Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2016-09-27T11:56:28Z No. of bitstreams: 1 TES_MILENA_HOFFMANN_KUNRATH_COMPLETO.pdf: 1769950 bytes, checksum: 455ceea08482c588a70b139127175fa9 (MD5) / Made available in DSpace on 2016-09-27T11:56:28Z (GMT). No. of bitstreams: 1 TES_MILENA_HOFFMANN_KUNRATH_COMPLETO.pdf: 1769950 bytes, checksum: 455ceea08482c588a70b139127175fa9 (MD5) Previous issue date: 2016-06-27 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / In this dissertation we have worked with the narrative form of three German writers who fought in World War II. In his own most important fictional work each one of these writers, G?nter Grass, Dieter Noll and Hans Helmut Kirst, has sought inspiration in his personal life to narrate his experiences during wartime. With different origins and motivations, these authors supported in their books certain points of view concerning how German society faced World War II. Based on their memories, characterized by shortcomings, fabrication and modifications, whether intentional or not, the creators of these fictional works presented different versions of the 20th century?s most defining event. With The Tin Drum Grass addressed social complicity towards the regime and exposed the German society by means of acid criticism, while at at the same time reviewing the circumstances of his own participation in the Nazi dictatorship. In The Adventures of Werner Holt Noll explored the naivety of a youth that let itself be deceived by the certainties of an immoral system. By presenting the learning path of his young protagonist (employing the German subgenre Bildungsroman) Noll was able to revise his wartime experiences. With the novel 08/15 In War Kirst championed the point of view of cornered soldiers who were themselves victims of the regime much in the same way as the prisoners of concentration camps, since they were not offered any other choice but to fight in a dirty war. The three authors have experienced a meaningful reception from the public and consequently have demonstrated that the same history can have countless versions. / Nesta tese trabalhou-se com a forma narrativa de tr?s escritores alem?es que lutaram na Segunda Guerra Mundial. Cada escritor, G?nter Grass, Dieter Noll e Hans Helmut Kirst, com suas respectivas obras ficcionais mais importantes, contaram suas experi?ncias durante a guerra fortemente inspiradas em suas viv?ncias. Com origens e motiva??es diferentes, os autores, atrav?s de seus livros, defenderam pontos de vista nos quais avaliavam o enfrentamento da sociedade alem? frente ? Segunda Guerra Mundial. Baseados em suas recorda??es, com as devidas lacunas, inven??es e altera??es, intencionais ou n?o, os criadores das obras ficcionais apresentaram diferentes vers?es do acontecimento mais marcante do s?culo XX. Grass, com O tambor, trabalhou com a cumplicidade social para com o regime e impeliu a sociedade alem?, atrav?s de uma ?cida cr?tica, a rever os termos de sua participa??o na ditadura nazista. Noll, com Die Abenteuer des Werner Holt, explorou a ingenuidade juvenil, que se deixou enganar com as certezas de um regime imoral, e, atrav?s do percurso de aprendizagem de seu jovem protagonista (utilizando-se do subg?nero alem?o Bildungsroman), p?de revisar as experi?ncias dos anos de guerra. Kirst defendeu, com o romance 08/15 A guerra, a tese dos soldados encurralados que foram v?timas, da mesma forma que os prisioneiros dos campos, do regime, j? que eles n?o teriam tido op??o, a n?o ser lutar naquela guerra suja. Os tr?s tiveram uma expressiva recep??o do p?blico e provaram que a mesma hist?ria pode ter in?meras vers?es.