The counterfeit phenomenon was analyzed in this magisterial work, and was interpretation made of it. In any museum appears to discover some forgeries that can be clarified only with time though time can veil it. Forgeries are made usually by faired people who lengthened manner or style of one or another famous artist. On one glance to history is clear, that the phenomenon of adulteration is popular in these quarters, where finances and profit are in hand also in the world of art. This phenomenon does not passes neither history nor politics. Some myths and legends are so vital, that it can encourage the modern man to a fantasies, that embolden to falsification of a facts. The rigging is not only material wealth, but intellectual property can be rigged too. Though the religious society declaring Christian moralities speak against any inferiority or lying and cheating, there are facts of its members can not resist a temptation to firm up their positions in peoples harts by invoking worldly unfair games. The erect hypothesis approved there for the proposition can be made that so widely spread forgery is not popular as a peace of art itself. There is gathered and systematized information allows to make an abstract opinion on forgery in this magisterial work. The oeuvre part of this magisterial work “Fake” is important up to date this theme was not used as artificial expression, there for it can become not only an object of exhibitions, but perform the social function:... [to full text]