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Stasi, sex and soundtracks: Thomas Brussig's PostalgieNijdam, Elizabeth 30 July 2007 (has links)
Since the fall of the Wall, a new era of East German literature has emerged. This genre of
literature exists even though East Germany’s borders dissolved over a decade and half ago
and is challenging the way we think about the former German Democratic Republic. East
German author Thomas Brussig is pivotal in this new genre of literature. His novels Helden wie wir (1995), Am kürzeren Ende der Sonnenallee (1999) and Leander Haußmann’s cinematic adaptation, Sonnenallee (1999), confront the negative associations and stereotypes connected with East Germany to deconstruct how formal history has portrayed its past and its citizens.
Brussig’s texts take a completely different approach to remembering the GDR, which
simultaneously challenges history’s dominant perspective as well as the Ostalgie phenomenon. Through his texts’ recollection, Brussig subverts the East German state in hindsight and begins the construction of a new mythology with which to associate former East Germany.
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