This work treats about the permeation of two different compositional approaches (real time technologie and instrumental composition) in proper piece of art - music and dance performance The Art of Manipulation. First I treat about the development of interactive motion sensing systems in the last fifty years and further I describe to different possibilities of their categorisation. In the next part I describe the performance The Art of Manipulation in terms of its dramaturgy and musical content. Further I deal with compositional methods that I used in the instrumental and electroacoustic musical plane and concurrently I analyze their relationship. In the end I describe the architecture and function of the virtual instrument used for real time sound recording and processing.

In my thesis, I describe and reflex upon working with imagined idea while in movement, as I have personaly experienced it during workshops for actors and dancers and during selected classes offered at the Department of Authorial Creativity and Pedagogy. My reflections are confronted with experience of a number of other participant of the workshops and with the expressed intentions of a selected number of teachers of these workshops. I deal with questions such as how the work with imagined ideas can influence one's movement, enrich the actor's motoric and expressive palette and how it can shape the way we experience our own body and influence our psychosomatic integrity. The first section of the thesis introduces theoretical background. The second section describes in detail individual exercises with movement based on imagined ideas and it includes also participants'and teachers' reflections and references to other contexts. The third section deals with the use of imagined ideas in movement while creating stage art.

The aim of the thesis is to describe the principles of creativity of Jindřiška Křivánková, senior professional and a highly experienced theatre performer; and confront her way of thinking and creativity with my own artistic view and my skills gained during my time of study at HAMU. Thereafter, the thesis will first elaborate on her theatre development, from the beginning of her carrier until now. Further it will addresses the major aspects and circumstances that led to her prospering in the field. It also examines the influence of particular personalities that helped her to develop her distinct views on theatre. A further discussion on the various aspects of artistic creation and creative process in a mutual confrontation of the two of us, in which we touch not only broad general issues concerning the culture and theatre, but also the special approaches towards it.

Diploma thesis is divided into three chapters. In first chapter are explained elementary ideas of kinematic geometry in the plane included not just images but also dynamic files made in software GeoGebra. Second chapter is about specific motions in the plane. It describes construstion of the curves in synthetic and analytic way. Every motion has its own file with animation of that motion. Last chapter devoted to history of some curves and also to aplication of kinematic geometry in real life. This thesis is useful for university students of descriptive geometry, but it also may help as motivation for high school students, mainly students of technical schools.

Diplomová práce se zabývá existujícími překážkami v oblasti volného pohybu pracovníků. Ustanovení SES, která tuto problematiku upravují, jsou však mnohdy příliš obecná, a až judikatura Evropského soudního dvora interpretací článků SES blíže specifikuje a definuje jednotlivé pojmy, které mohou být komunitárního charakteru (např. pojem ?pracovník?).Proto se tato stať věnuje překážkám volného pohybu pracovníků na základě rozsudků Evropského soudního dvora a rozboru důsledků, které z jeho rozhodnutí plynou.

Tématem diplomové práci je mezinárodní zdanění příjmů z kapitálového majetku. Jejím cílem je potvrdit či vyvrátit hypotézu, že ?český systém zdanění příjmů z kapitálového majetku neklade překážky volnému pohybu kapitálu?. Hlavní část práce spočívala v analýze relevantních českých a mezinárodních právních norem upravujících oblast zdanění dividend a úroků. Následně byl metodu komparace porovnán režim zdanění příjmu z kapitálového majetku ze zdrojů na území České republiky s režimem, ve kterém se zdaňují tytéž příjmy plynoucí ze zdrojů v zahraničí. V závěru práce analyzuje, zda český systém zdanění příjmů z kapitálového majetku neklade překážky volném pohybu kapitálu. Autor dospěl k závěru, že český daňový systém je v oblasti zdaňování dividend a úrokových příjmů plně harmonizován s evropskými právními normami a neklade žádné překážky volnému pohybu kapitálu.

Tato diplomová práce se zabývá právní úpravou volného pohybu fyzických osob v rámci Evropské Unie: osvětluje základní princip a smysl volného pohybu osob jako jedné ze základních svobod Evropské Unie, pojem občanství EU, a Shengenské dohody, dále se zabývá také přípustnými omezeními volného pohybu osob, úpravou sociálního a zdravotního zabezpečení migrujících občanů EU a přechodnými opatřeními omezujícími pohyb občanů z nových členských států na území někdejší EU-15.

The thesis called Music in Choreography with the subtitle Interaction of Dance and Music with the Use of Motion Sensors aims to characterise the relationship between dance and music, and how this relationship was influenced by the advancement of technologies during the 20th century. The work pays close attention to the possibilities of using motion sensors, it presents the basic types of sensors and their use in choreographic work. Based on analysis and exploration of her own master´s degree choreography, The Art of Manipulation, the author describes the process of collaboration between a choreographer and a composer in creating a performance which uses modern technology in the form of Hot Hand motion sensor.

The subject of my master thesis is searching for overlaps of both dancing and drama where the means of artistic expression in terms of the performer?s integrity play the key role. The aim is to find and define the crucial points in the art evolution which have been further developed by artists in both drama and dancing. The aim is also to point out the overlapping of genres which either adopted or integrated features of other artistic fields. This master thesis is a follow-up of my bachelor thesis with the main subject being ?movement and voice?. The aim is to pick up the threads of my bachelor thesis dealing with the integration of voice in the contemporary dance and its detailed specification. The source of information are not only the post-modern as well as contemporary artists, but also looking back in the history of modern dance evolution. Vital part of my thesis is a description of my pedagogical experience at the Janáček Conservatory in Ostrava which summarizes my knowledge acquired during the lessons of Modern dance and Dancing Education.

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