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A tale of two piano trios Fanny and Felix Mendelssohn's Piano trios in D minor (op. 11, Op. 49); and how a woman composer's work should relate to the canon /Bach, Judit, January 2005 (has links)
Thesis (Ph. D.)--Ohio State University, 2005. / Title from first page of PDF file. Document formatted into pages; contains xiii, 136 p.; also includes graphics Includes bibliographical references (p. 131-136). Available online via OhioLINK's ETD Center
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THE APPROACH TO SONATA FORM IN SCHUBERT'S PIANO TRIOSTSAI, I-HSUAN 01 July 2004 (has links)
No description available.
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Dedications for Dennis Brain a musical exploration of his additions to the repertoire of the French horn.Hart, Hilary, Brain, Dennis, Conlon, Frank. Sato, Erika. Rakers, Michelle A. January 2007 (has links)
Thesis (D.M.A.)--University of Maryland, College Park, 2007. / Compact discs.
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A woman's work a music composition portfolio : a thesis submitted in fulfilment of the requirements for the degree of Master of Music in Composition in the University of Canterbury /Johnson, Julie, January 2007 (has links)
Thesis (M. Mus.)--University of Canterbury, 2007. / Typescript (photocopy). Includes bibliographical references (leaves 425-426). Also available via the World Wide Web.
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Bohuslav Martinů's chamber music for violoncello and pianoBazala, Alison. Andrist, Audrey. Vadala, Kathleen. Newman, Edward, Boyle, Tara. January 2005 (has links)
Thesis (D.M.A)--University of Maryland, College Park, 2005. / Compact discs. Includes bibliographical references.
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Postmodern Multiplicities in Three Original WorksBejo, Ermir 12 1900 (has links)
My recent compositions are situated within a postmodern theoretical framework. The heterogeneity of materials and hybridity of musical formation in these works are interpreted and contextualized within a personal reading of postmodern theories. The critical essay traces my aesthetics through a historical investigation into the definition of musical postmodernism. Through extensive citation and analysis of the writings of Julius T. Fraser, Italo Calvino, and Richard Rorty, the essay aims to provide a theoretical context for the interpretation of the musical examples. The creative documentation contains three newly-composed musical works: Piano Trio from Opus 3/c, Opus 6 for Violin, and Opus 7 for Piccolo. The works' postmodern features include creative approaches to the fragmentation of musical time into separate levels, historical allusions, and the exploration of multiplicity.
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Compositions [Instrumental music. Selections]Berger, Steven 11 1900 (has links)
Compositions include Sightings : for clarinet and marimba (ca. 14:00), Proboscis maximus : bass trombone solo (ca. 11:00), Pathways : for violin, ’cello and piano, Impulses : for marimba duet, and Gleaned from the wind : for chamber orchestra (ca. 13:00).
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Compositions [Instrumental music. Selections]Berger, Steven 11 1900 (has links)
Compositions include Sightings : for clarinet and marimba (ca. 14:00), Proboscis maximus : bass trombone solo (ca. 11:00), Pathways : for violin, ’cello and piano, Impulses : for marimba duet, and Gleaned from the wind : for chamber orchestra (ca. 13:00). / Arts, Faculty of / Music, School of / First, 2nd, 3rd, and 5th works reproduced from manuscripts.
Includes performance notes for 1st and 2nd works.
Includes composer’s graduation recital program.
Vita.
Accompanied by sound cassette of recital. / Graduate
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