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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

A Study of Utah High School Band Teacher's Perceptions of Factors Affecting the Band Rehearsal Period

Coleman, Robert Denton 01 May 1980 (has links)
The purpose of this study was to determine if there were an,y differences between what Utah high school band teachers perceive as important skills, activities, behaviors, knowledge, and concepts in the context of the rehearsal and their assessment of the degree to which these i terns ·were applied during the rehearsal period. A survey questionnaire listing twenty band rehearsal instructional items was used to obtain the data. Sixty-one percent of the sample responded to the survey. The sample included all high school band teachers in the state of Utah. A correlation coefficient was computed between respondent's ratings of the validity of the instructional item to the band rehearsal and the degree to which the respondents applied that item in their rehearsals. There was a positive correlation between these ratings for all twenty items. Some items, however, had a lower correlation coefficient than others showing a lesser degree of congruency between opinion of validity and application.
2

The Director's Presence

Wurth, Paul Stephen 01 January 2008 (has links)
This text is partial record and narrative of the process and productions of Orphans by Lyle Kessler that opened on March 29th 2007 for a four day run ending on April 1st, The Pillowman by Martin McDonagh that opened October 28th 2007 for a three day run ending on October 30th, and Terra Nova by Ted Tally that opened on February 21st 2008 for a four day run ending on February 24th. The majority of the text follows the three shows from Spring 2007, Fall 2007, to Spring 2008, focusing on the process of direction of each production. Incorporated in the writing are the experiences, lessons, and complications that arose while directing the three shows. The text contains several notes on directing, acting, collaboration, choreography, casting, rehearsal and different perspectives on the creative process of the productions: all combined create an aesthetic inherent in the author's three years of study at the Virginia Commonwealth University Theatre Pedagogy Program with an emphasis in Acting and Directing.

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