abstract: The two solo violin works by Carl Nielsen (1865-1931) have been largely overlooked since their composition in the 1920s. These pieces are representative of Nielsen's mature style, combining elements of classical form (the Theme and Variations) as well as processes more commonly found in the twentieth century (through-composition and non-tonal harmonic language). This paper is designed to bring these long-neglected works to light and make them more approachable for violin students, teachers and performers. As Denmark's leading composer, Nielsen was well regarded in his lifetime, although his isolation from mainland Europe created obstacles in his path toward international fame. Rather than following trends in post-romantic music, he remained true to his own musical ideals. This choice often isolated him further during his career, but his unique blend of chromatic harmony, driving rhythms and juxtapositions of character captivates modern listeners. Although small in scope compared to his symphonies and other large works, the enthusiastic spirit and indomitable energy of the solo violin works reflect Nielsen's character at its best. Combining a high level of virtuosity with solid structural integrity, textural variety and musical interest, these works deserve a much more prominent place in the standard violin repertoire. / Dissertation/Thesis / D.M.A. Music 2012

Orientador: Roberto Cesar Pires / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-16T18:29:32Z (GMT). No. of bitstreams: 1 Ronqui_PauloAdriano_D.pdf: 3859164 bytes, checksum: 420c2d572490cf1895bccf44bf668277 (MD5) Previous issue date: 2010 / Resumo: Ciente da necessidade e importância de trabalhos direcionados ao estudo do naipe de trompete em obras sinfônicas brasileiras, esta pesquisa se propôs a investigar a constituição do naipe de trompete e cornet nos Prelúdios e Sinfonias das óperas de Antônio Carlos Gomes. Com esse objetivo, estudou-se a contribuição instrumental de Carlos Gomes para a música brasileira e italiana no século XIX, além da evolução na construção dos trompetes de válvula na Europa e o uso precoce desses instrumentos por Gomes no Brasil. Por meio dessa investigação, comprovou-se a originalidade no emprego de diferentes conotações de naipe de trompete e cornet realizada em ambos os países pelo compositor campineiro. O trabalho de performance da pesquisa, deu-se através da reedição das partituras do naipe de trompete e cornet das obras estudadas, a partir dos manuscritos autógrafos. Completada a edição, selecionaram-se os trechos musicais mais relevantes para o naipe, às quais se propuseram sugestões interpretativas. Após esse trabalho, os excertos escolhidos foram gravados, a fim de oferecer referencial auditivo / Abstract: Aware of the need and importance of works aimed to study the trumpet section in brazilian symphonic works, this research intends to investigate the formation of trumpet and cornet section in the Preludes and Symphonies from Antonio Carlos Gomes' operas. For this purpose, was studied the instrumental contribution of Carlos Gomes for the Italian and Brazilian music in the nineteenth century, as well as the developments in the construction of the trumpet valve in Europe and the early use of these instruments by Gomes in Brazil. With this research, we can prove the originality of using of different connotations of the trumpet and the cornet section in both countries by the campineiro composer. The performance work of this research was made with the reedition of the trumpet and cornet section's score by using the autograph manuscripts. Completed the edition were selected the most relevant musical excerpts to the section, which were proposed interpretative suggestions. After this work the excerpts chosen were recorded in order to provide a hearing reference / Doutorado / Musica / Doutor em Música

Este trabalho consiste na análise de pontos considerados relevantes na linguagem musical e violinistica utilizada pelo compositor e violinista Flausino Valle em sua obra mais importante 26 prelúdios característicos e concertantes para violino só.

Este trabalho consiste na análise de pontos considerados relevantes na linguagem musical e violinistica utilizada pelo compositor e violinista Flausino Valle em sua obra mais importante 26 prelúdios característicos e concertantes para violino só.

Este trabalho consiste na análise de pontos considerados relevantes na linguagem musical e violinistica utilizada pelo compositor e violinista Flausino Valle em sua obra mais importante 26 prelúdios característicos e concertantes para violino só.