Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-04-03T22:42:54Z No. of bitstreams: 1 SaraCarlaNunoDeLaRosaGarcia_DISSERT.pdf: 4861140 bytes, checksum: 1f475095fc590990e8b1f05f0801b34b (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-04-11T19:39:25Z (GMT) No. of bitstreams: 1 SaraCarlaNunoDeLaRosaGarcia_DISSERT.pdf: 4861140 bytes, checksum: 1f475095fc590990e8b1f05f0801b34b (MD5) / Made available in DSpace on 2017-04-11T19:39:25Z (GMT). No. of bitstreams: 1 SaraCarlaNunoDeLaRosaGarcia_DISSERT.pdf: 4861140 bytes, checksum: 1f475095fc590990e8b1f05f0801b34b (MD5) Previous issue date: 2017-03-06 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / O presente trabalho busca contribuir na consolida??o de pesquisas antropol?gicas na ?rea de dan?a e performance por meio de um estudo etnogr?fico de caso focalizado no processo de produ??o perform?tica do ?ltimo espet?culo do Grupo Parafolcl?rico da UFRN, ?Ensaiei meu samba o ano inteiro?. Para entender a realidade da companhia examinamos a perspectiva dos bailarinos sobre as fases que constituem a produ??o da performance e a forma em que tal procedimento modifica o car?ter das rela??es interpessoais, assim como a concep??o dos sujeitos sobre o coletivo, o espet?culo e sobre eles mesmos. Por ?ltimo, ? analisado o potencial que o espet?culo tem, como contexto perform?tico capaz de alterar a compreens?o dos bailarinos e a plateia sobre alguns dos fatores que determinaram a transforma??o do samba no Brasil. O espet?culo traz para a cena teatral um percurso hist?rico da evolu??o desse g?nero musical, a partir da encena??o de mais de dez coreografias que buscam ressignificar elementos do batuque, do lundu, do samba de roda, do maxixe, do samba can??o, do samba gafieira e do samba enredo respectivamente. Nesse sentido, ? realizado um estudo comparativo entre os elementos sociais, musicais e coreogr?ficos abordados pela companhia e as caracter?sticas do contexto hist?rico em que surgiram os distintos tipos de samba sobre os quais o grupo fundamentou o seu trabalho de pesquisa para a produ??o art?stica da obra. / This work aims to contribute to the anthropological studies on dance and performance through an ethnographic analysis of a case study focused on the process of performatic production of the last show of the the UFRN Parafolcloric Group, "I rehearsed my samba throughout the year". In order to understand the reality of the company, I examined the dancers' perspective on the stages of the production of the performance, as well as the way in which this procedure modifies interpersonal relationships and the subjects' concept of the group, the show, and themselves. Finally, I analyze the potential of the show as a performatic context able to modify the understanding of dancers and the audience on some of the factors, which determined the evolution of samba in Brazil. The show brings into the theatrical scene a historical journey of this musical genre through the representation of more than ten choreographies, with the goal of re-signifying elements of different dances, namely batuque, lundu, samba de roda, maxixe, samba can??o, samba gafieira, and samba enredo. In this sense, I carry out a comparative study of the social, musical, and coreographical elements addressed by the company, and the historical context in which the different kinds of samba on which the group grounded its research for the artistic production of the show.