This thesis is based around detailed analysis of an assemblage of newly excavated material from the Paphos Theatre site in SW Cyprus. Before presenting the new work, the academic context into which it must fit is investigated. This process of re-evaluating past work sets up a framework within which the new material would be expected to fit. In fact, research on Late Roman Cyprus is not as advanced as might be expected after over seventy years of excavation. This is most particularly the case for fundamental principles like typology and chronology for the local ceramics and glass. A review of past and current excavations shows that the typology of Cypriot Red Slip ware is widely used around the Eastern Mediterranean as a dating tool for deposits containing this distinctive Fine ware. This makes it essential that it be confirmed to be a reliable and substantially correct construct. Unfortunately, a re-analysis of the foundations of the Cypriot red Slip ware typology and chronology reveals many uncertainties and establishes the necessity for new material from secure deposits to help refine current typologies. The artefact assemblage from Area Three at the Paphos Theatre provides just such an opportunity. A combination of a series of sealed deposits, a high density of artifacts and identifiable coins has enabled a comprehensive study to be achieved. A major collapse, probably an earthquake, sealed a paved street and drainage system in the trenches and this episode can be pinpointed to around the mid to late fifth century by the coin evidence. Most interesting is the fact that the dating suggested by the coins does not match the dating usually assigned to the associated pottery and glass. After establishing the reliability of the coin evidence, the study of the other artefacts offers new ideas about the dating and typology of the local Cypriot Red Slip ware, Cooking ware, Lamps and Glass. In fact an analysis of all the pottery from the site suggests that the chronology of Cypriot Red Slip ware and Cooking ware in particular needs to be pushed back to focus on a floruit in the fourth and fifth centuries. This is at least one hundred years earlier than current typologies that focus on the mid sixth to seventh centuries. This analysis provides some reliable fixed points, for both local pottery and glass, earlier in the Late Roman sequence upon which future work can be built.

Many of the pre-contact and early contact cultures of the Northern Plains have been the subjects of debate in archaeological circles. Mortlach and Vickers focus are no exception. One of the issues to date is the possible relationship between these two groups. A key to understanding this relationship lies in the Makotchi-Ded Dontipi locale in Manitobas Lauder Sandhills. This unique ecological island is home to a great number of sites (Hamilton and Nicholson1999), including neighboring Vickers focus and Mortlach sites.<p>This study offers the results of a comprehensive analysis of the pottery assemblages recovered from the Jackson, Vera, Twin Fawns, Schuddemat and Hollow B sites of the Makotchi-Ded Dontipi locale. In addition, it examines the prior cultural affiliation of these sites. Though in many ways different from eastern Vickers focus assemblages, Jackson and Vera assemblages should be considered Vickers focus. Many of the discrepancies are due to the changing nature of the sites over time in conjunction with contact with neighboring Mortlach groups. Schuddemat and Twin Fawns also differ from typical Mortlach assemblages. These differences can be attributed to their location on the eastern periphery of the Mortlach spatial distribution where they came in contact with, and were likely joined by Vickers focus people.<p>Mortlach, Vickers focus and Wascana ware are likely all a part of a larger phenomenon of eastern Woodlands migration onto the Canadian Plains. These cultures became distinct over time through interaction with neighboring groups and exploitation of territorial resource bases. Though distinct, they share a number of similarities reflecting common ancestors. These similarities culminate in the Makotchi-Ded Dontipi locale where interaction between Mortlach and Vickers focus people likely resulted in the amalgamation of Vickers focus into Mortlach. This amalgamation is reflected in the pottery assemblages of Twin Fawns and Schuddemat which seem to represent a Vickers variant of the Lake Midden subphase of Mortlach.

Many of the pre-contact and early contact cultures of the Northern Plains have been the subjects of debate in archaeological circles. Mortlach and Vickers focus are no exception. One of the issues to date is the possible relationship between these two groups. A key to understanding this relationship lies in the Makotchi-Ded Dontipi locale in Manitobas Lauder Sandhills. This unique ecological island is home to a great number of sites (Hamilton and Nicholson1999), including neighboring Vickers focus and Mortlach sites.<p>This study offers the results of a comprehensive analysis of the pottery assemblages recovered from the Jackson, Vera, Twin Fawns, Schuddemat and Hollow B sites of the Makotchi-Ded Dontipi locale. In addition, it examines the prior cultural affiliation of these sites. Though in many ways different from eastern Vickers focus assemblages, Jackson and Vera assemblages should be considered Vickers focus. Many of the discrepancies are due to the changing nature of the sites over time in conjunction with contact with neighboring Mortlach groups. Schuddemat and Twin Fawns also differ from typical Mortlach assemblages. These differences can be attributed to their location on the eastern periphery of the Mortlach spatial distribution where they came in contact with, and were likely joined by Vickers focus people.<p>Mortlach, Vickers focus and Wascana ware are likely all a part of a larger phenomenon of eastern Woodlands migration onto the Canadian Plains. These cultures became distinct over time through interaction with neighboring groups and exploitation of territorial resource bases. Though distinct, they share a number of similarities reflecting common ancestors. These similarities culminate in the Makotchi-Ded Dontipi locale where interaction between Mortlach and Vickers focus people likely resulted in the amalgamation of Vickers focus into Mortlach. This amalgamation is reflected in the pottery assemblages of Twin Fawns and Schuddemat which seem to represent a Vickers variant of the Lake Midden subphase of Mortlach.

In recent years, along with took seriously regarding cultural creativity industry's rising, the government, the enterprise, the literary arts full of enthusiasm invests cultural industry this popular profession. This research will focus on pottery will regard as this research the main research subject. Base on research subject, this research attempts from the foundation viewpoint of entrepreneuring , will start an undertaking by one kind of total perspective will regard as the undertaking action, actors with the daily life which its living world is mixed altogether constructs in the undertaking developing process. And uses four entrepreneurs¡¦ stories by their self-narratives and discriminated the texts into several meaning unit form each story attempts to understand in pottery industry to have about the undertaking phenomenon discussion. In the research method, this research uses Foucault to elaborate the analysis to take the pottery as this research subject, the viewpoint which the union founds manages in the pottery industry the undertaking phenomenon. The findings obviously are: Will form by the elaboration may be helpful understanding on the creative process, to be helpful in the middle of the different elaboration practice form in leads the local industry the development, to found the entrepreneuring as discursive practice which is the possibility discussion in entrepreneurship research.

Thesis (B.S.)--University of Wisconsin -- La Crosse, 2009. / Also available online. Includes bibliographical references (leaves 38-40).

Thesis (M.F.A.)--Kent State University, 2009. / Title from PDF t.p. (viewed Jan. 21, 2010). Advisor: Kirk Mangus. Keywords: Chickenware, ceramics, craft, pottery, Kevin, McCreary. Includes bibliographical references (p. 15).

Thesis (M.A.)--Ohio State University, 1966. / Advisor: Paul Bogatay. Includes bibliographical references. Available online via OhioLINK's ETD Center.

Thesis (B.S.)--University of Wisconsin -- La Crosse, 2009. / Also available online. Includes bibliographical references (p. 35-36).

published_or_final_version / Fine Arts / Master / Master of Philosophy

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