Submitted by PPG Hist?ria (historia-pg@pucrs.br) on 2017-11-14T17:30:59Z No. of bitstreams: 1 R?mulo Brito - Tese Vers?o Digital.pdf: 15722516 bytes, checksum: 98b1d77bae5d01d07f96acea5ba3771c (MD5) / Approved for entry into archive by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-11-21T12:59:28Z (GMT) No. of bitstreams: 1 R?mulo Brito - Tese Vers?o Digital.pdf: 15722516 bytes, checksum: 98b1d77bae5d01d07f96acea5ba3771c (MD5) / Made available in DSpace on 2017-11-21T13:05:21Z (GMT). No. of bitstreams: 1 R?mulo Brito - Tese Vers?o Digital.pdf: 15722516 bytes, checksum: 98b1d77bae5d01d07f96acea5ba3771c (MD5) Previous issue date: 2017-08-29 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / In this thesis, an analysis of the caricature work of Rafael Bordalo Pinheiro (1846-1905) is made, in order to understand how this Portuguese intellectual showed several aspects related to Brazilian society in his satirical publications. Known as the greatest Portuguese caricaturist of the nineteenth century, Bordalo also worked professionally in Brazil between 1875 and 1879, but his compositions about the country precede this stay and extend for several years after his return to Portugal. Understanding how Brazil was presented throughout all these years, the elements that influenced the author's view of the country and the possible functions that such compositions have in their work are the main objectives of this work. The study is based on the hypothesis that Brazil constitutes a transnational axis of reflection in the work of the author, being used as an instrument to think the Portuguese society and, on the other hand, having its interpretation influenced by the conceptions of the caricaturist about Portugal, in a constant process of interlocution between the two shores of the Atlantic. In order to carry out such research, we will analyze compositions produced before, during and after the stay, present in the periodicals and albums of caricatures produced by Bordalo in both Portugal and Brazil. / Nesta tese, realiza-se uma an?lise sobre a obra caricatural de Rafael Bordalo Pinheiro (1846-1905), a fim de compreender como este intelectual portugu?s mostrou v?rios aspectos relativos ? sociedade brasileira em suas publica??es sat?ricas. Conhecido como o maior caricaturista portugu?s do s?culo XIX, Bordalo tamb?m atuou profissionalmente no Brasil entre 1875 e 1879, mas suas composi??es sobre o pa?s precedem esta estadia e se estendem para v?rios anos ap?s seu retorno a Portugal. Compreender a maneira como o Brasil fora apresentado ao longo de todos estes anos, os elementos que influenciavam a vis?o do autor sobre o pa?s e as poss?veis fun??es que tais composi??es possuem em sua obra ? o principal objetivo deste trabalho. O estudo parte da hip?tese de que o Brasil se constitui enquanto um eixo transnacional de reflex?o na obra do autor, sendo utilizado como instrumento para pensar a sociedade portuguesa e, por outro lado, tendo sua interpreta??o influenciada pelas concep??es do caricaturista sobre Portugal, em um constante processo de interlocu??o entre as duas margens do Atl?ntico. A fim de realizar tal investiga??o, ser?o analisadas composi??es produzidas antes, durante e ap?s a estadia, presentes nos peri?dicos e ?lbuns de caricaturas produzidos por Bordalo tanto em Portugal quanto no Brasil.