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Edgar Allan Poe's visionBorenstein, Lisa. January 1967 (has links)
No description available.
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Edgar Allan Poe's visionBorenstein, Lisa. January 1967 (has links)
No description available.
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Mort à venir : l'abîme et la revenante dans l'oeuvre d'Edgar Allan PoeLimoges, Alexandre January 1999 (has links)
Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.
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The motif of premature burial in the tales of Edgar Allan Poe /Tritt, Michael L. January 1974 (has links)
No description available.
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The motif of premature burial in the tales of Edgar Allan Poe /Tritt, Michael L. January 1974 (has links)
No description available.
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The poetic theory of Edgar Poe : a study in eclecticismLipsky, Linda January 1978 (has links)
No description available.
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The poetic theory of Edgar Poe : a study in eclecticismLipsky, Linda January 1978 (has links)
No description available.
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"Eureka" : a touchstone for the characteristic motifs in the tales of Edgar Allen PoeClawson, Connye Le January 2010 (has links)
Typescript, etc. / Digitized by Kansas Correctional Industries
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Humor e sátira: a outra face de Edgar Allan PoeSilva, Ana Maria Zanoni da [UNESP] 18 January 2007 (has links) (PDF)
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silva_amz_dr_arafcl.pdf: 1437284 bytes, checksum: a57768f1083ee10b765a92dde5c797f1 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Esta tese tem por objetivo o estudo de seis contos - A esfinge, Uma estória de Jerusalém, O diabo no campanário, Mistificação, Os óculos e Pequena conversa com uma múmia - do ficcionista, poeta e crítico norte-americano Edgar Allan Poe (1809-1849), mundialmente conhecido como o pai do conto moderno, a fim de analisar o modo como o autor constrói o humor e a sátira e em que medida eles constituem uma sátira ambivalente ao seu meio social. As análises revelam a existência de um compromisso do autor com a sociedade do seu tempo, que se manifesta na criação ficcional pelo viés satírico e crítico aos exageros da ideologia norte-americana do século XIX. / This dissertation aims to study six short stories - The Sphynx, A Tale of Jerusalem, The Devil in the Belfry, Mistification, The Spectacles, and Some Words with a Mummy - by the American fictionist, poet, and critic Edgar Allan Poe (1809-1849), world wide known as the father of the modern short story, in order to analyze how the author builds humor and satire and to what extent they constitute an ambivalent satire to his social millieu. The analyses reveal the existence of the author's compromise with the society of his time, which is manifested in his fictional creation by means of the satire and criticism of the exaggerations of XIXth century American ideology.
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Poe's Use of LandscapeMartin, Princess 08 1900 (has links)
The author proposes to determine, through a study of the poems, tales, and criticism, the purposes and methods guiding Poe's violation of the conventional use of nature as a mere descriptive element.
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