Thesis (Ph. D.)--University of Sydney, 2008. / Title from title screen (viewed March 11, 2009) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Indian Sub-Continental Studies. Includes bibliographical references.

This dissertation attempts to answer the question, "How is truth communicated through fiction?" It begins with an analysis of theories of fiction that have been given in analytic philosophy. Then, it frames the question in terms of a response to the "war" between philosophy and poetry, represented by Plato's Socrates, who sees a variety of problems with allowing that poetry can teach ethical behavior, and Sir Philip Sidney, who believes that poetry has a great ability to teach. At the heart of the disagreement between the two is a question about the relationship between truth and the kind of communication that takes place in poetry, which is everywhere assumed rather than stated and argued for. The dissertation then continues to work toward an answer to its main question. First it looks at the theories of several continental philosophers who had things to say that hint at the direction to go in answering the question. The last two chapters are an attempt to give and support an answer to the question; imput is drawn from sources as various as Leonard Nimoy, Dorothy Sayer's "Gaudy Night," Linda Young's "Remember WENN" website, and academic literary theory; and the question is given a direct answer in the last chapter. There are three things that all fiction does that makes it communicate truth in a specific manner: all fiction attempts to engage, purports to describe the normal, and actually makes normative implications. It is because of this that fiction is the dangerous but potentially beneficial thing that Plato and Sidney respectively see it as.

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<p>This dissertation, by presenting comprehensive analyses of six poems by the Hungarian poet Sándor Weöres, investigates the poetical forms and the poetical philosophies in these texts. The poems represent specific philosophic spheres of Weöres' poetry. The analyses emerge from the formal elements, and aim to shed light upon the structural coherences between the texts and their philosophical contexts. This method of analysis also complies with Weöres' views on the aesthetics of poetics and his method of writing, where form and structure always played an outstandingly important role. The complex methods used in the analyses are very much influenced by the views and methods of a text stylistics that looks at the literary work as a global entity. Taken together, these analyses illustrate the focal points of a remarkable poetical form and a most profound philosophical context in the poems of an outstanding Hungarian poet.</p>

This dissertation, by presenting comprehensive analyses of six poems by the Hungarian poet Sándor Weöres, investigates the poetical forms and the poetical philosophies in these texts. The poems represent specific philosophic spheres of Weöres' poetry. The analyses emerge from the formal elements, and aim to shed light upon the structural coherences between the texts and their philosophical contexts. This method of analysis also complies with Weöres' views on the aesthetics of poetics and his method of writing, where form and structure always played an outstandingly important role. The complex methods used in the analyses are very much influenced by the views and methods of a text stylistics that looks at the literary work as a global entity. Taken together, these analyses illustrate the focal points of a remarkable poetical form and a most profound philosophical context in the poems of an outstanding Hungarian poet.