Global ETD Search

11	A study of the linkages between popular music and politics in South Africa under Apartheid in the 1980s Durbach, David Justin 03 1900 (has links) This dissertation seeks to explore how the exercise of political power and the music industry impacted each other in South Africa under apartheid during the 1980s. It does so by looking firstly at the ways in which the South African government used music to promote apartheid. Secondly, it looks at the role of South African popular musicians in the struggle against apartheid in the country, specifically their role in civil society and the methods they employed to fight apartheid while avoiding censorship. It looks at key musical developments of the decade and explores their political implications, focusing on three popular genres: bubblegum (or disco), crossover and reggae. Thirdly, it explores the role of South African music and musicians in the struggle against apartheid outside South Africa. Finally, it looks at the role of music in the international anti-apartheid movement and the contribution of the international music community to the struggle. / Political Sciences / M.A. (African Politics) Apartheid Bubblegum Censorship Crossover Music industry Reggae Political socialisation Political communication 782.42164096809048 Politics and culture -- South Africa Music -- Social aspects -- South Africa Popular culture -- South Africa
12	The Nollybook phenomenon / a vindication of popular culture Kohaly, Dawn Felicity 01 1900 (has links) English Studies / M.A. (English) South African romantic fiction Nollybooks Gender stereotypes Women readers Popular culture Text to television 823.08508 Women, Black--South Africa Popular culture--South Africa Young adult fiction, South African Love stories, South African
13	A study of the linkages between popular music and politics in South Africa under Apartheid in the 1980s Durbach, David Justin 03 1900 (has links) This dissertation seeks to explore how the exercise of political power and the music industry impacted each other in South Africa under apartheid during the 1980s. It does so by looking firstly at the ways in which the South African government used music to promote apartheid. Secondly, it looks at the role of South African popular musicians in the struggle against apartheid in the country, specifically their role in civil society and the methods they employed to fight apartheid while avoiding censorship. It looks at key musical developments of the decade and explores their political implications, focusing on three popular genres: bubblegum (or disco), crossover and reggae. Thirdly, it explores the role of South African music and musicians in the struggle against apartheid outside South Africa. Finally, it looks at the role of music in the international anti-apartheid movement and the contribution of the international music community to the struggle. / Political Sciences / M.A. (African Politics) Apartheid Bubblegum Censorship Crossover Music industry Reggae Political socialisation Political communication 782.42164096809048 Politics and culture -- South Africa Music -- Social aspects -- South Africa Popular culture -- South Africa
14	The Nollybook phenomenon / a vindication of popular culture Kohaly, Dawn Felicity 01 1900 (has links) English Studies / M.A. (English) South African romantic fiction Nollybooks Gender stereotypes Women readers Popular culture Text to television 823.08508 Women, Black--South Africa Popular culture--South Africa Young adult fiction, South African Love stories, South African
15	Repositioning the problematic gender formation of a generation of white South African men through performance art Swanepoel, Andrew Peter 08 1900 (has links) An overview of global statistics on violence, country to country and worldwide, indicates that men are the main perpetrators of violence in our societies. Furthermore, the behavioural traits of risk-taking and self-harm are also associated with men. It is my contention that the formative processes involved in gender identity are at the root of these dysfunctions. In an attempt to present a positive alternative, I focus on a group I name the X- Men: white South African Generation X males. Drawing on Judith Butler‟s theory of performativity and its allowance for agency and resistance, I argue that they are not necessarily trapped by how their gender identities were formed through Apartheid‟s gendered institutions. These included schools, sport and the military. I posit that within the institution of art, self-aware artists may present visual representations of resistance and transformation. Acknowledging art as signifying text, the X-Men situate signs differently in an effort to accomplish a social and intersubjective raising-of-awareness. Additionally, this new identity and its associated positive performance have the potential to undermine certain stereotypical perceptions harboured by the broader society as a result of problematic behaviour associated with men. / Art History, Visual Arts and Musicology / M.V.A. Aesthetics Apartheid Auto-ethnography Baby Boomer generation Being Dasein Deconstruction Ethnography Existentialism Feminism Generation X Ideology Intersubjectivity Intertextuality Langue Lichtung Masculinities Militarisation Parole Performance ethnography Performativity Phallic Phallogocentrism Phenomenology Reflexive Whiteness 700.452110968 Emmanuel, Paul, 1969- -- Influence Boshoff, Willem, 1951- -- Influence Pienaar, Peet -- Influence Van Heerden, Peter -- Influence Gender identity in art -- Case studies Masculinity in art -- Case studies

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