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Der Palazzo Bramante-Raffaello in Rom Versuch einer architekturikonologischen Interpretation.Kiss, Gábor József, January 1969 (has links)
Inaug.-Diss.--Munich. / Vita. Includes bibliographical references.
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Vasari's decoration in the Palazzo Vecchio the Ragionamenti translated with and introduction and notes /Draper, J. L. Vasari, Giorgio, January 1973 (has links)
Thesis (Ph.D.)--University of North Carolina at Chapel Hill, 1973. / Bibliography: leaves [558]-577.
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The frescoes in Siena's Palazzo Pubblico, 1289-1539 studies in imagery and relations to other communal palaces in Tuscany /Southard, Edna Carter, January 1978 (has links)
Thesis--Indiana University. / Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 553-586).
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The artful hermit Cardinal Odoardo Farnese's religious patronage and the spiritual meaning of landscape around 1600 /Witte, Arnold Alexander. January 2004 (has links)
Proefschrift Universiteit van Amsterdam. / Met lit. opg. - Met samenvatting in het Nederlands.
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Staging Privacy: Art and Architecture of the Palazzo Medici / Art and Architecture of the Palazzo MediciBailie, Lindsey Leigh 12 1900 (has links)
xii, 112 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. / The Palazzo Medici was a site of significant social and political representation for
the Medici. Access to much of the interior was limited, ostensibly, to the family. In
republican Florence, however, visitors were a crucial component in the maintenance of a
political faction. Consequently, the "private" spaces of the Palazzo Medici were designed
and decorated with guests in mind. Visitor accounts reveal that the path and destination of
each visitor differed according to his status and significance to the family. The common
citizen waited, sometimes for great lengths, in the courtyard, taking in the anti-tyrannical
message of the space. The privileged guest, who had more to provide the Medici, was
given access to the more private spaces of the residence. Surrounded by art and architecture
that demonstrated the faith, education, and wealth of the Medici, he was assured that his
support of the family was beneficial to his own pursuits. / Committee in charge: James Harper, Chairperson;
Jim Tice, Member;
Jeff Hurwit, Member
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Rethinking the Reinstallation of the Studiolo of Francesco I de' Medici in the Palazzo VecchioEdwards, Karen Victoria 06 April 2007 (has links)
No description available.
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Social Closure and the Arts in Late Medieval SienaDobrynin, Laura M. 25 July 2012 (has links)
No description available.
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The renaissance studioli of Federico da Montefeltro and the architecture of memory /Kirkbride, Robert January 2002 (has links)
This investigation of the studioli, small contemplation chambers in the ducal palaces of Urbino and Gubbio, considers their position in the western tradition of the memory arts. Drawing upon select images in the studioli, as well as text sources readily available to Duke Federico da Montefeltro (1422--82) and the members of his court, this inquiry examines how the discipline of architecture equipped the late quattrocento mind with a bridge between the mathematical arts, which lend themselves to mechanical practices, and the art of rhetoric, a discipline central to the cultivation of memory and eloquence. As ramifications of material and mental craft, the studioli offered the Urbino court models for education and prudent governance.
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The renaissance studioli of Federico da Montefeltro and the architecture of memory /Kirkbride, Robert January 2002 (has links)
No description available.
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The iconography of a ceiling by Pinturicchio from the Palazzo del Magnifico, SienaHolmquist, Julie Bergren. January 1984 (has links)
Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 1984. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [193]-208).
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