: Expressions of Intimacy Through Paint is a body of paintings that seeks to bridge physical distance by sensually applying layers of oil paint to recreate the physicality of my husband. I allow the viewer to enter into a private exchange by the use of intimately charged spaces, like the bed, which demonstrates how paint can be a conduit for touch in absentia. By intensely remembering my partner in these works, I reconstitute my knowing him through paint and seek to move beyond mere representation to know and express him better. Therefore, these paintings not only bridge the physical distance between my body and his, but search for meaningful expressions of my internal conversations as I make visual discoveries that expand my understanding of him. / Includes bibliography. / Thesis (M.F.A.)--Florida Atlantic University, 2017. / FAU Electronic Theses and Dissertations Collection

Thesis (Ph. D.)--University of Hong Kong, 2006. / Title proper from title frame. Also available in printed format.

Thesis (M.A.)(Hons)--University of Western Sydney, Nepean, 1996. / "A paper on Nietzsche's division of culture into two principal strains. "The Apollonian and the Dionysiac", and its application to the art of painting.--t.p.

Thesis (MA (Hons.)) -- University of Western Sydney, Nepean, 1997. / Includes bibliography (leaves 45-46) and bibliographical references.

Thesis (Ph. D.)--University of Texas at Austin, 1999. / Vita. Includes bibliographical references (leaves 340-357). Available also in a digital version from Dissertation Abstracts.