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Thesis advisor: Robert Bartlett / In his depiction of Athens in his Peloponnesian War, Thucydides shows a city of extraordinary daring, energy, resourcefulness and hope. However, it is difficult adequately to articulate the character of that which is most central to Athens, namely, her imperial ambition. Although Athens is clearly distinguished from the fearful, ever-hesitating Sparta by her apparently boundless activity and hopefulness, it is nonetheless unclear what, precisely, Athens is hoping for. What is the attraction of the ceaseless toil and danger of great empire? In risking what they have because they are “always seeking more,” what exactly do the Athenians think they are getting? My study approaches these questions through a focus on one of the great puzzles of Athenian imperialism, namely, that the Athenians claim both that their empire is pursued under the compulsion of fear, honor, and/or interest, and that it is freely undertaken -- a contradiction that creates a difficulty especially for the Athenians’ repeated suggestion that their empire is a noble, praiseworthy enterprise. Through consideration of the Athenians’ experience of their imperial ambition and the ways in which the contradictory elements of that ambition fit together in their minds, as made clear especially through the rhetoric of their outstanding statesmen, we gain greater clarity about the character of the longings underpinning the extraordinary Athenian energy for empire. We also come better to understand the conditions in which the Athenians’ hopes are made more or less tractable and reasonable, as well as the influence of the rhetoric of leading Athenians on these hopes. This dissertation argues that the Athenians are less attached to one particular object as the deepest root of their imperialism, and more to the notion of a freedom from all limits, which can be both inflamed by, as well as helpfully anchored to, their opinions of their virtue; thus, the study suggests that the desire for empire is deeply rooted in human nature, and that empire will therefore appeal to us for as long as human nature remains unchanged. / Thesis (PhD) — Boston College, 2015. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: Political Science.

Thesis advisor: Robert C. Bartlett / Hannah Arendt contends that one can find in Thucydides' presentation of Pericles a “pure” form of politics, unadulterated by the advent of philosophy in general and of liberal political philosophy in particular. Periclean political practice, Arendt argues, is therefore a superior alternative to liberalism-superior because it is more authentic and hence more satisfying to permanent human political longings. After clarifying Arendt's claims about the pre-Socratic understanding of politics embodied in Pericles' statesmanship, the dissertation proceeds to test that account against a close reading of Thucydides' presentation of Pericles. Arendt's claim that Pericles' political practice is driven by a desire to escape the futility of human existence by creating an “immortal” story of his fame or glory proves to be unsubstantiated by Thucydides' account. To be sure, Pericles does seek glory, both for himself and for Athenians in general. But Arendt overlooks Pericles' preoccupation with deserving glory. Pericles' concern with cultivating Athenian citizens who can claim responsibility for their actions, and hence deserve praise for those actions, forces him to confront the complexities of human moral freedom and practical judgment in ways that Arendt ignores or overlooks. / Thesis (PhD) — Boston College, 2017. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: Political Science.

This paper examines the costume designs, character analysis, and the process of design collaboration involved in the production of Pericles, Prince of Tyre done in the spring of 2009 at the University of Massachusetts Amherst. The designer, Heather Lee Crocker-Aulenback, chose to create a series of cultures influenced by both the text and familiar cultural groups found in our own world, to represent the lands visited by the hero of the play and to create a dynamic and artistic visual landscape for the audience.

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Thesis (Ph. D.)--University of Chicago, Department of Classical Languages and Literature, August 2002. / Includes bibliographical references. Also available on the Internet.

Alcibiades was one of the most dynamic and engaging figures of the Peloponnesian War. Like a chameleon, he managed to change himself to fit almost any occasion and audience; few historical figures can claim to have successfully switched allegiances as many times during a conflict. Starting as a general in Athens, he moved on to side with the Spartans, then the Persians, and then returned to Athens. Some would consider him a young and impulsive egoist, but a closer investigation indicates that he more than likely had a larger, pragmatic goal motivating his actions. This essay will aim first to establish his break from the philosophical status quo of Athens, and then to determine the nature of these larger goals. It will pivot around Alcibiades’ address to the Athenian assembly, using it in a comparative analysis of both Pericles’ Funeral Oration, and briefly supplementing it with Plato’s Alcibiades I.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal.