The unexpected comparison of a Supreme Court Justice with a popular culture icon demonstrates how politics and popular culture become entwined in the contemporary context; moreover, network culture provides a conduit for vernacular discourse about politics, which circulates in the style of popular culture. Through analysis of images of Ruth Bader Ginsburg as created, shared, and circulated in network culture, this project explores the alternative levels of discourse generated in network culture, examines the ways the public represents politics, and explains the ability of political subjects to affect meaning. The aim of this project is to document a conjunctural moment; as such, analysis of the images in aggregate provides a foundation to raise questions about how American political culture is manifested, attended to, and maintained through network culture and the parlance of popular culture. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2017. / FAU Electronic Theses and Dissertations Collection

Typescript (photocopy) Bibliography: leaves 779-813.

In this thesis I argue that food and drink were of central importance to Don Dunstan throughout much of his political and private life. The conventional view of Dunstan always proclaimed that his passionate interest in food and drink was merely peripheral to his life. Food and drink were simply an aberration, of the same idiosyncratic order of importance as his song and dance routine with Keith Michell, his piano playing, or his reciting poetry from the back of an elephant. These various accomplishments were merely confirmation that Dunstan was different from other politicians. I argue that Dunstan was indeed different, but that the difference was rooted firmly in his life-long love affair with food and drink. I argue that his fascination with food and drink drove much of his reform agenda, that it helped his day-to-day survival, and that it provided him with the means of expressing his ove for others. Dunstan's 1976 cookbook announced his arrival as a devotee of gastronomy and furthers my argument that he helped to introduce and establish a new Australian cuisine. After Dunstan left political life in 1979 he tried to establish himself in other spheres, but it was his almost obsessive interest in all of the aspects of a gastronomic life that triumphed. In the final decade of Dunstan's life his long love affair with food and drink became a full-blown passion. I argue that, with his long-overdue adventure as a restaurateur, he finally became the complete Don Dunstan. / Thesis (Ph.D.)--School of History and Politics, 2004.

Not available / text

No description available.

I examine the concept of "culture" being promoted in the Canadian policy of multiculturalism and by Tamil refugees safeguarding their culture in Quebec. I take culture in its relation to power as my focus. I explore what culture means to the Tamils, and how the Canadian ideology of multiculturalism is implicated in the way Tamil "culture keepers" (re)construct their cultural identity. / This research addresses popular "multiculturalism" movements which use anthropological notions of culture but fail to problematize the notion of culture itself. I illustrate how and why the concept of culture is itself culturally embedded and historically shaped, and thus dense with political implications. / It also addresses anthropological approaches which avoid realist ethnography because of its political implications. I argue that a focus on culture in its relation to power is necessary in order to examine anthropology's own continuing involvement in imperialism.

Archives Day is celebrated in Sweden on the second Saturday of November every year since 1998. The aim of this study is to examine how and why Archives Day is celebrated at five archives in the Stockholm region. My empirical material consists mainly of semi-structured interviews with archivists at five archival institutions in the Stockholm region. I have chosen to only interview archivists and not any visitors due to the time con-straints and the scope of the thesis. I have also examined how the goals stated in a government report are carried out in the work with Archives Day. The theoretical framework of the investigation is gathered from educational theory as well as archival theo-ry. For the educational approach I have used John Dewey’s theory of what makes an experience educational to examine whether Archives Day is an educational experience or not. The aspects of archival theory I have chosen concerns the change of the role archives play in a postmodern society. My conclusion is thus twofold. First, I argue that a visit to Archives Day, the way it is celebrated at the ar-chival institutions I have examined, does not constitute an educating experience according to Dewey’s theory. It does, however, have the potential of being an educating experience. Second, I draw the conclusion that the goals behind Archives Day are in line with the general changes of the role of archives in society. Nevertheless, it is not certain that municipal archives have the resources to accomplish these goals. For Archives Day to be a truly successful public awareness campaign for archives, the central organization for Archives Day needs to be bigger and offer more help to the archival institutions. I also argue for further user based research in connection with outreach initiatives in the archival sector. This is a two years master’s thesis in Archival Science.

Typescript (photocopy) / Bibliography: leaves 779-813 / xiv, 813 leaves ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--Dept. of Politics, University of Adelaide, 1990

This thesis investigates the centrality of media spectacles in contemporary Chinese media culture, as sites of contestation over identity, citizenship and ethics. It examines four media spectacles - the media event of the new millennium celebrations, the news event of SARS reportage, the media stories about AIDS and SARS by new media users, and the media campaign war between Falun Gong and the Chinese state - to show how such contestation occurs in the interplay between the state and the non-state. It argues that the praxis to define identity, citizenship and ethics is not only in contestation (featuring resistance and opposition), but also in conjunction (characterized by mutual accommodation and appropriation) between the state and the non-state. Chinese modernity is produced in such interplay. / This thesis is an interdisciplinary study of Chinese media culture, which combines theories from media studies and critical theory with those from China studies, particularly cultural studies in and about China. Chapter One examines trajectories of studies on Chinese media and culture within the context of China's structural transformations in the post-Mao era. It also offers conceptual discussions of counter narratives of modernity as a tripartite concept and Chinese media spectacles in relation to the thematic structure of the thesis. Chapter Two examines the interplay of the state and the non-state through a case study of the new millennium celebrations. It argues that the interplay produces a rejuvenation millennialism that harbingers China's second coming in the third millennium. This rejuvenation millennialism is a hybrid discourse of nostalgia, nationalism, and utopianism, all of which require a post as their signifier. Chapter Three uses SARS reportage as a case study to examine the intellectual politics of Chinese journalists in their interplay with the state and the society. It shows how journalists use strategies of double-time narration to mediate the different logics that are imposed upon them. It argues that mediation journalism defines and confines contemporary Chinese journalism. / Chapter Four studies media stories about AIDS (the case of Li Jiaming) and SARS (the cases of Sun Zhigang and SMS rhymes about SARS) that are produced, circulated and consumed by Internet and mobile phone users in urban China. It shows how new media users are able to re-configure their subjectivities through the interplay with the state and intellectual/journalist communities. It argues that by allowing the reformation of political subjectivities, talking, linking and clicking has become an important means of exercising citizenship for the subjects of postsocialist China. Chapter Five examines Falun Gong's media campaign war with the state, with the focus on their representations of the body, in order to argue that the contestation between the state and the non-state constitutes a crisis not only for body politics but also for ethics. Falun Gong represents an historical force to split the ethics of the self and the nation from the politics of the state. Representing four aspects of counter narratives of modernity in China, these four media spectacles will inform Chinese politics, culture, society and everyday life in the 21st century.

Univ., Diss.--München, 2003. / Quellen- und Literaturverz. S. [539] - 583.