Thesis (Ph. D.)--State University of New York at Binghamton, Dept. of Sociology, 2006. / Includes bibliographical references.

Thesis (Ph. D.)--University of Missouri-Columbia, 2003. / Typescript. Vita. Includes bibliographical references (leaves 292-307). Also available on the Internet.

Thesis (Ph. D.)--University of Missouri-Columbia, 2003. / Typescript. Vita. Includes bibliographical references (leaves 292-307). Also available on the Internet.

No abstract available. / Thesis (M.Ed.)-University of Durban-Westville, 1986.

Thesis (Ph. D.)--University of Texas at Austin, 1998. / Vita. Includes bibliographical references (leaves 170-177). Available also in a digital version from Dissertation Abstracts.

Statistically, travel by air is one of the safest forms of transportation. Yet we continue to experience aviation tragedies. Do we fully understand flight safety or is there another way of looking at the problem? In this work a new way of approaching the question of flight safety is developed, justified and illustrated. Traditional methods are shown to be insufficient for a full understanding of flight safety. They do not provide an adequate explanation of the context of aviation safety. The issue is approached from a new perspective with a methodology based on a philosophical understanding of explanation. For the examination of the context of aviation safety traditional modes of scientific explanation are rejected in favor of a paradigmatic explanation. A framework for explaining the context of accidents and safety, in general, is synthesized from four broad paradigms which characterize its patterned nature: the cognitive paradigm, the paradigm of normal accidents, the paradigm of technology, and the paradigm of organizational complexes. The development of the framework is supported by a wide diversity of literature from philosophers, psychologists, social scientists and engineers. It is explicated with numerous examples throughout. The framework is then compared with the traditional mode of explanation through an extensive pedagogical case-study of a specific accident. The new framework is complementary to traditional approaches and new insights are pointed up. Finally, some broad recommendations are made for the community of professionals concerned with improving aviation safety. / Graduation date: 1991

Thesis (Ph. D. (Learning Support, Guidance and Counselling) -- University of Pretoria, 2008. / Includes bibliographical references.

Thesis (MMus (Music))--University of Stellenbosch, 2009. / ENGLISH ABSTRACT: In a world of increased mobility, a growing number of people find themselves in places other than those that they originate from. While a strong case has been made in various disciplines for the experiences of alienation and disruption emanating from the politically tinctured notion of exile, this thesis argues that these experiences affect all émigrés alike, be it the consequence of forced or voluntary migration. It is this study’s aim to nuance the understanding of displacement and explore the ways in which the exile discourse informs a general, less extreme discourse of voluntary displacement with specific reference to the composer John Joubert and his opera Silas Marner. In the first chapter, displacement is theorized as a doubleness or ambivalence that is important in understanding creative work done by those who have been displaced and that is informed, in the South African composer’s case, by the relationship between the centre of ‘the’ art music tradition in Europe and Britain and its ‘peripheral’ practice in South Africa. The second chapter argues the ways that notions of nationality still inform thinking about composers and their aesthetic in a time that nationality is no longer a monolithic, stable denominator. This is done with specific reference to the composer John Joubert. In the third and fourth chapters, the focus narrows to Joubert’s opera Silas Marner (op. 31), and explores displacement as a theoretical paradigm for reading and studying of the opera. The third chapter discusses the choice of subject matter of the opera and the significance of Eliot’s novel as basis for an operatic text. Finally, the fourth chapter provides a brief analysis of the opera, its conception and reception history as well as a critical discussion of the ways in which notions of displacement is present in this work. / AFRIKAANSE OPSOMMING: In ‘n wêreld wat meer toeganklik as ooit tevore is, bevind mense toenemend hulself in plekke elders as waar hulle vandaan kom. Terwyl die konsep van ballingskap, met sy politiese konnotasies, al deur verskeie dissiplines bestudeer en geteoretiseer is, argumenteer hierdie tesis dat die gevoel van vervreemding en ontwrigting wat daaruit spruit deur alle emigrante beleef word, synde die gevolg van willekeurige of onwillekeurige emigrasie. Hierdie studie stel homself ten doel om die begrip van ontheemding te nuanseer en die verskeie maniere waarop die ballingskapdiskoers tersaaklik is vir ontheemding, te belig. Dit sal gedoen word met spesifieke verwysing na die komponis John Joubert en sy opera, Silas Marner (op. 31). In die eerste hoofstuk word ontheemding geteoretiseer as ‘n dubbelsinnigheid wat belangrik is in die verstaan van die ontheemde se kreatiewe werk. Die verhouding tussen die sentrum van ‘die’ kunsmusiektradisie in Europa en Brittanje en die ‘periferale’ beoefening daarvan in Suid- Afrika word as bydraend tot hierdie dubbelsinnigheid gesien. Die tweede hoofstuk argumenteer dat nasionaliteit nie meer ‘n eenduidige, stabiele aspek in die beskouing van musiek en musiekestetika verskaf nie en bedink die maniere waarop nasionaliteit steeds betrekking op musiekstudie kan hê. Dit word met spesifieke verwysing na John Joubert gedoen. In die derde en vierde hoofstukke vernou die fokus na Joubert se opera Silas Marner en word die wyses waarop ontheemding tot ‘n lesing van die opera kan bydra verken. Die derde hoofstuk behandel die keuse van onderwerp vir die opera en die belang van Eliot se roman as operateks. Die vierde hoofstuk bespreek die ontstaans- en resepsiegeskiedenis van die opera, analiseer die opera kortliks en verskaf ‘n kritiese bespreking van die wyses waarop nosies van ontheemding in die opera teenwoordig is.

Made available in DSpace on 2014-06-11T19:23:36Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-03-16Bitstream added on 2014-06-13T19:50:31Z : No. of bitstreams: 1 belli_rb_me_mar.pdf: 570629 bytes, checksum: 87f550976f30a1b355a3791ab579687d (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Uma das opiniões mais respeitadas no debate sobre a crise paradigmática é a de Boaventura de Sousa Santos. O sociólogo português afirma que a crise paradigmática teria sua origem no modelo de racionalidade da modernidade e que seria profunda e irreversível, não se limitando a ciência e estendendo-se por todo o conjunto de instituições da modernidade. O objetivo central desta pesquisa é avaliar a concepção de Santos sobre a crise paradigmática sociológica enquanto ideologia, isto é, enquanto ação orientada para a resolução de conflitos sociais. Isto exige uma análise que, além do aspecto gnosiológico, trate de maneira articulada os parâmetros socioeconômicos e dos principais movimentos políticos e científicos envolvidos no momento histórico de sua produção e reprodução, apurando, assim, o seu grau de compreensão da realidade. Neste sentido, caracterizando preliminarmente a teoria de Santos, é possível avaliar alguns pontos importantes. O primeiro deles é o destacado idealismo contido em suas formulações, entendendo por isso a importância que o autor atribui a certas formulações sobre o real em detrimento da própria realidade que ele pretende demonstrar. Santos propunha, desde o início, uma avaliação crítica da realidade, especialmente sobre os desdobramentos da ciência no período entre as décadas de 1960 e 1970, tentando constituir uma linha de estudos que tratasse desse campo específico sem deixar de considerar os aspectos e fatores exteriores à sua constituição... / One of the most respected opinions on the paradigmatic crisis debate is the one of Boaventura de Sousa Santos. The Portuguese sociologist affirms which the paradigmatic crisis would have your origin in the model of modern rationality and that it would be deep and irreversible, if not limiting the science and extending for the whole group of institutions of the modernity. The central objective of this research is evaluate the conception of Santos on the paradigmatic crisis while ideology, that is, while action guided for the resolution of social conflicts. This demands analyses which, besides the gnosiologic aspect, treat in an articulate way the socioeconomic parameters and the main political and scientific movements involved in the historical moment of your production and reproduction, thickening, like this, your degree of understanding of the reality. In this sense, characterizing preliminarily Santos theory, it is possible to evaluate some important points. The first of them is the outstanding idealism contained in their formulations, understanding for that the importance which the author attributes to certain formulations on the real to the detriment of the own reality that he intends to demonstrate. Santos proposed, since the beginning, a critical evaluation of the reality, especially on the unfolding of the science in the period among the decades of 1960 and 1970, trying to constitute a line of studies to treat of that specific field without leaving of considering the aspects and external factors in your intern constitution... (Complete abstract click electronic access below)

Orientador: Fátima Aparecida Cabral / Banca: Pedro Jorge de Freitas / Banca: Terezinha Ferrari / Resumo: Uma das opiniões mais respeitadas no debate sobre a crise paradigmática é a de Boaventura de Sousa Santos. O sociólogo português afirma que a crise paradigmática teria sua origem no modelo de racionalidade da modernidade e que seria profunda e irreversível, não se limitando a ciência e estendendo-se por todo o conjunto de instituições da modernidade. O objetivo central desta pesquisa é avaliar a concepção de Santos sobre a crise paradigmática sociológica enquanto ideologia, isto é, enquanto ação orientada para a resolução de conflitos sociais. Isto exige uma análise que, além do aspecto gnosiológico, trate de maneira articulada os parâmetros socioeconômicos e dos principais movimentos políticos e científicos envolvidos no momento histórico de sua produção e reprodução, apurando, assim, o seu grau de compreensão da realidade. Neste sentido, caracterizando preliminarmente a teoria de Santos, é possível avaliar alguns pontos importantes. O primeiro deles é o destacado idealismo contido em suas formulações, entendendo por isso a importância que o autor atribui a certas formulações sobre o real em detrimento da própria realidade que ele pretende demonstrar. Santos propunha, desde o início, uma avaliação crítica da realidade, especialmente sobre os desdobramentos da ciência no período entre as décadas de 1960 e 1970, tentando constituir uma linha de estudos que tratasse desse campo específico sem deixar de considerar os aspectos e fatores exteriores à sua constituição... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: One of the most respected opinions on the paradigmatic crisis debate is the one of Boaventura de Sousa Santos. The Portuguese sociologist affirms which the paradigmatic crisis would have your origin in the model of modern rationality and that it would be deep and irreversible, if not limiting the science and extending for the whole group of institutions of the modernity. The central objective of this research is evaluate the conception of Santos on the paradigmatic crisis while ideology, that is, while action guided for the resolution of social conflicts. This demands analyses which, besides the gnosiologic aspect, treat in an articulate way the socioeconomic parameters and the main political and scientific movements involved in the historical moment of your production and reproduction, thickening, like this, your degree of understanding of the reality. In this sense, characterizing preliminarily Santos theory, it is possible to evaluate some important points. The first of them is the outstanding idealism contained in their formulations, understanding for that the importance which the author attributes to certain formulations on the real to the detriment of the own reality that he intends to demonstrate. Santos proposed, since the beginning, a critical evaluation of the reality, especially on the unfolding of the science in the period among the decades of 1960 and 1970, trying to constitute a line of studies to treat of that specific field without leaving of considering the aspects and external factors in your intern constitution... (Complete abstract click electronic access below) / Mestre