Texte remanié de: Dissertation--München--Ludwig-Maximilians-Universität, 1997. Titre de soutenance : Die Frauen des römischen Kaiserhauses von Livia bis Iulia Domna in statuarischer, epigraphischer und numismatischer Überlieferung. / Notes bibliogr.

Texte remanié de: Habilitationschrift--Architektur--Darmstadt--Technische Hochschule, 1989. / Bibliogr. p. XI. Notes bibliogr. Index.

Dissertation--Fakultät für Kulturgeschichte und Kulturkunde--Hamburg--Universität, 2001. / Bibliogr. p. 577-588.

Texte remanié de: Diss.--München, 2000. / Bibliogr. p. 123-127. Notes bibliogr. Index.

Dissertation--Duisburg-Essen--Universität, 2003. / Bibliogr. p. 274-289.

Thesis--Münster. / Vita. Includes bibliographical references (p. 375-400).

Thesis (Ph. D.)--University of California, Los Angeles--Art History, 1982. / Vita. "A copy of this doctoral dissertation with the plates and three supplemental catalogues is on file at the Art Library of the University of California, Los Angeles." eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 235-238).

Thesis (doctoral)--Universität, Essen, 1999. / Includes bibliographical references (p. 249-265).

Lewis Carroll's novels Alice's Adventures in Wonderland and Through the Looking Glass and What Alice Found There share many characteristics with the author's photographs. Both Carroll's portraits and literature utilize dreamlike imagery to move beyond the present time and space into a dream world. The similar imagery demonstrates an important creative link between Carroll's novels and photographs. The creation of Carroll's masterpiece, Alice's Adventures in Wonderland and its sequel, Through the Looking Glass and What Alice Found There, creatively depended on the photographic images Carroll produced. Utilizing the four step process of creativity generally accepted by psychologists, Carroll's photographs are examined alongside his texts. In doing so, modern readers of Carroll's novels can glimpse the creative process that produced Wonderland. To argue the creative relationship between Carroll's photography and literature, R. Keith Sawyer's 2006 text, Explaining Creativity: The Science of Human Innovation is employed. Sawyer describes creativity as a four step process: preparation, incubation, insight, and verification. Using these fours steps as reference points, passages from Alice's Adventures in Wonderland and Through the Looking Glass and What Alice Found There are examined alongside Carroll's photographs in order to demonstrate the creative importance of photography to the creation of the Alice novels.

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