Baigiamajame magistro darbe nagrinėjama postmodernizmo stiliaus raiška privačiuose gyvenamuosiuose namuose Lietuvoje, nuo XX a. 9 dešimtmečio vidurio iki 10 dešimtmečio pabaigos. Siekiant atskleisti šio stiliaus bruožus, specifiką ir kultūrinę reikšmę Lietuvoje darbe analizuojami Vakarų pasaulio (JAV, Vakarų Europos, Japonijos) privačių gyvenamųjų namų etalonai bei sąlygos, nulėmusios jų raidą. Darbe nustatoma, kad to meto socialiniai, politiniai, ekonominiai veiksniai Lietuvoje, iš esmės lėmė ir šios architektūros nepažinimą ir kritišką vertinimą. Daroma prielaida, kad dėl politinių-ekonominių veiksnių, užsienio profesinė periodika buvo viena iš pagrindinių priemonių postmodernizmo architektūrai pažinti. Todėl atliekama privačių gyvenamųjų namų publikuotų užsienio periodiniuose leidiniuose ir Lietuvoje lyginamoji analizė. Nustatomi charakteringiausi Lietuvos postmodernizmo architektūros privačių gyvenamųjų namų bruožai ir jų sąsajos su užsienio architektūra. Iš nagrinėjamų Lietuvos postmodernizmo stiliaus privačių gyvenamųjų namų išskiriami aukšto kokybinio lygio pastatai-etalonai, įvardinamos jų vertingosios savybės.Darbo apimtis – 92 p. teksto be priedo, 57 iliustr., 9 schemos, 99 bibliografiniai šaltiniai, 3 priedai. / The goal of Master thesis is to investigate expression and features of postmodern style of private dwelling-houses of Lithuania, from the middle of the 9th decade to the 10th decade of the twentieth century. In order to reveal the characteristics, features and cultural significance of the style in Lithuania, the private dwelling-houses of postmodern style of the Western world (the U.S., Western Europe, Japan) are analyzed, as well as conditions which prompted their development. The paper discusses that the social, political and economic factors of Lithuania at that time, led to the suspicion and critical evaluation of postmodern architecture in general.It is assumed that due to the political-economical factors, the Western magazines were one of the main tools for Lithuanian architects to get to know postmodern architecture. Therefore, a comparative analysis between private dwelling-houses published in foreign periodicals, and of Lithuania, is conducted. Consequently the most common features of private dwelling-houses of postmodern style in Lithuania and their links with Western architecture are determined. Houses of Lithuania of high quality postmodern architecture are named, their valuable properties are defined. Thesis consists of: 92 p. text without extras, 57 pictures., 9 schemes, 99 bibliographical entries, 3 appendixes included.

The diploma thesis Comparison of the Exile Press's View of Events in Czechoslovakia Using Národní politika and České slovo As Examples analyses the content of exile periodicals relating to the events in Czechoslovakia from the late 1960s until 1989. The analysis focuses on four events which can be seen as key moments in the period in question. The first event covered in the work is the Prague Spring, commencing with the first flashes of change to the occupation by the Warsaw Pact forces and its consequences. The analysis then explores the Helsinki Conference and the related civil initiative of Charter 77. The last even analysed is the Velvet Revolution and the period immediately preceding it. The first part of the thesis gives a historical overview of the development of the situation in Czechoslovakia during the period in question with an emphasis on the aforementioned events in Czechoslovak history. The second part analyses and compares selected periodicals' view of these events and their reaction to the development of the situation in Czechoslovakia. Emphasis is also placed on how exiles saw their role in the events in Czechoslovakia. The thesis also focus on the second wave of emigration, often referred to as the post-August emigration, which brought a series of new challenges, including dealing...

This thesis is engaged in the formation of the concept of class in the second generation of the Czech (Bohemian) Working-Class Movement. I selected time termination, because of the beginning of the 1890s involved onset of second generation of working-class movement, which deflected from radikalism the first generation of pioneers to engagement oscillating between reformism of Bebel and revisionism of Bernstein. Even since the early 1890s gradually alternated Class about itself (Klasse an sich) at precisely defined Class for itself (Klasse für sich). Thesis seeks to answer the question: Why occured to the above-mentioned phenomenon in the second generation? The traditional explanation of Marxist Historians about the end of Persecutory Phase and logical accession Mass Party seems too schematic. The year 1914 is selected as an upper time milestone, because the First World War caused a series of high quantitative and qualitative transitions in social relations: proletarianization of wide classes in society; fatal deteroration of living, social, health and political conditions of workers. The Working Classes in the prewar and wartime periods are two different social phenomena, which ought to analyse historically separately. The thesis is conceptually draws on Benedict Anderson's seminal work Imagined...

Abstract The thesis is about the reaction of Czechoslovak political scene to Milan Hodža's Danubian plan. Milan Hodža was Slovak Agrarian and economist who introduced his plan in the second half of 1935 at the time when he was Prime minister of Czechoslovakia. Author emerged from broader considerations of Czech and Czechoslovak ideas about economic and political developments in Central Europe, according to Palacký "space between Germany and Russia." In this context author accepts Palackys beliefs about the indispensability of the Danubian Hapsburg Empire as the counter imperialist expansion's bumper of both the continental powers and efforts of political parties Mladočeši and Staročeši who tried to reform and maintain the country. He also describes the interwar projects of Czechoslovak sovereign foreign policy, where Czechoslovaks tried to take on an inspirational leadership role of Central European economic and political cooperation which was based on Little Entente. Author of this thesis thinks that Hodža's Plan is just one of these projects. And as all the previous projects Hodža's plan had no opportunity to be implemented in the new internationally-political and internationally-economic context. Had Milan Hodža prepared his plan for economic and potentially political cooperation between Danube region countries from the national economy point of view? Did he start the wider discussion about the possibility of Danube region cooperation in Czechoslovakia? These are the basic questions that the author asks and he answers them in the last chapter of his work: Milan Hodža never made any concrete national economic statement for his plan. His attempt for the realization had never gone out of the diplomatic detection. Likewise he did not evoke any specific reaction of Czechoslovak political parties not even in party periodicals.

Between the Old and the New Homeland: Integration and Self-Identification of the Czech Community in the USA throughout the Second Half of the XIXth century Mgr. Krasimira Marholeva, Ph.D. Abstract The dissertation assessed the interdependence between the process of integration and shifting national identity of Czech immigrants in the USA throughout the second half of the XIXth century. In the first place, I explored the strategy they elaborated in order to integrate to the American society. Secondly, I assessed how the Czech immigrants identified themselves and how they endeavoured to preserve their national and cultural identity, to prevent their children from acculturation and assimilation. Last but not least, I explored the process of integration and self-identification of the children of the Czech freethinkers during the period in question through the prism of their letters that had been published in the Czech-American freethinking periodical press. In my work, I relied on archival sources, on Czech-American periodical press, on auto-biographies of Czech immigrants in the USA, on memoirs of Czech-American contemporaries and Czech travellers, and last but not least, on letters of the children of the Czech freethinkers in the USA.

5 Abstract Diploma thesis deals with the topic of the Belarusian national movement in the late Soviet period. After the end of the Stalinist terror in the 70th-80th of the 20th century civic movements have been reborn in the Soviet Belarus. A rising national movement continued the national- building process, started in 20th years with the program of Belorusisation, which was interuppted by Soviet government in the late 20th. The research subject of the thesis is the Belarusian national idea in samizdat periodicals during 1970-1985. Content analysis of samizdat journals allows to define and understand the period's thinking. Since Soviet samizdat at that time was the only media environment, independent from the ideology and censorship. The thesis as well includes analysis and development of Belarusian national idea from its beginning; characteristic of the political, economic and social context of the Soviet period; appearance and analysis of dissent and democratic activities in 1970-1985.

<p>У дисертацији су проучени српски хумористичко-сатирички листови с краја XIX и почетка XX века, тачније из периода 1881&ndash;1903. године. Трагано је за хумористичко-сатиричким прилозима како би се они укључили у корпус српске књижевности тог периода. Истраживање је спроведено применом критичко-методичког апарата за изучавање књижевно-уметничких дела. Основна идеја била је да се покаже да раније маргинализована грађа завређује пажњу историчара српске књижевности, јер прилози који су анализирани у раду показују да су у њима коришћене стилске фигуре и поступци као и у другим родовима и жанровима који су били третирани као норма српске књижевности. Прилози у српској хумористичко-сатиричкој периодици овог времена могу да буду одлична грађа не само за књижевну историју, већ и за историјску, социолошку, психолошку, културолошку или родну анализу. То је важно, јер се кроз хумористичке прилоге проговарало о темама које су биле табуиране и цензурисане у озбиљним политичким листовима. У шаљивој периодици готово увек је постојао и ликовни део у виду карикатура које су пратиле текст. У раду се наглашава повезаност ликовног и текстуалног слоја тих прилога, тако да се помињу и неки од најзначајнијих твораца карикатуре код Срба из тог периода (Драгутин Дамјановић, Јосип Даниловац, Јован Јовановић Змај и други). Стога ови прилози могу да се проучавају и са аспекта ликовне уметности. Текстуални елемент&nbsp;карикатура имао је увек подтекст који је могао бити историјски, књижевни, па чак и религиозни, али који је обавезно био кључ за разумевање карикатуре. Данашњем читаоцу тај подтекст је далек и циљ рада био је да се он појасни и да се карикатура на прави начин протумачи. Показало се да су се аутори хумористичко-сатиричких прилога бавили пре свега политиком на микро и макро нивоу, црквеним темама, родним темама, путописним темама и другим. Рад показује велику актуелност хумористичко-сатиричке периодике у оно време и да су српски листови пратили трендове који су постојали у истоврсној литератури у Европи и шире.</p> / <p>U disertaciji su proučeni srpski humorističko-satirički listovi s kraja XIX i početka XX veka, tačnije iz perioda 1881&ndash;1903. godine. Tragano je za humorističko-satiričkim prilozima kako bi se oni uključili u korpus srpske književnosti tog perioda. Istraživanje je sprovedeno primenom kritičko-metodičkog aparata za izučavanje književno-umetničkih dela. Osnovna ideja bila je da se pokaže da ranije marginalizovana građa zavređuje pažnju istoričara srpske književnosti, jer prilozi koji su analizirani u radu pokazuju da su u njima korišćene stilske figure i postupci kao i u drugim rodovima i žanrovima koji su bili tretirani kao norma srpske književnosti. Prilozi u srpskoj humorističko-satiričkoj periodici ovog vremena mogu da budu odlična građa ne samo za književnu istoriju, već i za istorijsku, sociološku, psihološku, kulturološku ili rodnu analizu. To je važno, jer se kroz humorističke priloge progovaralo o temama koje su bile tabuirane i cenzurisane u ozbiljnim političkim listovima. U šaljivoj periodici gotovo uvek je postojao i likovni deo u vidu karikatura koje su pratile tekst. U radu se naglašava povezanost likovnog i tekstualnog sloja tih priloga, tako da se pominju i neki od najznačajnijih tvoraca karikature kod Srba iz tog perioda (Dragutin Damjanović, Josip Danilovac, Jovan Jovanović Zmaj i drugi). Stoga ovi prilozi mogu da se proučavaju i sa aspekta likovne umetnosti. Tekstualni element&nbsp;karikatura imao je uvek podtekst koji je mogao biti istorijski, književni, pa čak i religiozni, ali koji je obavezno bio ključ za razumevanje karikature. Današnjem čitaocu taj podtekst je dalek i cilj rada bio je da se on pojasni i da se karikatura na pravi način protumači. Pokazalo se da su se autori humorističko-satiričkih priloga bavili pre svega politikom na mikro i makro nivou, crkvenim temama, rodnim temama, putopisnim temama i drugim. Rad pokazuje veliku aktuelnost humorističko-satiričke periodike u ono vreme i da su srpski listovi pratili trendove koji su postojali u istovrsnoj literaturi u Evropi i šire.</p> / <p>The dissertation examines a set of Serbian humorous-satirical journals at the end of the 19th and the beginning of the 20th century, in the period between 1881 and 1903. It aimed at identifying the humorous-satirical articles in order to include them in the Serbian literature of that period. The research was carried out by using the critical and methodical apparatus for studying literary and artistic works. The main idea was to demonstrate that previously marginalized material deserved proper attention of literary historians, since the articles analyzed in the dissertation contained both the figures of speech and literary procedures seen in other works and genres treated as normative in the Serbian literature. Articles in the Serbian humorous-satirical periodicals of that time could be an excellent material not only for literary history, but also for historical, sociological, psychological, cultural and gender research. This is important, having in mind that the comical articles spoke about the topics that were forbidden or censored in serious political journals. In comic periodicals, there was almost always a segment of fine art, displayed through caricatures accompanying the text. The dissertation emphasises this connection between the caricatures and the text. Therefore, it references some of the most prominent Serbian caricature artists of that&nbsp;time (Dragutin Damjanović, Josip Danilovac, Jovan Jovanović Zmaj, etc.). Furthermore, these articles can be analysed from the point of view of fine arts. The textual element of caricatures always had the subtext which could be historical, literary, or even religious, and it was always the key to understaninding the caricature. To the contemporary reader, this subtext is out of reach. The dissertation aims at making it understandable so as to correctly interpret the caricature. It became obvious that the authors of humorous-satirical articles predominanty dealt with politics on the micro and macro levels, clerical topics, gender issues, travel literature, and so on. The dissertation shows that the humorous-satirical periodical was highly resonant of its time and that Serbian journals followed the trends of the same kind of literature in Europe and elsewhere.</p>

This master's thesis examines the influence of a Czech newspaper, the Worker's Papers, that was published in Vienna. The daily paper was targeted at Czech citizens living in the Austrian capital in the times of political changes, between 1918 and 1919. First, the thesis employs the method of a quantitative analysis of articles from selected front pages of the Worker's Papers. I overview the major topics that the newspaper most often reported on: the world politics and the situation of Czechs living in Vienna. Then, I engage in a qualitative content analysis, analyzing key issues of Czechs that were often publicly discussed in the Austrian capital. Regarding the world news reporting, only articles that directly influenced Germany and Hungary are considered, since the Worker's Papers paid a special attention to this region. Using the quantitative, as well as qualitative, content analysis, I examine the extent to which the reporters in the Worker's Papers influenced their readers in terms of their audience's decision making and in terms of shaping the collective identity of the Czech minority in Vienna. The thesis discloses the topics that the Worker's Papers frequently reported on. Additionally, the thesis reveals the role of the newspaper in shaping the way Czech minority perceived themselves in the...

This diploma thesis - The image of Italian films in Czechoslovak film journals in years 1965- 1975 is devoted to the manner of display, presentation and evaluation of Italian cinematography in the magazines Kino and Film a doba. The first part of this work describes the social and political environment in Czechoslovakia and in Italy, with an emphasis on culture, film and print media. The attention is focused on the end of the 1960's, when in Czechoslovakia the totalitarian political development was strengthened after an effort to democratize society, whilst in Italy the democratic development of the capitalist society was maintained, despite the pressures of the left-wing forces. The analytical part of the thesis uses qualitative methods and examines the contents of articles in the chosen periodicals. It follows the arguments of film publicists and critics and reveals how the social atmosphere and movements was portrayed by Italian filmmakers. The work focuses on analyzing the articles about Italian movies of different genres and styles, to which film themes was given more space, how was reviewed the work of filmmakers and actors and how was characterized the Italian cinema in general. The conclusion of the thesis summarizes the results of the analysis in the context of the political situation in...

My thesis focuses on the reception of Slovak fiction film in the Czech press from 1948, the year when Slovakia started to produce their own fiction films regularly, until 1969, when the social changes after the occupation of Czechoslovakia by the Warsaw Pact troops ended the whole period. There was a notion in the Czech society that Czechoslovak film is a Czech film and the thesis focuses on this notion as it was understood by the Czech film critics. My goal is to find and explain, when and how the Czech film journalism started to recognize the differences inside the Czechoslovak film and pointed out the unique identity of the Slovak film in the Czech press. Furthermore, I examine how the Slovak film was rated by Czech film critics in the Czech film scholar press, film magazines and newspapers. The first part of the thesis examines the Czech-Slovak relations in the light of newly established Slovak fiction film. The second part focuses on the complex approach of the Czech film critical journals towards Slovak film, influenced by the state power between the years 1948 - 1960. The third part reflects the appearance of the topics concerning SNP and the so called Slovak New Wave, which lasted during two separate periods between the years 1960 - 1969. Powered by TCPDF (www.tcpdf.org)