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South African political prison-literature between 1948 and 1990 : the prisoner as writer and political commentatorBooth-Yudelman, Gillian Carol, Yudelman, Gillian Carol Booth- 11 1900 (has links)
This thesis examines works written about imprisonment by
four South African political prison writers who were incarcerated
for political reasons. My Introduction focuses on current
research and literature available on the subject of political
prison-writing and it justifies the study to be undertaken.
Chapter One examines the National Party's policy pertaining to
the holding of political prisoners and discusses the work of
Michel Foucault on the subject of imprisonment as well as the
connection he makes between knowledge and power. This chapter
also considers the factors that motivate a prisoner to write.
Bearing in mind Foucault's findings, Chapters Two to Five
undertake detailed studies of La Guma's The Stone Country, Dennis
Brutus's Letters to Martha, Hugh Lewin's Bandiet and Breyten
Breytenbach's The True Confessions of an Albino Terrorist,
respectively. Particular emphasis is placed on the reaction of
these writers against a repressive government. In addition,
Chapters Two to Five reflect on the way in which imprisonment
affected them from a psychological point of view, and on the
manner in which they were, paradoxically, empowered by their
prison experience. Chapters Four and Five also consider capital
punishment and Lewin and Breytenbach's response to living in a
hanging jail. I contemplate briefly the works of Frantz Fanon in
the conclusion in order to elaborate on the reasons for the
failure of the system of apartheid and the policy of political
imprisonment and to reinforce my argument. / English Studies / D. Litt. et Phil. (English)
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Author, ideology and publisher a symbiotic relationship : Lovedale Missionary Press and early Black writing in South Africa: with specific reference to the critical writings of H.I.E. DlomoMidgley, Henry Peter January 1994 (has links)
The specific instances of R.H.W. Shepherd and H.I.E. Dhlomo are used in this thesis to investigate some of the many factors that influence the formation of a colonial literature, such as politics, social structures and personal ideals. By isolating the Lovedale Mission Press ~s a "contact zone" - a·place where the cultures of the colonizer and the colonized come into direct contact with each other - it is possible to trace how the interaction between these cultures shaped the writing of a particular African writer, H.I.E. Dhlomo. This is done through an analysis of historical factors that shaped the policy of the Lovedale Mission Press in the twentieth century: the development of liberalism in South Africa, the·role of the missionary in African education, the function ofa liberal magazine such as The South African Outlook and the appointment of an ambitious missionary, R.I.W. Shepherd, to the position of Director of Publications. This necessarily included a study of Shepherd's vision of African literature. On the other hand, this study takes cognisance of the factors that shaped Herbert Dhlomo's vision of literature: the development of African nationalism, the entrenchment of segregation as a politial doctrine, and most importantly, his struggle to have his creative writing published by the Lovedale Press. It is shown how Shepherd's vision of what African literature should entail contrasted with Dhlomo's, and how, as a result, Dhlomo deliberately structured his critical writing as a response to Shepherd's Eurocentric approach to African literature.
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Postkolonialiteit in die twintigste- en een-en-twintigste-eeuse Afrikaanse drama met klem op die na-sestigers / Postkolonialiteit in 20ste- en 21ste-eeuse Afrikaanse drama met klem op die na-sestigersVan der Merwe, Anna Susanna Petronella 30 November 2003 (has links)
Text in Afrikaans / In this thesis the term post-colonialism in the Afrikaans drama is investigated, focussing on the post-sixties. The term post-colonialism is difficult to define. Not only are theories of post-colonialism in a state of continuous flux and shifting emphasis, but as a result of different colonial dominations, separate identities have been constructed in South-Africa; so that defining the terms colonial, post colonial and post-colonial proves to be even more problematic.
The purpose of this study is to determine to what extent the Afrikaans drama fits into these discourses. The basic point of departure is the fact that post-colonialism played a considerable role in the development of the Afrikaans drama, at the same time providing a more varied scope.
The research covers several aspects of post-colonialism in Afrikaans drama; each dealt with in a separate chapter. A multitude of perspectives are featured within the broader discourse in order to obtain multiple norms and standards in a phase of self-criticism. The focus falls mainly on themes and not on performance aspects.
New perspectives on issues such as canon texts, silence, hero-worship, the portrayal of woman, patriarchy, and neo-colonialism are presented (chapter 1). In chapter 2 focus falls on the period before 1960, and notably the question of nationalism (associated with apartheid) and the portrayal of the Afrikaner. The literary canon, forms of violence and the position of the super-Afrikaner are viewed in a new light during the re-writing of post-colonial history and the resulting paradigm shifts after 1960. Renewed emphasis is placed on discourse concerning land (chapter 3). Contrasting concepts regarding race, class, language, gender and religion are reconsidered in order to contribute towards the heterogeneous nature of post-colonialism (chapter 4). The function of theatre is to re-evaluate in the context of a post-1994 democratic system. Texts now focus especially on empowerment, re-discovery and re-ordering of history, reconciliation, inter-cultural contact and a post-apartheid syndrome (chapter 5).
Anti-hegemonic resistance in Afrikaans literature since the sixties has confronted writers with the challenge of depicting or creating a larger post-colonial reality through their texts. / Afrikaans and Theory of Literature / D. Litt. et Phil. (Afrikaans)
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South African political prison-literature between 1948 and 1990 : the prisoner as writer and political commentatorBooth-Yudelman, Gillian Carol, Yudelman, Gillian Carol Booth- 11 1900 (has links)
This thesis examines works written about imprisonment by
four South African political prison writers who were incarcerated
for political reasons. My Introduction focuses on current
research and literature available on the subject of political
prison-writing and it justifies the study to be undertaken.
Chapter One examines the National Party's policy pertaining to
the holding of political prisoners and discusses the work of
Michel Foucault on the subject of imprisonment as well as the
connection he makes between knowledge and power. This chapter
also considers the factors that motivate a prisoner to write.
Bearing in mind Foucault's findings, Chapters Two to Five
undertake detailed studies of La Guma's The Stone Country, Dennis
Brutus's Letters to Martha, Hugh Lewin's Bandiet and Breyten
Breytenbach's The True Confessions of an Albino Terrorist,
respectively. Particular emphasis is placed on the reaction of
these writers against a repressive government. In addition,
Chapters Two to Five reflect on the way in which imprisonment
affected them from a psychological point of view, and on the
manner in which they were, paradoxically, empowered by their
prison experience. Chapters Four and Five also consider capital
punishment and Lewin and Breytenbach's response to living in a
hanging jail. I contemplate briefly the works of Frantz Fanon in
the conclusion in order to elaborate on the reasons for the
failure of the system of apartheid and the policy of political
imprisonment and to reinforce my argument. / English Studies / D. Litt. et Phil. (English)
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