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The gift of power Foucault, Derrida, and normalization /Trussell, P. Taylor. January 2009 (has links)
Thesis (Ph. D.)--Villanova University, 2009. / Philosophy Dept. Includes bibliographical references.
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The horror of "happily ever after" : power, transformation and the fairy tale ideal /DeVito, Jeremy E. January 1900 (has links) (PDF)
Thesis (M.A.)--Acadia University, 2001. / Includes bibliographical references (leaves [115]-118). Also available on the Internet via the World Wide Web.
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The mediation in late twentieth-century English theatres of selected ancient Greek tragedy texts and themes concerned with women and power.Hazel, Ruth Mary. January 1998 (has links)
Thesis (Ph. D.)--Open University. BLDSC no. DX210353.
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The negotiation of gender and power in medieval German writingsHempen, Daniela 11 1900 (has links)
Drawing on insights from feminist scholarship and gender studies, this thesis offers a new
reading of selected medieval German texts with a special emphasis on the negotiation of gender
and power. All three parts of the thesis demonstrate how the use of modern theories helps us to
re-examine a medieval text's implications and ethical values, and to reconsider traditional views
of the text.
Part One focuses on the discussion of gender boundaries. Didactic and fictional texts,
such as Thomasin von Zerclaere's Der welsche Gast and Ulrich von Liechtenstein's
Frauendienst, show that violations of gender boundaries and the questioning of the traditional
power relationship between the genders are crucial to the textual negotiation of masculinity and
femininity. As I demonstrate in Part Two, the unequal relationship between men and women is
especially important for the system of male homosocial bonding underlying medieval society.
Examples of the physical and symbolic exchange of women and their favours are offered by
didactic texts, such as Marquard vom Stein's Der Ritter vom Turn, and fictional texts, such as the
Nibelungenlied. Aspects of this exchange are not solely related to medieval marriage practices,
but are also reflected in courtly rituals, such as "frouwen schouwen" (watching the ladies). The
importance of the conventionally beautiful female body as an object of exchange becomes
obvious in Part Three, where I examine encounters between Christian knights and women
defying the norms of feminine beauty. Here I focus on female figures that are defined as "doubly
Other": both in their relationship to the masculine Self, and in their relationship to the ideal of
medieval Christian femininity. Texts such as Wolfdietrich B and Der Strieker's Die Konigin vom Mohrenland show how the negotiation of gender and power assumes a new dimension in light
male encounters with Wild Women, heathen women, "supernatural" women and old women,
where the male partner often has to struggle to uphold his privileged masculine position.
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El poder de la memoria en la narrativa chilena actualBryant, Audrey. García-Corales, Guillermo. January 2007 (has links)
Thesis (M.A.)--Baylor University, 2007. / Includes bibliographical references (p. 104-108).
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Queen Elizabeth 1 and Shakespeare : images of gender, power, and sexuality /Schweizer, Frederick William. January 2008 (has links)
Thesis (Ph.D.) -- University of Rhode Island, 2008. / Typescript. Includes bibliographical references (leaves 114-122).
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Speech and power negotiations in industrial novels from 1849 to 1866 /Murray, John Condon. January 2007 (has links)
Thesis (Ph.D.) -- University of Rhode Island, 2007. / Typescript. Includes bibliographical references (leaves 161-167).
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The histories of the propertyless : the literatures of U.S. women of color /Hong, Kyung Won. January 2000 (has links)
Thesis (Ph. D.)--University of California, San Diego, 2000. / Vita. Includes bibliographical references (leaves 191-201).
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The negotiation of gender and power in medieval German writingsHempen, Daniela 11 1900 (has links)
Drawing on insights from feminist scholarship and gender studies, this thesis offers a new
reading of selected medieval German texts with a special emphasis on the negotiation of gender
and power. All three parts of the thesis demonstrate how the use of modern theories helps us to
re-examine a medieval text's implications and ethical values, and to reconsider traditional views
of the text.
Part One focuses on the discussion of gender boundaries. Didactic and fictional texts,
such as Thomasin von Zerclaere's Der welsche Gast and Ulrich von Liechtenstein's
Frauendienst, show that violations of gender boundaries and the questioning of the traditional
power relationship between the genders are crucial to the textual negotiation of masculinity and
femininity. As I demonstrate in Part Two, the unequal relationship between men and women is
especially important for the system of male homosocial bonding underlying medieval society.
Examples of the physical and symbolic exchange of women and their favours are offered by
didactic texts, such as Marquard vom Stein's Der Ritter vom Turn, and fictional texts, such as the
Nibelungenlied. Aspects of this exchange are not solely related to medieval marriage practices,
but are also reflected in courtly rituals, such as "frouwen schouwen" (watching the ladies). The
importance of the conventionally beautiful female body as an object of exchange becomes
obvious in Part Three, where I examine encounters between Christian knights and women
defying the norms of feminine beauty. Here I focus on female figures that are defined as "doubly
Other": both in their relationship to the masculine Self, and in their relationship to the ideal of
medieval Christian femininity. Texts such as Wolfdietrich B and Der Strieker's Die Konigin vom Mohrenland show how the negotiation of gender and power assumes a new dimension in light
male encounters with Wild Women, heathen women, "supernatural" women and old women,
where the male partner often has to struggle to uphold his privileged masculine position. / Arts, Faculty of / Central Eastern Northern European Studies, Department of / Graduate
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Disempowered women? :Reid, Zofia Tatiana. January 2001 (has links)
Thesis (M.A.)--University of South Africa, 2001.
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