Thesis--Johns Hopkins University. / Vita. Bibliography: p. 106-108. Also issued in print.

Thesis--Columbia University. / Vita. Bibliography: p. [256]-264.

Thesis--Columbia University. / Vita. Bibliography: p. [256]-264.

Thesis--Johns Hopkins University. / Vita. eContent provider-neutral record in process. Description based on print version record. Bibliography: p. 106-108.

No description available.

This thesis shows how literary primitivism is the pivot around which Davenport's literary designs spin. Thematically as well as technically the material in his first four collections of short stories is all derived from a desire to explore the beginnings, or the primitive wellsprings, of writing and art. The collage-like construction of picture and sentence will be shown to evolve from a knowledge of palaeolithic cave painting, humanity's first writing system, while Davenport's use of cataloguing and paratactic systems will be shown to evolve from ancient Greek. His primitivism also reveals itself in a Rousseau-like concern to highlight the advantages of primitive civilization on a modern industrial one and how the lessons learned from that are invaluable for present-day society.

No description available.

Thesis (Ph. D.)--University of Washington, 2003. / Vita. Includes bibliographical references (leaves 173-180).

No description available.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1994. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 279-295).