Made available in DSpace on 2017-07-10T18:56:11Z (GMT). No. of bitstreams: 1 PATRiCIARADAELLI.pdf: 953660 bytes, checksum: 372d3623f71434dc5e2c834dd57d92b0 (MD5) Previous issue date: 2016-12-16 / This work presents a study about the work of Nelson Rodrigues, with a focus on the indissoluble relationship among the author, the narrator and his multiples in the literary production of his chronicles and short stories. Stand out in the analysis, the historical and social resonances which are understood from the fictional work of this author, with a latent itinerary, produced more than two thousand texts, during five decades, in a transit among textual genres. From the hybridization processes in the composition of the Rodriguean narrator, it was evidenced the creation and recreation of archetypes framed by themes about love relationships, betrayal and death, bounded by tragic, mythical and psychological aspects, in a writing denominated, in this research, of Performance. In this study, excerpts from the works include: O óbvio ululante (1968), A vida como ela é...(de 1961), A menina sem estrela: Memórias (de 1967) e O reacionário: memórias e confissões (do ano de 1977) e A vida como ela é... O homem fiel e outros contos (1992). From this corpus, it was searched to explore how Nelson Rodrigues records and reflects the daily life of his time and human problems.The study was based on a qualitative bibliographical research, with a methodological basis based on analyzes of the comparative literature, with theoretical approaches that subsidized reflections on the status of the author, the narrator and the intertextual processes. Besides that it also was searched the theoretical bases of the mitochristian and the critical of psychoanalytical basis. The text is organized in three chapters. The first one that presents an approach on literature as a form of aesthetic apprehension of the real and points out aspects that evidence Nelson Rodrigues as a creative subject, with a production permeated by echoes between reality and fiction. As a theoretical source, there are the contributions of Freud (2011), Benjamin (1996), Santiago (2002), Bakhtin (2002) and Lejeune (2008). Then, a second chapter, whose purpose was to exemplify the tone of an autobiographical narrative, with retrospectives and sections of self-portrait, in time and space demarcations, trying to show how Nelson Rodrigues puts the double as a narrator character in order to transcend The "real" space, to rescue the memory, in a fictional hybrid creation, with demarcations and rites of passage of love and, mainly, death, involving figures of literature and other cultural, social and political practices. For the discussions about memory, the contributions of the triad of French authors - Ricoeur (2007), Nora (1993) and Halbwachs (2006) were used. Finally, a third chapter with the study about the different aesthetic elements present in the stories with the objective of unveiling the expressive effects of these fictional projects and analyzing how these compositions, when dialoguing with other texts, reflect an archetypal and performatic nelsonrodrigueana script; the analyzes are supported by studies by Goffman (1985) Zumthor (2005/2014). With the integration of the three chapters, it was searched to highlight the insertions of the textual and contextual structures of Rodrigues, with the interpretation of the resonances provoked by the dialogues and adaptations of the texts of Nelson Rodrigues with his context of production and with his memories / Este trabalho apresenta um estudo sobre a obra de Nelson Rodrigues, com enfoque para indissolúvel relação entre o autor, o narrador e seus múltiplos na produção literária de suas crônicas e contos. Ressaltam-se, na análise, as ressonâncias históricas e sociais que se depreendem da obra ficcional desse autor, que, com um itinerário latente, produziu mais de dois mil textos, durante cinco décadas, num trânsito entre gêneros textuais. A partir dos processos de hibridização na composição do narrador rodrigueano, evidenciou-se a criação e a recriação de arquétipos emoldurados por temáticas sobre relacionamentos amorosos, traição e morte, cingidas de aspectos trágicos, míticos e psicológicos, numa escrita denominada, nesta pesquisa, de performática. Figuram, neste estudo, trechos das obras: O óbvio ululante (1968), A vida como ela é... (de 1961), A menina sem estrela: Memórias (de 1967) e O reacionário: memórias e confissões (do ano de 1977) e A vida como ela é... O homem fiel e outros contos (1992). A partir desse corpus, buscou-se explorar o modo como Nelson Rodrigues registra e reflete o cotidiano de seu tempo e as problemáticas humanas. O estudo deu-se a partir de uma pesquisa bibliográfica, qualitativa, com a base metodológica amparada em análises da literatura comparada, com abordagens teóricas que subsidiaram reflexões sobre o estatuto do autor, do narrador e dos processos intertextuais. Além disso, também foram buscadas as bases teóricas da mitocrítica e a crítica de base psicanalítica. O texto encontra-se organizado em três capítulos. Um primeiro que apresenta uma abordagem sobre a literatura como forma de apreensão estética do real e pontua aspectos que evidenciam Nelson Rodrigues como um sujeito criador, com uma produção permeada de ecos entre realidade e ficção. Como fonte teórica, estão explicitadas as contribuições de Freud (2011), Benjamin (1996), Santiago (2002), Bakhtin (2002) e Lejeune (2008). Depois, um segundo capítulo, que teve por proposta exemplificar o tom de uma narrativa autobiográfica, com retrospectivas e seções de autorretrato, em demarcações de tempo e espaço, buscando-se evidenciar como Nelson Rodrigues põe em cena o duplo como personagem narrador, para transcender o espaço real , resgatar a memória, numa criação ficcional híbrida, com demarcações e ritos de passagem de amor e, principalmente, de morte, envolvendo figuras históricas da literatura e de outras práticas culturais, sociais e políticas. Para as discussões sobre a memória, foram utilizadas as contribuições da tríade de autores franceses Ricoeur (2007), Nora (1993) e Halbwachs (2006). Por fim, um terceiro capítulo com o estudo sobre os diferentes elementos estéticos presentes nos contos com o objetivo de desvendar os efeitos expressivos desses projetos ficcionais e analisar como essas composições, ao dialogarem com outros textos, refletem uma escritura nelsonrodrigueana arquetípica e performática; as análises estão amparadas em estudos de Goffman (1985) e Paul Zumthor (2005/2014). Com a integração dos três capítulos, buscou-se evidenciar as inserções das estruturas textuais e contextuais rodrigueanas, com a interpretação das ressonâncias provocadas pelos diálogos e adaptações dos textos de Nelson Rodrigues com seu contexto de produção e com suas memórias.

Annotation: The presented Diploma thesis deals with the ways in witch is today, more than twenty years after the "Velvet Revolution", communist period presented to foreing tourists in Prague and in the sector of mass tourism.. It is based on my field research that took place in the Museum of Communism, during the especially on communism oriented guided tours and but rather commplementary, in the Propaganda pub and also on the semi-structured formal and informal interviews with guides. The thesis focuses on the differences in the presentation of communism in different generations of guides, it monitors how their personal, or, conversely, indirect or mediated experience affects their references. My work is observes communism not only as marketing tourism product, but using the concepts of social memory I try to point to range of different individual memories based on everyday experiences. These small personal histories of everyday life complement established, or rather the one that is still being instituted. The thesis also monitors and reflets some possible adjustments and transformations of social memory and outline what could be the motivation for these changes. Keywords: Mass tourism; communism; social memory; identity; places of memory - "les lieux de mémoire".

The intention of this work is to monitor changes significant natural place - the Giant Mountains Heidelberg / Zaly in the 19th century, when the topographical point in the country without national or sacred past, becoming a symbolic place of memory, based on an analysis of available sources to determine which social "entities "the creation of this symbolic" construct "involved. The culmination of this symbolic metamorphosis in the place of memory was the construction of the observation tower atop Czech tourists in the nineties, who within the nationalist "rivalry" between the Czech and German tourist organizations of "dominating the hill" reluctant to use toponomastic arguments interpreting the origin of the Czech name of the mountain, that, however, not based on the real facts, but only on certain notions of local "culture of remembrance". These ideas survived and were kept for centuries in memories as a myth a symbolic level the collective memory of the local ethnic (Czech) population during the 19th century, and spread thanks to a first layer of civil servants-topographers and later mainly due to expansion of tourist clubs. To form Heidelberg / Žalý as a place of memory also contributed to the domain owner - provincial and local patriot - Count Harrach, who supported these efforts financially...