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The commodification of tragedy a critical examination of contemporary film /Dawson, Harold. January 2007 (has links)
Theses (M.A.)--Marshall University, 2007. / Title from document title page. Includes abstract. Document formatted into pages: contains 50 pages. Bibliography: p. 44-48.
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Reforming film study at the level of higher education in Taiwan, the Republic of China /Lee, Tain-dow January 1986 (has links)
No description available.
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Reproducing languages, translation bodies approaches to speech, translation and cultural identity in early European sound film /Rossholm, Anna Sofia. January 2006 (has links)
Thesis (Ph. D.)--Stockholm University, 2006. / Distributed in print by Almqvist & Wiksell International, Sweden. Title from title screen. Includes bibliographical references (leaves 193-212).
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Problem cinema : culture, capital and form in Japan /Cazdyn, Eric M. January 1998 (has links)
Thesis (Ph. D.)--University of California, San Diego, 1998. / Vita. Includes bibliographical references (leaves 302-310).
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Democratic women : gender, national discourse and the cinema of post-Franco Spain /Van Liew, Maria, January 1997 (has links)
Thesis (Ph. D.)--University of California, San Diego, 1997. / Vita. Includes bibliographical references (leaves 215-233).
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Post-transition transitions : childhood, performance and immigration in post-Franco Spanish cinemaNoble, Fiona January 2015 (has links)
No description available.
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Ghosts and goddesses: women, cinema, & the imageKwok, Crystal Lee., 郭錦恩. January 1995 (has links)
published_or_final_version / Literary Studies / Master / Master of Arts
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Gender representation in filmsYeung, Yuk-ngan., 楊玉顔. January 2002 (has links)
published_or_final_version / Literary and Cultural Studies / Master / Master of Arts
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香港暴力電影: 製作者與製作條件的分析. / Xianggang bao li dian ying: zhi zuo zhe yu zhi zuo tiao jian de fen xi.January 1981 (has links)
周昌龍. / Thesis (M.A.)--香港中文大學硏究院傳播學部. / Manuscript. / Includes bibliographical references (leaves 1-7 (2nd group)). / Zhou Changlong. / Thesis (M.A.)--Xianggang Zhong wen da xue yan jiu yuan chuan bo xue bu. / Chapter 第一章 --- 研究說明 / Chapter 第一節 --- 問題和界說 --- p.1 / Chapter 第二節 --- 本研究的特點及研究範圍 --- p.8 / Chapter 第三節 --- 研究方法 --- p.11 / Chapter 第四節 --- 理論和界說 --- p.15 / Chapter 第三章 --- 香港電影的發展模式 / Chapter 第一節 --- 香港電影模式的特點 --- p.21 / Chapter 第二節 --- 香港政府對電影的態度 --- p.25 / Chapter 第三節 --- 香港電影的娛樂傾向 --- p.31 / Chapter 第四節 --- 電影在本地市場上的競爭 --- p.38 / Chapter 第五節 --- 香港暴力電影的發展歷史及其特質 --- p.51 / Chapter 第三章 --- 暴力電影產生的商業背景 --- p.83 / Chapter 第一節 --- 暴力電影的製作成本 --- p.83 / Chapter 第二節 --- 暴力電影的市場及賣座情況 --- p.93 / Chapter 第三節 --- 結論 --- p.104 / Chapter 第四章 --- 暴力電影的製作技巧和吸引力 --- p.112 / Chapter 第一節 --- 技術改良和暴力電影的發展 --- p.113 / Chapter 第二節 --- 導演怎樣使暴力電影更吸引觀眾 --- p.121 / Chapter 第三節 --- 結論 --- p.137 / Chapter 第五章 --- 暴力電影的執行製作者 / Chapter 第一節 --- 執和製作者在影片製作上的地位 --- p.141 / Chapter 第二節 --- 導演製作暴力電影的客觀因素 --- p.149 / Chapter 第六章 --- 總結 / Chapter 第一節 --- 傳播者對社會的責任 --- p.187 / Chapter 第二節 --- 香港暴力電影的市場競爭力 --- p.190 / Chapter 第三節 --- 香港電影事業的特殊發展環境 --- p.197
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Trash is truth : performances of transgressive glamour /Davies, Jon. January 2004 (has links)
Thesis (M.A.)--York University, 2004. Graduate Programme in Film and Video. / Typescript. Includes bibliographical references (leaves 121-130). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL:http://gateway.proquest.com/openurl?url%5Fver=Z39.88-2004&res%5Fdat=xri:pqdiss&rft%5Fval%5Ffmt=info:ofi/fmt:kev:mtx:dissertation&rft%5Fdat=xri:pqdiss:MQ99293
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