Thesis (M.A.)--Carleton University, 2004. / Includes bibliographical references (p. 132-142). Also available in electronic format on the Internet.

Thesis (M.F.A.)--Rochester Institute of Technology, 1990. / Typescript.

Thesis (Ph. D.)--Rutgers University, 2008. / "Graduate Program in Art History." Includes bibliographical references (p. 179-185).

Inauguraldissertation - Johann-Wolfgang-Goethe Universität. / Includes bibliographical references (p. 239-257).

Thesis--Utrecht. / Includes index.

Mem.--Histoire de l'art--Paris 4, 1998.

Diss.--Fakultät für Geschichtswissenchaft--Bochum--Ruhr-Universität Bochum, 1991. / Bibliogr. p. 277-300. Index.

Diss.--Institute of fine arts--New York University, 1999. / Bibliogr. p. 588-646. Index.

Mém. de maîtrise--Histoire de l'art--Paris 4, 1998. / Bibliogr., 10 p.

The portrait of sculptor emerged in the sixteenth century, where the sitter’s occupation was indicated by his holding a statue. This thesis has focus on portraits of sculptors at the turn of 1900, which have indications of profession. 60 artworks created between 1872 and 1927 are analyzed.  The goal of the thesis is to identify new facets that modernism introduced to the portraits of sculptors. The thesis covers the evolution of artistic convention in the depiction of sculptor. The comparison of portraits at the turn of 1900 with portraits of sculptors from previous epochs is included. The thesis is also a contribution to the bibliography of portraits of sculptors.