The thesis concerns History teaching in South Africa 1966-2006. Focus lies on the usage of History as a tool of power and empowerment. Primary sources for the survey are textbooks, curricula’s and syllabuses. From a theoretical perspective the thesis discusses power, usage of history and pedagogic literature. The survey is done in a qualitative, hermeneutic way in order to find, discuss and explain underlying structures in the collected data. The thesis results show that History teaching in South Africa was based on an idea of a shared historical consciousness, apartheid, which legitimised the hegemony of the white people. The educational system was an important tool of power and empowerment for the government. The apartheid ideology was reproduced by the pedagogic literature. Today History is a part of Social Sciences and the subject has a focus on natural sciences and technology, which results in certain dilemmas educational-wise.

<p>This thesis examines how multilingual spaces in South Africa are imagined and reconstructed through the use of scripted codeswitching in 7de Laan. It explores how the socio-political discourses and other ideologies from the broader South African context shape and influence the ways in which the soap reconstructs multilingual spaces and the identities that exist within these spaces through language and language practices. In the literature presented in this study I explore various theories and case studies that examine Afrikaans and its indexicality in our&nbsp / contemporary society, the conventions of soap opera in representing &lsquo / reality&rsquo / to society, the role of codeswitching in multilingual mass communication, the policies and ideologies that govern post apartheid television and finally the link between ideology, the media, language and imagined identities.. These five overarching themes often overlap throughout this thesis. My investigation of the main questions set in this thesis is based on a triangulated analysis of (a) a five episode transcript of the soap, (b) solicited viewer perceptions gleaned from questionnaires and (c) unsolicited social media commentaries. This analysis is framed by a poststructuralist critical analysis with a specific focus on how social practices and contemporary ideologies manifest in the discourse of the soap. This approach views discourse as the juncture where identity, stereotypes and power are negotiated, enforced, imagined and challenged. In this thesis I argue that the conspicuous absence of indigenous African languages and the use of standard white Afrikaans as the lingua franca in the soap creates an unrealistic utopian portrayal of the new South Africa that naturalises white Afrikaans culture and marginalises other indigenous cultures and languages. I argue that the soap puts middle class white Afrikaners at the epicentre of South African society thus enforcing the idea that non-whites still need to conform to white Afrikaans standards and norms at the expense of their own culture and languages despite the inception of democracy. The soap offers no depictions of resistance to this dominant white Afrikaans culture, thus misleadingly portraying it as the uncontested dominant culture of the new South Africa.</p>

This thesis is about teacher education reform. It is a narrative of attempted change in the area of teacher education in post-apartheid Namibia. The inquiry is based on critical and participatory perspectives. The analytical tools include concepts like hegemony and counter-hegemony, common sense and good sense. The historical and contextual analyses attend to the broad global layers of influence on a newly born African nation state, the prevailing common sense of financial and technical assistance agencies, and the modern school as it has landed in Namibia and elsewhere in Africa. It gives an overview of the historical deposits into the common sense about schooling and education in Namibia, including visions and practices of the liberation movement before independence. The teacher education reform is also placed within the international context of preferential views on teacher education. The struggle over the preferential right of interpretation is described and analysed on three major levels: the policy level of an imperative reform framework, the level of the contested programme imprints, and on institutional level where attempts were made to create reform agency. The teacher education reform was part of the post-apartheid policy that signalled an egalitarian society for all. The analyses give at hand that the reform was neither a defeat nor a victory. The combined effects of historical and parallel engravings affected the reform process and created a transposed reform out of the intellectual war of position over the preferential right of interpretation. The transposed reform had traits of both the hegemonic imprints and the counter-hegemonic reform policy and operated within a constraining and ahistorical political context. A future revival of the reform policy includes a critical literacy of pedagogy and a pedagogy of hope. / digitalisering@umu

This dissertation focuses on performance, moral practice, and self-respect in an urban South African setting. Taking as its point of departure the emergence and rapid expansion, in the 1990s and 2000s, of an outreach organization I call Jesus People Pretoria (JPP), it discusses this NGO’s attempt to create a ‘moral community’ in the post-apartheid city from the diverse vantage points of its Afrikaner leaders, its clients, and—most emphatically—its lay workers, the majority of whom are black women. Gradually moving from the everyday stage of outreach labour towards women’s gendered performances within and beyond the work environment, it proposes that at stake in the making of the JPP moral community is the negotiation of self-respect, which hinges upon the degree to which interactions imply the fostering or refutation of mutual respect, or the measure of the ‘equality’ of the exchange. As an urban entity deeply entwined in and illuminative of South Africa’s broader post-apartheid ironies, including ongoing race-based differentiation and the pervasiveness of HIV/AIDS and death, predominantly moral practice here remains but ambivalently constituted. Yet this does not denote the absence of the moral but temporarily rests it in the region of the indistinct, the unresolved, in the moment of its apparent impossibility or unachievability.

This dissertation focuses on performance, moral practice, and self-respect in an urban South African setting. Taking as its point of departure the emergence and rapid expansion, in the 1990s and 2000s, of an outreach organization I call Jesus People Pretoria (JPP), it discusses this NGO’s attempt to create a ‘moral community’ in the post-apartheid city from the diverse vantage points of its Afrikaner leaders, its clients, and—most emphatically—its lay workers, the majority of whom are black women. Gradually moving from the everyday stage of outreach labour towards women’s gendered performances within and beyond the work environment, it proposes that at stake in the making of the JPP moral community is the negotiation of self-respect, which hinges upon the degree to which interactions imply the fostering or refutation of mutual respect, or the measure of the ‘equality’ of the exchange. As an urban entity deeply entwined in and illuminative of South Africa’s broader post-apartheid ironies, including ongoing race-based differentiation and the pervasiveness of HIV/AIDS and death, predominantly moral practice here remains but ambivalently constituted. Yet this does not denote the absence of the moral but temporarily rests it in the region of the indistinct, the unresolved, in the moment of its apparent impossibility or unachievability.

<p>Although transformation processes are making progress in addressing racial inequality in post-apartheid South Africa, white South Africans are, in many repects, still privileged, economically, in terms of access to services, land, education and particularly in the case of English-speaking whites, language. This study is an exploration of everyday situations of inequality as they have been experienced from a position of advantage. As a qualitative, phenomenological study, the aim was to derive the psychological essence of the experience of being privileged as white English-speaking young adult within the context of post-apartheid South African everyday life.</p>

<p>Intercultural communication (ICC) is one of the most relevant fields for investigation in post-colonial Africa and post-apartheid South Africa, given the movements between people from African countries and the wide range of attractions, both economic and social, that South Africa holds for people from other African countries. This study reports on intercultural communication in post-democratic South Africa in an era marked by what Appadurai (1990) calls &lsquo / flows&rsquo / . Greenmarket Square in the heart of Cape Town, well known as a hub for informal traders, local people and tourists, was chosen as the site for this study, because of the rich cultural diversity of the role-players. The principal aim of this research is to examine how people from different cultural backgrounds in this particular space of Greenmarket Square communicate with one another, and where the &lsquo / intercultural fault-lines&rsquo / (Olahan, 2000) occur, keeping in mind how ICC could be improved in such a space. My position as a trader in the market placed me in an ideal &lsquo / insider&rsquo / position to do the research. The theory of spatiality (Vigouroux, 2005 / Blommaert et al. 2005) was used to show how the space of Greenmarket Square affected intercultural communication. Discourse analysis was also applied to the data to show how the various roleplayers were socially constructed by others. Saville-Troike&rsquo / s (1989) ethnography of communicative events was also used to bring out other barriers that were not identified by spatiality and discourse analysis. Aspects like scene, key, message form and content, the observed rules for interaction and where these rules were broken and to what effect as well as the norms for interpretation were considered during the analysis of this qualitative data. The analysis showed that spatiality, social constructions of &lsquo / the other&rsquo / and other factors like nonverbal communication and differences between communicative styles in high and low context cultures (LCC/HCC), had a major impact on intercultural communication at Greenmarket Square, frequently leading to complete breakdowns in communication. Many of the traders interviewed acknowledged that they needed to improve their competence in intercultural communication. The study concludes with a number of recommendations on how people can become more &ldquo / interculturally competent&rdquo / (Katan, 2004) in a globalized world.</p>

<p>This thesis examines how multilingual spaces in South Africa are imagined and reconstructed through the use of scripted codeswitching in 7de Laan. It explores how the socio-political discourses and other ideologies from the broader South African context shape and influence the ways in which the soap reconstructs multilingual spaces and the identities that exist within these spaces through language and language practices. In the literature presented in this study I explore various theories and case studies that examine Afrikaans and its indexicality in our&nbsp / contemporary society, the conventions of soap opera in representing &lsquo / reality&rsquo / to society, the role of codeswitching in multilingual mass communication, the policies and ideologies that govern post apartheid television and finally the link between ideology, the media, language and imagined identities.. These five overarching themes often overlap throughout this thesis. My investigation of the main questions set in this thesis is based on a triangulated analysis of (a) a five episode transcript of the soap, (b) solicited viewer perceptions gleaned from questionnaires and (c) unsolicited social media commentaries. This analysis is framed by a poststructuralist critical analysis with a specific focus on how social practices and contemporary ideologies manifest in the discourse of the soap. This approach views discourse as the juncture where identity, stereotypes and power are negotiated, enforced, imagined and challenged. In this thesis I argue that the conspicuous absence of indigenous African languages and the use of standard white Afrikaans as the lingua franca in the soap creates an unrealistic utopian portrayal of the new South Africa that naturalises white Afrikaans culture and marginalises other indigenous cultures and languages. I argue that the soap puts middle class white Afrikaners at the epicentre of South African society thus enforcing the idea that non-whites still need to conform to white Afrikaans standards and norms at the expense of their own culture and languages despite the inception of democracy. The soap offers no depictions of resistance to this dominant white Afrikaans culture, thus misleadingly portraying it as the uncontested dominant culture of the new South Africa.</p>

No abstract available. / Thesis (Ph.D.)-University of Kwazulu-Natal, Durban, 2012.

Thesis (MA)--University of Stellenbosch, 2007. / Bibliography. Also available via the Internet.