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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
21

A tale of two piano trios Fanny and Felix Mendelssohn's Piano trios in D minor (op. 11, Op. 49); and how a woman composer's work should relate to the canon /

Bach, Judit, January 2005 (has links)
Thesis (Ph. D.)--Ohio State University, 2005. / Title from first page of PDF file. Document formatted into pages; contains xiii, 136 p.; also includes graphics Includes bibliographical references (p. 131-136). Available online via OhioLINK's ETD Center
22

THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOS

TSAI, I-HSUAN 01 July 2004 (has links)
No description available.
23

Dedications for Dennis Brain a musical exploration of his additions to the repertoire of the French horn.

Hart, Hilary, Brain, Dennis, Conlon, Frank. Sato, Erika. Rakers, Michelle A. January 2007 (has links)
Thesis (D.M.A.)--University of Maryland, College Park, 2007. / Compact discs.
24

A woman's work a music composition portfolio : a thesis submitted in fulfilment of the requirements for the degree of Master of Music in Composition in the University of Canterbury /

Johnson, Julie, January 2007 (has links)
Thesis (M. Mus.)--University of Canterbury, 2007. / Typescript (photocopy). Includes bibliographical references (leaves 425-426). Also available via the World Wide Web.
25

Bohuslav Martinů's chamber music for violoncello and piano

Bazala, Alison. Andrist, Audrey. Vadala, Kathleen. Newman, Edward, Boyle, Tara. January 2005 (has links)
Thesis (D.M.A)--University of Maryland, College Park, 2005. / Compact discs. Includes bibliographical references.
26

Postmodern Multiplicities in Three Original Works

Bejo, Ermir 12 1900 (has links)
My recent compositions are situated within a postmodern theoretical framework. The heterogeneity of materials and hybridity of musical formation in these works are interpreted and contextualized within a personal reading of postmodern theories. The critical essay traces my aesthetics through a historical investigation into the definition of musical postmodernism. Through extensive citation and analysis of the writings of Julius T. Fraser, Italo Calvino, and Richard Rorty, the essay aims to provide a theoretical context for the interpretation of the musical examples. The creative documentation contains three newly-composed musical works: Piano Trio from Opus 3/c, Opus 6 for Violin, and Opus 7 for Piccolo. The works' postmodern features include creative approaches to the fragmentation of musical time into separate levels, historical allusions, and the exploration of multiplicity.
27

Compositions [Instrumental music. Selections]

Berger, Steven 11 1900 (has links)
Compositions include Sightings : for clarinet and marimba (ca. 14:00), Proboscis maximus : bass trombone solo (ca. 11:00), Pathways : for violin, ’cello and piano, Impulses : for marimba duet, and Gleaned from the wind : for chamber orchestra (ca. 13:00).
28

Compositions [Instrumental music. Selections]

Berger, Steven 11 1900 (has links)
Compositions include Sightings : for clarinet and marimba (ca. 14:00), Proboscis maximus : bass trombone solo (ca. 11:00), Pathways : for violin, ’cello and piano, Impulses : for marimba duet, and Gleaned from the wind : for chamber orchestra (ca. 13:00). / Arts, Faculty of / Music, School of / First, 2nd, 3rd, and 5th works reproduced from manuscripts. Includes performance notes for 1st and 2nd works. Includes composer’s graduation recital program. Vita. Accompanied by sound cassette of recital. / Graduate

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