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Hranice archetypu a stereotypu v tzv. červené knihovně / The Boundary between the Archetype and Stereotype in the Love Romance StoriesŠtelová, Diana January 2017 (has links)
The aim of this thesis is to cover the structure and functioning of archetypes, stereotypes or emblems in selected genres of popular literature - the romance novels and comics. A similar structure of mythization in the popular genres is revealed through mutual comparison. Selected works are analyzed on the basis of Jungian psychology and its concepts of the unconscious and the archetypal image. The original myths, fairy tales, other popular genres and some works of the European fictional tradition are involved in the comparison. Among others, this thesis also draws from approaches included in various works of sociology, ethnography, Religious Studies and feminist literary criticism. The comparative analysis has shown that provable connection between popular literature and the original myth structures can be traced and the collective unconscious serves as a transmission medium. The genres of popular literature are worthy of further research because they reflect not only contemporary social situation but also essential structures of the human psyche. This thesis clearly demonstrates that the romance novels and comics are valid parts of the literary sphere and suggests one of the possible ways suitable for further study of the subject.
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Tingets patos : Religionsestetik och shinto som ett estetiskt objekt / The Pathos of Things : Religious aestehtics and shinto as a aesthetic objectvan der Linden, Martin January 2020 (has links)
Föreliggande uppsats är en religionsestetisk studie med fokus på den estetiska dimensionen inom shinto och dess historiska bakgrund. Studien söker en förklaring till nutidens estetiska shintodefinition genom att spåra den tillbaka till Motoori Norinagas (1730–1801) begrepp ”tingets patos” (mono no aware) och hans estetiska tolkning av det gudomliga. / The present essay is a religious aesthetic study focusing on the aesthetic dimension within Shinto and its historical background. The study seeks to find an explanation for the aesthetic Shinto definition of today by tracing it back to Motoori Norinaga's (1730–1801) concept “the pathos of the thing” (mono no aware) and his aesthetic interpretation of the divine.
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Hrdinové tichého vzdoru: poetika pasivity v moderní literatuře / Heroes of Silent Resistance: The Poetics of Passivity in Modern LiteratureKoudelková Jesenská, Lucie January 2018 (has links)
This thesis is concerned with the phenomenon of passivity in literature, particularly with how it manifests itself through actions, stagnation and means of existence of chosen literary characters and subjects. It concentrates on such figures that are inactive or apathetic, whose actions lack the clearly articulated meaning and purpose and it often seems that they vegetate rather than live an active life. The main theme is the relationship between passivity and activity and turning the passivity into a creative principle. The thesis applies the performative theory on the literary text and sees passivity of the literary characters or subjects as a means of their art performance which offers new interpretations of examining texts and the passivity in general. Methodologically the thesis is based especially on the performative theory of Erika Fischer-Lichte, but also on the anthropological research of transition rituals, theoretical concepts of mediality, John Austin's speech-act theory or on selected philosophical thesis of Maurice Merleau-Ponty and post-structuralist philosophy of Gilles Deleuze and Jacques Derrida. As primary texts for the analysis serve the short story The Overcoat (Шинель, 1842) by Nikolai Vasilievich Gogol, the novella Bartleby, the Scrivener (1853) by Herman Melville, The Book...
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