Thesis--University of Washington. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [433]-474).

Thesis (M.A.)--Guo li Taiwan da xue. / Reproduced from typescript. Includes bibliographical references (p. 165-170).

Thesis (M.A.)--Fu ren da xue. / Reproduced from typescript copy. Bibliography: p. [125-127]

Thesis (M.A.)--University of Hong Kong, 2009. / Includes bibliographical references.

Thesis (M.A.)--Fu ren da xue. / Reproduced from typescript. Includes bibliographical references (p. 159-161).

陳寧. / "2002年3月" / 論文 (哲學碩士)--香港中文大學, 2002. / 附參考文獻. / 附中英文提要. / "2002 nian 3 yue" / Chen Ning. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2002. / Fu can kao wen xian. / Fu Zhong Ying wen ti yao. / 前言 --- p.1 / Chapter 一、 --- 基礎硏究 --- p.2 / Chapter 1. --- 蒲松齢生平與著作 / Chapter 2. --- 《聊齋志異》主要版本述略 / Chapter 二、 --- 「異史氏曰」槪念簡析 --- p.23 / Chapter 1. --- 「異」 / Chapter 2. --- 「異史」 / Chapter 3. --- 「異史氏」 / Chapter 4. --- 「志異」與「志怪」 / Chapter 5. --- 《聊齋志異》與「異史氏曰」 / Chapter 三、 --- 《聊齋志異》「評論」的模式 --- p.37 / Chapter 1. --- 「異史氏曰」 / Chapter 2. --- 「短評」 / Chapter 3. --- 「短評」及「異史氏曰」 / Chapter 4. --- 「副故事」 / Chapter 5. --- 其他 / Chapter 6. --- 小結 / Chapter 四、 --- 「異史氏曰」的淵源 --- p.59 / Chapter 1. --- 先秦兩漢´ؤ´ؤ史書論贊 / Chapter 2. --- 六朝´ؤ´ؤ志怪小說 / Chapter 3. --- 唐傳奇 / Chapter 4. --- 明淸話本小說 / Chapter 5. --- 其他 / Chapter 6. --- 小結 / Chapter 五、 --- 「異史氏曰」與「主故事」的關係 --- p.81 / Chapter 1. --- 撮辭舉要 / Chapter 2. --- 總領全篇 / Chapter 3. --- 補充說明 / Chapter 4. --- 引申發揮 / Chapter 5. --- 參照對比 / Chapter 6. --- 弦外之音 / Chapter 7. --- 其他 / Chapter 8. --- 小結 / Chapter 六、 --- 「異史氏曰」的語言藝術 --- p.113 / Chapter 1. --- 《聊齋志異》語言藝術槪述 / Chapter 2. --- 文言與白話的融合´ؤ´ؤ《聊齋志異》的語言技巧 / Chapter 3. --- 「異史氏曰」語言藝術 / Chapter 4 --- 小結 / Chapter 七、 --- 「異史氏曰」所反映的思想 --- p.143 / Chapter 1. --- 鬼神果報 / Chapter 2 --- 政治觀思想 / Chapter 3. --- 婦女觀 / Chapter 4. --- 綱常倫理 / Chapter 5. --- 人情世態 / Chapter 6. --- 孤憤之思 / Chapter 7. --- 小結 / Chapter 八、 --- 結語 --- p.186 / Chapter 九、 --- 參考書目 / Chapter 十、 --- 附錄 / 附錄一：《聊齋志異》各主要版本編次暨「異史氏曰」出現情況表 --- p.1-17 / 附錄二 ：《聊齋志異》「評論」文字表 --- p.1-52 / 附錄三：「短評」表 --- p.1-5 / 附錄四：「短評」與「異史氏曰」同出於一篇表 --- p.1 / 附錄五：「異史氏曰」韻文表 --- p.1-4 / 附錄六：「異史氏曰」果報篇章表 --- p.1-3 / 附錄七：《聊齋志異》有關科舉題材篇章及其「異史氏曰」出現表 --- p.1-2

傅琳娜. / "2003年9月". / 論文(哲學碩士)--香港中文大學, 2003. / 參考文獻 (leaves 1-8). / 附中英文摘要. / "2003 nian 9 yue". / Fu Linna. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2003. / Can kao wen xian (leaves 1-8). / Fu Zhong Ying wen zhai yao. / Chapter 第一章 --- 槪說 --- p.1 / Chapter 第一節 --- 硏究架構 --- p.1 / Chapter 第二節 --- 硏究範圍 --- p.3 / Chapter 第三節 --- 硏究對象 --- p.7 / Chapter 第四節 --- 《聊齋志異》的版本 --- p.14 / Chapter 第二章 --- 《聊齋志異》諸評內容述評 --- p.22 / Chapter 第三章 --- 《聊齋志異》對前代小說評點的承繼 --- p.84 / Chapter 第一節 --- 《聊齋志異》以前的小說評點 --- p.84 / Chapter 第二節 --- 《聊齋志異》諸評與前代小說 評點之比較 --- p.113 / Chapter 第四章 --- 《聊齋志異》諸評內部的分析與探討 --- p.135 / Chapter 第一節 --- 不同角度的評點 --- p.135 / Chapter 第二節 --- 議事與抒情 --- p.146 / Chapter 第三節 --- 補充與旁證 --- p.149 / Chapter 第四節 --- 小結´ؤ諸評的風格與特色 --- p.151 / Chapter 第五章 --- 結論一《聊齋志異》諸評的 創新與得失 --- p.157

新觀念的引入，常常引起學界對經典的重新詮釋，學術因此而推陳出新。《聊齋誌異》作為古代文言小說的集大成者，其文本具有多元性的意義。本文受到結構主義、「文本互涉」等文學批評觀念的啟發，嘗試以「空間敍事」的角度，對這部小說集展開討論，透過人物與人物、事件與事件之間不同的互動關係，揭示文本的多元意義，同時將作品寓意的建構過程予以具體的呈現。 / 本文以《聊齋誌異》裡不同的結構關係為研究對象，共分五部分：首為緒論，概述前人研究成果以及釐清「空間敍事」作為研究方法的主要概念，以此作為本文的研究前提及語境；第二章以「人狐情愛」故事的情節關係以及「人─狐」不同關係為中心，旨在探討《聊齋誌異》建構的某些敍述規則；第三章則以仙凡互動為主，在仙凡「通」與「不通」之間，以揭示作者所隱藏的寓意、所蘊含的審美趣味；第四章突破純屬考證的整理，以「文本互涉」的視野空間來看《聊齋誌異》對「劉阮遇仙」母題所作的吸收與轉化；末章從「一男兩姝」的設置切入，來探討蒲松齡遵循平行美學原則，所建構的敍事結構，並藉此彰顯結構背後的寓意。 / The classics will be reinterpreted by an introduction of new ideas, and thus bringing innovations to the academia. Liaozhai zhiyi as the masterpiece of classical Chinese novels contains multiple meanings in its text. This thesis, inspired by theories such as structuralism and intertextuality, will adopt a novel methodology, namely spatial narration in initiating a discussion. Through interactive relationships among characters and among events, this thesis reveals pluralistic meanings of text while at the same time illustrating the process of constructing implied messages. / The research subjects of this thesis are different structural relationships in Liaozhai zhiyi. And this thesis is divided into five chapters, of which the first is introduction, summarizing previous scholarly research findings of and working out the concept of spatial narration as the main methodological concept and hence establishes research premise and context. Chapter two utilizes plot and human-fox relationship in the human-fox love story as focus, aims at discussing rules of narration formulated in Liaozhai zhiyi. Chapter three mainly uses interactions between the immortals and mortals to reveal author’s entailed messages and implied aesthetic standards (or standard of appreciation) in between intercommunication and obstruction of the immortals and mortals. Chapter four breaks though mere textual analysis, adopts the perspective of intertextuality to perceive Liaozhai zhiyi’s absorption and transformation of the Story of Liu and Ruan’s meeting with fairy maiden by chance. The final chapter intersects with the setting of double lovers to discuss the aesthetic principles of parallelism observed by Pu Songling and structure of narration constructed, and therefore explicating implied messages behind structure. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 王玲玲. / Parallel title from English abstract. / Thesis (M.Phil.) Chinese University of Hong Kong, 2014. / Includes bibliographical references (leaves 116-124). / Abstracts in English and Chinese. / Wang Lingling.

The first chapter of this thesis examines the textual transmission of Pu Songling's collection of tales, Liaozhai zhiyi, and through a study of extant manuscripts and editions concludes that in its original format the work consisted of eight volumes. After a review of evidence for dating the composition of the collection, the two volumes of earliest and latest date are identified and their contents analysed. There is traced a pattern of development from relatively simple supernatural and romantic stories in Pu's early work to more complex character configurations in the later stories, where social criticism also plays a more conspicuous role. The second chapter focuses on the life and times of Pu Songling and discusses the process by which the social realities of Shandong in the early Qing period - famine, military campaigns, bandit raids - and particular aspects of the author's personal experience - examination failure, observation of administrative abuses, professional activities, and family and personal relations - intrude persistently into his stories. Special attention is paid to Pu's examination career and the institutional factors which impeded his progress; his criticisms of the selection system are shown to be qualified by passive acquiescence. The third chapter questions conventional definitions of Liaozhai zhiyi's place in literary tradition. After a survey of the Classical tale from l500 to l700, it is demonstrated that Pu's work can be distinguished from the early-Ming story, and should be regarded as a development of existing trends in late-Ming and early-Qing fiction. In its romantic orientation, realistic detail, and prose style, Liaozhai zhiyi has a kinship with its immediate literary forebears. What links it has to vernacular fiction concern thematic and descriptive emphases rather than the occasional use of colloquialisms. Methods of determining the derivation of plots and motifs in Pu's tales are critically examined, and a distinction is drawn between analogues and written sources.