Thesis (Ph. D.)--Columbia University, 1931. / Without thesis note. "Published in India under the title 'Developing a project curriculum for village schools in India' by the Association press, Calcutta."--P. [iv]. Bibliography: p. [399]-420.

Thesis (Ph. D.)--Columbia University, 1931. / Vita. Published also as Teachers college, Columbia university. Contributions to education, no. 490. Bibliography: p. 58.

Thesis (Ph. D.)--University of Missouri-Columbia, 1997. / Typescript. Vita. Includes bibliographical references (leaves 198-201). Also available on the Internet.

Thesis (M.Ed.)--University of Hong Kong, 2001. / Includes bibliographical references (leaves 109-112). Also available in print.

Thesis (M.Ed.)--University of Hong Kong, 2001. / Includes bibliographical references (leaves 111-125). Also available in print.

Thesis (M. A.)--University of Hong Kong, 2005. / Title proper from title frame. Also available in printed format.

Thesis (Ed. D.)--Temple UUniversity. / Bibliography: p. [139]-157.

Thesis (M. Ed.)--University of Hong Kong, 2005. / Title proper from title frame. Also available in printed format.

Thesis (M. A.)--University of Hong Kong, 2005. / Title proper from title frame. Also available in printed format.

Orientador: Stelamaris Rolla Bertoli / Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Engenharia Civil, Arquitetura e Urbanismo / Made available in DSpace on 2018-08-16T06:26:19Z (GMT). No. of bitstreams: 1 Takahashi_VanessaFatimadeMedeiros_M.pdf: 28765925 bytes, checksum: 692d47b4aa1946caccc3c9ccd05db756 (MD5) Previous issue date: 2010 / Resumo: A influência do desenho arquitetônico na acústica das salas de concertos é o objeto de estudo dessa pesquisa. Esse trabalho busca compreender as características físicas da sala, sua relevância e a relação de dependência entre essas características na influência da qualidade acústica. Por meio de estudos de caso foi feita uma análise de dependência entre os fatores que caracterizavam a acústica da sala utilizando a metodologia proposta por Christopher Alexander no seu livro Notes on the synthesis of form. Essa metodologia utiliza-se de princípios que orientam e organizam o desenvolvimento de projetos complexos. A aplicação dessa metodologia serviu para estruturar um contexto, que são os requisitos funcionais de cada estudo de caso, e como a forma (resultado do processo de projeto) responde a esse contexto. O estudo das relações entre os requisitos funcionais e a forma da sala ajudou a identificar elementos fundamentais no projeto arquitetônico e a hierarquizar as características da sala, a fim de descobrir a influência das decisões de projeto na qualidade acústica da sala. Os resultados dessa metodologia relativos a acústica de salas de concerto proporcionou uma otimização do processo de projeto, tornando-o mais claro e menos dependente da tentativa e erro, contribuindo para a concepção ou reforma para ajuste acústico de uma sala. A otimização do processo melhora o diálogo entre as equipes envolvidas no projeto como arquitetos e consultores acústicos / Abstract: The influence of architectural design in acoustics of concert halls is the object of study in this research. This work seeks to understand the physical characteristics of the room, its relevance and the relationship of dependence between these characteristics on the influence of acoustic quality. Through case studies was made an analysis of dependence among the factors that characterized the room using the methodology proposed by Christopher Alexander in his book Notes on the synthesis of form. This methodology presents some principles that guide and organize the development of complex projects. The application of this methodology was used to design a context, which are the functional requirements of each case study, and how the form (result of process design) responds to that context. The study of relationships between functional requirements and the form of the room helped to identify key elements in architectural design and prioritize the features of the room, to discover the influence of design decisions as the room acoustics. The results of this methodology for the acoustics of concert halls provided an optimization of the design process, making it more transparent and less dependent on trial and error, contributing to the design of a room, as well as reforms in acoustic settings. The optimization process improves the dialogue between the teams involved in the project as architects and acoustics consultants / Mestrado / Arquitetura e Construção / Mestre em Engenharia Civil