A dissertation submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Psychology, University of Zululand, South Africa, 2003. / The purpose of the study was to uncover and understand the experiences of inmates in prisons. The study involved 10 inmates who had served at least two years of their sentence. In this study, the researcher used purposive sampling in selecting the research participants. Data was collected using an essay, where participants were asked to respond to three open ended questions. All interviews were conducted in Zulu in order to avoid any misunderstandings. Qualitative data analysis was used to analyze the thematic content of the essays. The following conclusions were drawn from the study: • Being in prison is not fulfilling. • Prisoners experience helplessness, hopelessness, loss of dignity, boredom. There is also a lack of respect which dominates prison life. Lack of facilities also formed part of their experiences. Paying attention to these issues is important as they can contaminate any rehabilitation process and hinder inmates from rebuilding their lives

Submitted to the Faculty of Arts in fulfillment of the requirements for the degree of Master of Arts in Sociology in the Department of Sociology at the University of Zululand, South Africa, 1996. / This research is based on Gang Conflict in the South African Prisons, with special reference to Waterval prison, 1980-1992. This research primarily attempts to describe the prison subculture in terms of its characteristics and influence as they relate to conflict situations. Furthermore, it outlines this phenomenon as it affects the behaviour and attitudes of prisoners in general and prison officials in particular. In assessing the major impact of Gang Conflict as a form of deviance towards prison officials efforts to rehabilitation, the theories of Robert Merton as well as that of Karl Marx (i.e. Anomie and Alienation) have a tremendous influence in this study. Other sociological theories are considered as contributory to the study. For purposes of collecting data, a survey questionnaire was administered to 50 prison warders, with more than 3 years experience, drawn from the total population of Waterval prison warders. To put the study of Gang Conflict in context, chapter 2 contains the background and development of Waterval Prison, which does not justify the conditions and treatment of priosners. Regarding some gangs found in the South African prisons, chapter 3 gives an exposition to the origin, structure and function of most important prison gangs. Chapter 4, further outlines the character of prison subculture and its influence on deviance to both prisoners and and prison warders. The existence and survival of prison gangs are due to factors both inside and outside the prison. In the light of the findings of this study, the following was recommended: * The need for further research in a number of aspects, related to this problem and the service structure facilities needed. * The image of warders should be actively enhanced. Their sense of responsibility, loyalty, educational level, in-service training and ability to cope professionally with their task should receive top priority to combat gangs. This enhancement is further recommended to other prison departments, to ascertain a cross-cultural picture. * Prison officials should always be on the look-out for gangs and strict control measures by all personnel against gangs may be simple solution to the problem. Therefore, they should be able to identify gang members. * Health and welfare services as well as psychiatric and psychological services should be common functions of the prison without class interests. This might consolidate in the total eradication of Prison Gangs.

With the expansion of the use of private prisons and detention centres worldwide and the increasing involvement of private actors in the provision of custodial services, this doctoral thesis considers life inside two private prisons in England. Using theoretically informed ethnography it evaluates the effect of responsibility on men imprisoned in two private prisons in England. Firstly, it briefly reviews the background and development of prison privatisation in England and Wales and considers the role and place of private prisons as part of a wider neo-liberal shift. Secondly, using qualitative data gathered inside two private prisons, it evaluates if these prisons, through their regimes, are trying to create responsible self-governing prisoners. The thesis reviews both, how regimes and practices in place in these two prisons attempt to forge responsible prisoners, and how individual men and groups of prisoners experience, feel about, cope with and assimilate penal messages of self-governance and responsibility. Finally, it questions both the impact of responsible prisoners for prisons and the impact of responsibility on prisoners and argues that, whilst there is a benefit to fostering environments in which prisoners are enabled to become responsible and self-governing, a careful balance must be maintained, as for some men the responsibility itself becomes characteristic of the "pain of imprisonment".

Abstracts THE TAINT This is a memoir of Ray “Poss” Ide, a man who has carried the taint of a horrifying crime since he was seventeen years old─a crime he claims he did not commit. The crime was the rape of a fourteen-year-old girl. The Taint looks at the time leading up to his conviction for rape, including the years he spent in Westbrook Boys’ Reformatory and Boggo Road Gaol as a minor, and then his sentence served in NSW gaols with such inmates as Stephen Bradley, the man who kidnapped and murdered Graham Thorne, and the bizarre but rather likeable Dave Scanlan, known for his exploits as “the Kingsgrove Slasher”. In prison, Scanlan encouraged him to become an elite sportsman and released, Poss was recruited by Canterbury Eels football team; but just on the point of making a name for himself in Sydney, someone discovered that he had been gaoled for rape, and humiliated, he left the team. He moved back home to Queensland via Grafton, NSW (where he met and later married the Jacaranda Queen) and continued his sporting career, but never again in the Big League. He became the Manager of the Waterside Workers’ Club and helped prevent a turf war between the Wharfies and members of the Painters and Dockers. Poss is now working with lawyer Robert Bax to have his case re-opened. He believes his story to be a cautionary tale for young men. It is a chronicle of social change, including the sexual revolution of the sixties, the confrontations with “the demons” in the streets of Brisbane during the Joh era of Bible-bashing fundamentalism and police corruption. It’s a story about what really went on behind closed doors in institutions where vulnerable children were preyed upon, in gaols where men were expected to become beasts. It is a story of how the taint of a terrible crime affected a man’s whole life. “QUESTIONS OF OWNERSHIP” Writing someone else’s story can be an ethical minefield─especially regarding questions of ownership. Who owns the story, the subject or the author? The easy answer to this is the subject owns the story and the author the text, but on closer examination this may not necessarily be so. Then there are those other stakeholders who claim ownership of story: people who embrace a narrative because of its similarity to their own lives. Published stories about institutional abuse have resonated for adults who as children were placed into the care of churches or the state. Another kind of ownership is claimed by readers who accept a version of a story and dismiss any counter-story as being invalid. What I call the “Plath Phenomenon” is an example of this. I will examine these kinds of ownership of story with particular reference to the work of Janet Malcolm on biography and then will look at gaps and silences in “official” stories, those created in police stations and courtrooms.

Abstracts THE TAINT This is a memoir of Ray “Poss” Ide, a man who has carried the taint of a horrifying crime since he was seventeen years old─a crime he claims he did not commit. The crime was the rape of a fourteen-year-old girl. The Taint looks at the time leading up to his conviction for rape, including the years he spent in Westbrook Boys’ Reformatory and Boggo Road Gaol as a minor, and then his sentence served in NSW gaols with such inmates as Stephen Bradley, the man who kidnapped and murdered Graham Thorne, and the bizarre but rather likeable Dave Scanlan, known for his exploits as “the Kingsgrove Slasher”. In prison, Scanlan encouraged him to become an elite sportsman and released, Poss was recruited by Canterbury Eels football team; but just on the point of making a name for himself in Sydney, someone discovered that he had been gaoled for rape, and humiliated, he left the team. He moved back home to Queensland via Grafton, NSW (where he met and later married the Jacaranda Queen) and continued his sporting career, but never again in the Big League. He became the Manager of the Waterside Workers’ Club and helped prevent a turf war between the Wharfies and members of the Painters and Dockers. Poss is now working with lawyer Robert Bax to have his case re-opened. He believes his story to be a cautionary tale for young men. It is a chronicle of social change, including the sexual revolution of the sixties, the confrontations with “the demons” in the streets of Brisbane during the Joh era of Bible-bashing fundamentalism and police corruption. It’s a story about what really went on behind closed doors in institutions where vulnerable children were preyed upon, in gaols where men were expected to become beasts. It is a story of how the taint of a terrible crime affected a man’s whole life. “QUESTIONS OF OWNERSHIP” Writing someone else’s story can be an ethical minefield─especially regarding questions of ownership. Who owns the story, the subject or the author? The easy answer to this is the subject owns the story and the author the text, but on closer examination this may not necessarily be so. Then there are those other stakeholders who claim ownership of story: people who embrace a narrative because of its similarity to their own lives. Published stories about institutional abuse have resonated for adults who as children were placed into the care of churches or the state. Another kind of ownership is claimed by readers who accept a version of a story and dismiss any counter-story as being invalid. What I call the “Plath Phenomenon” is an example of this. I will examine these kinds of ownership of story with particular reference to the work of Janet Malcolm on biography and then will look at gaps and silences in “official” stories, those created in police stations and courtrooms.

Abstracts THE TAINT This is a memoir of Ray “Poss” Ide, a man who has carried the taint of a horrifying crime since he was seventeen years old─a crime he claims he did not commit. The crime was the rape of a fourteen-year-old girl. The Taint looks at the time leading up to his conviction for rape, including the years he spent in Westbrook Boys’ Reformatory and Boggo Road Gaol as a minor, and then his sentence served in NSW gaols with such inmates as Stephen Bradley, the man who kidnapped and murdered Graham Thorne, and the bizarre but rather likeable Dave Scanlan, known for his exploits as “the Kingsgrove Slasher”. In prison, Scanlan encouraged him to become an elite sportsman and released, Poss was recruited by Canterbury Eels football team; but just on the point of making a name for himself in Sydney, someone discovered that he had been gaoled for rape, and humiliated, he left the team. He moved back home to Queensland via Grafton, NSW (where he met and later married the Jacaranda Queen) and continued his sporting career, but never again in the Big League. He became the Manager of the Waterside Workers’ Club and helped prevent a turf war between the Wharfies and members of the Painters and Dockers. Poss is now working with lawyer Robert Bax to have his case re-opened. He believes his story to be a cautionary tale for young men. It is a chronicle of social change, including the sexual revolution of the sixties, the confrontations with “the demons” in the streets of Brisbane during the Joh era of Bible-bashing fundamentalism and police corruption. It’s a story about what really went on behind closed doors in institutions where vulnerable children were preyed upon, in gaols where men were expected to become beasts. It is a story of how the taint of a terrible crime affected a man’s whole life. “QUESTIONS OF OWNERSHIP” Writing someone else’s story can be an ethical minefield─especially regarding questions of ownership. Who owns the story, the subject or the author? The easy answer to this is the subject owns the story and the author the text, but on closer examination this may not necessarily be so. Then there are those other stakeholders who claim ownership of story: people who embrace a narrative because of its similarity to their own lives. Published stories about institutional abuse have resonated for adults who as children were placed into the care of churches or the state. Another kind of ownership is claimed by readers who accept a version of a story and dismiss any counter-story as being invalid. What I call the “Plath Phenomenon” is an example of this. I will examine these kinds of ownership of story with particular reference to the work of Janet Malcolm on biography and then will look at gaps and silences in “official” stories, those created in police stations and courtrooms.

Abstracts THE TAINT This is a memoir of Ray “Poss” Ide, a man who has carried the taint of a horrifying crime since he was seventeen years old─a crime he claims he did not commit. The crime was the rape of a fourteen-year-old girl. The Taint looks at the time leading up to his conviction for rape, including the years he spent in Westbrook Boys’ Reformatory and Boggo Road Gaol as a minor, and then his sentence served in NSW gaols with such inmates as Stephen Bradley, the man who kidnapped and murdered Graham Thorne, and the bizarre but rather likeable Dave Scanlan, known for his exploits as “the Kingsgrove Slasher”. In prison, Scanlan encouraged him to become an elite sportsman and released, Poss was recruited by Canterbury Eels football team; but just on the point of making a name for himself in Sydney, someone discovered that he had been gaoled for rape, and humiliated, he left the team. He moved back home to Queensland via Grafton, NSW (where he met and later married the Jacaranda Queen) and continued his sporting career, but never again in the Big League. He became the Manager of the Waterside Workers’ Club and helped prevent a turf war between the Wharfies and members of the Painters and Dockers. Poss is now working with lawyer Robert Bax to have his case re-opened. He believes his story to be a cautionary tale for young men. It is a chronicle of social change, including the sexual revolution of the sixties, the confrontations with “the demons” in the streets of Brisbane during the Joh era of Bible-bashing fundamentalism and police corruption. It’s a story about what really went on behind closed doors in institutions where vulnerable children were preyed upon, in gaols where men were expected to become beasts. It is a story of how the taint of a terrible crime affected a man’s whole life. “QUESTIONS OF OWNERSHIP” Writing someone else’s story can be an ethical minefield─especially regarding questions of ownership. Who owns the story, the subject or the author? The easy answer to this is the subject owns the story and the author the text, but on closer examination this may not necessarily be so. Then there are those other stakeholders who claim ownership of story: people who embrace a narrative because of its similarity to their own lives. Published stories about institutional abuse have resonated for adults who as children were placed into the care of churches or the state. Another kind of ownership is claimed by readers who accept a version of a story and dismiss any counter-story as being invalid. What I call the “Plath Phenomenon” is an example of this. I will examine these kinds of ownership of story with particular reference to the work of Janet Malcolm on biography and then will look at gaps and silences in “official” stories, those created in police stations and courtrooms.

La prison de la Conciergerie occupe une place particulière dans le paysage pénitentiaire parisien du XVIIe siècle. Elle accueille de nombreux prisonniers pour dette, les prisonniers jugés en première instance par l’une des juridictions siégeant dans Palais de la Cité, dont elle occupe les bâtiments, mais aussi et surtout les prisonniers en appel devant le parlement de Paris. A partir de l’analyse de parcours individuels de prisonniers et de personnels de la Conciergerie (les dynasties de concierges Regnoust et Dumont), reconstitués grâce aux archives criminelles et notariales, la thèse porte sur les relations sociales et les comportements au sein de la prison. Après une première partie consacrée à un état des lieux de la Conciergerie au début du XVIIe siècle, la deuxième partie met en avant les particularités de sa société carcérale : moins séparée du monde extérieur que les prisons actuelles, elle reproduit à petite échelle la société parisienne. Plutôt que sur une distinction rigoureuse entre hommes et femmes et entre catégories criminelles, son organisation est fondée sur la position sociale et la richesse. Les prisonniers régulent eux-mêmes leurs conflits, le plus souvent sans faire appel au personnel. Quant à l’univers socio-professionnel des gardiens, il ressemble beaucoup à celui des métiers parisiens par les relations à la fois solidaires et hiérarchisées entre le concierge et ses guichetiers et morgeurs. La troisième partie porte sur « l’aventure de l’évasion », révélatrice de l’importance du contexte social et culturel dans la décision, la préparation et l’exécution d’une telle entreprise. / The prison of the Conciergerie occupied a special place in the Paris prison landscape of the seventeenth century. It hosted many prisoners for debt, prisoners tried in first instance by one of the courts sitting in the Palais de Justice, which occupied the buildings, but also and above all the prisoners appealed to the parliament of Paris. From the analysis of individual pathways both of prisoners and staff of the Conciergerie (dynasties of chief jailers Regnoust and Dumont) and reconstituted from criminal and notarial archives, the thesis focuses on social relationships and behavior within the prison. After a first part dedicated to an overview of the Conciergerie in the early seventeenth century, the second part highlights the peculiarities of this prison society: less separated from the outside world that the current prison, it played small-scale Parisian society. Rather than on a rigorous distinction between men and women and between criminal groups, the organization was based on social status and wealth. Prisoners regulated their own conflicts, often without involving staff. As for the socio-professional world of guards, it resembled that of the Parisian business relations, involving both solidarity and hierarchy between the jailers. The third part focuses on "the adventure of escape", revealing the importance of social and cultural context in the decision, preparation and execution of such an undertaking.