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This thesis addresses aspects of Romanian society and cinema, by analyzing post-communist films through the perspective of marginality. The central hypothesis of this study refers to the ways in which films illustrate conditions of post-communist Romanian society, as they consider representations of the periphery through the angle of allegories of marginality. Following a long tradition, especially in literary studies, where it refers to the overt insertion of symbolic meanings, allegory refers in this study to a less noticeable delivery, by using a postmodern interpretation of the concept. This translates to detecting a latent meaning in films, by interpreting them in a broader context pertaining both to the film's circumstances (production, distribution and reception), and to the broader framework of the film's content. What connects post-communist Romanian films is a concern for matters of marginality, as they focus on dissensions in society, intergenerational conflicts, youth and limited opportunities of social movement, and the use of satire as a way of handling the bleak conditions of life. Aiming to provide a realistic representation of post-communist life, new wave Romanian films focus on the mundane reality of everyday life. The films discussed in this thesis expand beyond the scope of the new wave, and present a diversity of aesthetic approaches and relating perspectives on allegory—from distinct to obscure—defined by the contextual conditions of post-communism.

Habilitation--Universität, Konstanz, 2008. / Includes bibliographical references (p. 309-347).

Habilitation--Universität, Konstanz, 2008. / Includes bibliographical references (p. 309-347).

Habilitation--Universität, Konstanz, 2008. / Includes bibliographical references (p. 309-347).

The introduction of civic education to Serbian primary and secondary schools in 2001 marked a beginning of an all-encompassing education reform that followed the country's 2000 'democratic revolution'. In the context of a socio-political shift from various authoritarian regimes, including the 1945-1990 state socialism and 1990-2000 nationalist authoritarianism, the policy set the tone for future changes that were designed to support democratisation of Serbia, and assist its return to Europe (Birzea, 1994). A part of the broader programme for democratisation of education and education for democracy in Serbia, the policy enabled various discursive elements constitutive of the desired post-2000 ideology to enter the national educational discourse. This thesis explored its formation. I approached the policy as a way to explore the beginning of Serbia's first proper post-communist reform, and analyse the actors and ideologies that had shaped it. I used Ball's notion of policy-as-discourse and conceptualised civic education policy as a part of a discursive project of creating a 'new Serbia'. Using elite interviews and documentary analysis, I explored its formation and development, its place in the wider reform, and its relation to religious education, (re)introduced at the same time. Combining the elements of Fairclough's critical discourse analysis, and elements of Bourdieu's social theory, I looked into the meaning and function of civic education as a part of the ideological construction of the future Serbia, as well as capital used to position Serbia favourably in the global field in the early days of its educational transition. Within the wider transition literature, I attempted to establish a comparison between Serbia's 'belated' post-communist transition, and educational changes happening across formerly communist countries of Central and Eastern Europe in early-to-mid 1990s. I also explored the applicability and usefulness of the recent theoretical developments in the transition literature that go against the conceptualisation of post-communist transitions as modernising projects, and argue instead for a focus on unique transformations that happen as a result of a meeting between globally dominant and desirable discursive elements and local contexts. I conclude that the discursive elements of the Serbian civic education policy were used as capital by Serbian policy actors to ensure their better positioning not only in the global, but also in the national field, as suggested by differences in the ideological construction of the policy discourse in different fields. This prompts a concern with the concept of various 'policyspeaks', as recently explored by Halász (2012) and Steiner-Khamsi (2014). I argue that as a part of a discursive project intended to construct post-2000 Serbia, civic education policy worked more towards eradicating the undesirable ideology of violent nationalist authoritarianism, than towards eradicating the ideology of communist authoritarianism. In this sense, the specificity of the context proved important for the shape and meaning of a post-communist reform and ideologies that it was designed to propagate. However, instead of rejecting modernist concepts of transition and democratisation, I advise a future focus on careful unpacking of their context-dependent ideological-discursive constructions.

Title of the thesis Post-communist Hungary as an opportunity: from the transfer of urban intervention models by the Caisse des Dépôts et Consignations to its abortion, the case of Ferencváros district in Budapest (1988-2014). Abstract In a context of regime change this study offers to focus on the process by which the French institution, the Caisse des Dépôts et Consignations, started the diffusion of urban intervention models and then aborted it. The analysis based on networks of actors formed locally in Hungary, attempts to describe the logics of actions constituting of this transfer at different scales: local, national and transnational. Treating this subject post-festum drove the study towards an ethnographic and historic approach, focusing on the analysis of actors' discourses in order to raise different narratives of the past actions. The fall of communism is here understood as a period of uncertainty and its successive redefinitions by politicians are still structuring the actual Hungarian political and economic issues. More than a simple rupture, this period is characterized by a power struggle in the discourses for the justification of different interest groups' actions. Thus, this event is first and foremost an opportunity. In short, the study of tangible aspects of the transnational influence...

Thesis Abstract The thesis deals with the visual content of the media of official memory, in particular the visual material of history textbooks and the exhibition of the National Museum. It examines the formal and content features of the representation of four key events of modern Czechoslovak and Czech history which entered the awareness of the general public as "eight" events: the founding of Czechoslovakia (1918), the signing of the Munich Agreement (1938), the communist coup (1948) and the invasion of the Warsaw Pact armies (1968). Moreover, it relates the modes of representation of these events to the issue of the political transition of 1989. By means of mixed methods research, it examines a sample of textbooks published during the communist era (1967, 1973, 1982, 1983, 1983), the post-communist era (1995, 1996, 1999, 1999, 2000, 2009, 2011) and the exhibits from the permanent exhibition Crossroads of Czech and Czechoslovak Statehood (opened in 2009). In its findings, the thesis presents 34 visual memory figures related to the representation of the selected historical events. It points out the circulation of these images between the medium of the textbook and the historical exposition, thus following the dynamic concept of memory discussed in the theoretical part of the thesis. It finds both...

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