Global ETD Search

1	"Krásné piety" krásného slohu / "Beautiful pietas" of the Beautiful Style Čtvrtníková, Marie January 2017 (has links) The thesis in its first part outlines in general the iconographical type of pietà and its genesis from the very beginning of the representation of this type until the end of the 14th century. Furthermore the work interprets the literary sources and its impact on the form of medieval pietàs. The emphasis in all chapters of this work will be put in the first place on the type of the so called Beautiful pietàs of the Beautiful Style. In the first, theoretical part of the work the author presents, among others, an interpretation of Beautiful pietàs' gestures. The second part of the thesis treats seven concrete Beautiful pietàs chosen as illustrative representatives of the iconographical type they belong to. The attention will be devoted to the Pietà of Marburg, Pietà of Baden, Pietà of St. Elisabeth in Wrocław, Pietà of the Kreuzenstein Castle, K ivák's Pietà, Pietà from the Hermitage Museum in Petersburg and Pietà of Celje. In the case of these concrete examples will be summarized and interpreted the existing research outputs. Subsequently the author will attempt to solve some of the problems and questions relating to the concrete sculptures concerning in particular the time of their creation, provenance, the original placement and authorship.
2	Sochařství krásného slohu ve Vratislavi / Sculpture of beautiful style in Wroclaw Šleichrtová, Andrea January 2019 (has links) This thesis is divided into two main parts. The First cultural-historical part is dedicated to introduction of cultural-historical context between Bohemian kingdom and Silesia. Historical development of Silesia and its joining into the union of Lands of Bohemian crown is also shortly discussed. The second art-historical chapter in first part brings the resume of literature dedicated to phenomenon of beautiful style. The second part brings resume of literature dedicated particularly to the Silesian centre of beautiful style. And the last part of this chapter consists of a catalogue of chosen works of beautiful style from Wroclaw. Those are Pietà of St. Elisabeth in Wroclaw, Pietà of Virgin Mary on Sand church in Wroclaw, Man of sorrows from Goldsmith's altar, Pietà from St. Stanislaw and Wenzel church in Sweidnitz, Pietà from St. Matthew church. For each of these works a detailed formal analysis is made and existing research outputs are summarized. As a conclusion of researches mentioned above an attempt is made to improve accuracy of dating and to answer some questions related to those works of art.
3	Sedmdesát let vzpomínek na Lidice a Ležáky / Lidice and Ležáky - seventy years of memories Tajčová, Tereza January 2018 (has links) The diploma thesis describes the way of commemorating Lidice and Ležáky villages, which were exterminated by the Nazis during the Second World War. The text covers the period from 1945 to the present, focusing on the image of these villages (and the tragedy of 1942) in resistance periodicals called The voice of revolution (Hlas revoluce) and the National Liberation (Národní osvobození). Based on the quantitative and qualitative analysis of these sources, the author interprets the image of recollection of Lidice and Ležáky tragedies in given periodicals and puts it in the context of the period. Key words: Lidice, Ležáky, National liberation, Voice of the revolution, assembly, Czech freedom fighters union
4	Madona a pieta : Proměny jejich zobrazování ve výtvarné kultuře středověku / Madonna and Pieta (Vesperbild) : The modifications of its depictures in medieval art Dráždilová, Martina January 2011 (has links) Martina Dráždilová: Madonna and Pieta (Vesperbild). The modifications of its depictures in medieval art /Diploma thesis/ Prague 2011 − Charles University in Prague, Faculty of Education, Department of art education, 179 pages . Enclosures: 6 original paintings on canvas, combination technology. CD with inspiratory educational project. Diploma thesis is focused on thematic antithesis Madonna and Pieta and the modifications of its depictures in medieval art. The intention of work is to present theoretical knowledges of art history in kontext with art education and to describe the limits od educational work with religious topics. The first part presents the concept of cultural christianity and its position in czech curiculum. The second part presents historical study focused on iconografy of Madonna and Pieta, and the modifications of Madonna and Pieta in medieval ithalian painting in 13th and 14th century. On the knowledges of theoretical study is based educational project for grammar school students. Vizual problems of this the project are tested in specific artistic work. Enclosure presents quantitative research of positions of kultural christianity between grammar school students. Key words Visual art, Madonna, Pieta, ithalian gothic painting, cultural christianity, educational project,...
5	Choose to Avoid Tragedy Martin, Zora 01 January 2018 (has links) Shakespeare's ideas about free will and moral choice, as illustrated in his play Macbeth, may have been influenced by Dante's Inferno. Dante was known to Shakespeare's contemporaries, and therefore most likely to the Bard himself. Current literature has not conclusively addressed this topic, and a focused examination is important, because it offers both an additional perspective on free will in Inferno, and adds to the understanding of free will in Macbeth. Read at face value, Macbeth seems to bear no responsibility for his actions because they were preordained by the fates. Dante believed in free will, and Macbeth bears more than one similarity to his Commedia. Read through a Dantean lens, Macbeth has free will - even if choosing not to exercise it. Through the mere contemplation of the four reasons for not killing Duncan, Macbeth recognizes that he has the choice whether to become a traitor, with the consequences of suffering contrapasso damnation. But Macbeth elects to disregard the wisdom passed down in Dante's Commedia, and knowingly commits a heinously immoral act. Shakespeare uses his predecessor Dante as a tool to advocate for human agency and moral choices in a text that would otherwise be fatalistic. Both then and now, Shakespeare sought to influence his audiences' understanding of their own free will. One first has to believe in possessing free will, in order to use it to make the best possible choices. Dante and Shakespeare reaffirm our possession of free will to help us avoid individual and societal tragedies. Dante Shakespeare free will Inferno Macbeth pieta and speranza Catholic Studies Comparative Methodologies and Theories Italian Literature Language Interpretation and Translation Literature in English, British Isles Medieval Studies
6	The Leprous Christ and the Christ-like Leper: The Leprous Body as an Intermediary to the Body of Christ in Late Medieval Art and Society Ogden, Jenna Noelle 26 May 2011 (has links) No description available. Art Criticism Art History European History European Studies Fine Arts History Medieval History Medieval Literature Middle Ages Religious History Spirituality leper leprosy Christ Saint Francis Virgin Mary compassion Man of Sorrows stigmata wounds Crucifixion flagellation stigmatization deposition of Christ Pieta blood
7	Separating, correlating, and exploiting anisotropic lineshapes for NMR structure determination in solids Walder, Brennan J. 20 May 2015 (has links) No description available. Physical Chemistry
8	Dagli Incurabili alla Pietà : le chiese degli ospedali grandi di Venezia tra architettura e musica, 1522-1790 / Moretti, Laura. January 2008 (has links) Teilw. zugl.: Venezia, Universit̀a IUAV, Diss., 2006.

Search results