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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
211

De Hollandse textielnijverheid 1350-1600 : Conjunctuur en continuïteit /

Kaptein, Herman, January 1998 (has links)
Proefschrift--Universiteit van Amsterdam, 1998. / Bibliogr. p. 272-282. Index. Résumé en anglais.
212

The influence of Descartes on metaphysical speculation in England

Cunningham, W. January 1876 (has links)
Thesis--Edinburgh. / Includes bibliographical references and index.
213

La decorazione a fresco delle ville venete del cinquecento : saggi di littura stilistica ed iconografica /

Sman, Gerrit Jan van der, January 1993 (has links)
Th. doct.--Leiden--Universita di Leida, 1993. / Contient un résumé en allemand et en anglais.
214

Die Sala di Costantino im Vatikanischen Palast : zur Dekoration der beiden Medici-Päpste Leo X. und Clemens VII. /

Quednau, Rolf. January 1979 (has links)
Diss.--Kunstgeschichte--München, 1976. / Bibliogr. p. 941-1042.
215

Imago triumphalis : the function and significance of triumphal imagery for Italian Renaissance rulers /

Zaho, Margaret Ann. January 2000 (has links)
Thesis (Ph. D.)--University of Washington, 2000. / Vita. Includes bibliographical references (leaves 225-244).
216

Terra verde Entwicklung und Bedeutung der monochromen Wandmalerei der italienischen Renaissance

Schäffner, Almut January 2006 (has links)
Zugl.: Regensburg, Univ., Diss., 2006
217

Nietzsche et la Renaissance / Nietzsche and the Renaissance

Hernandez, Lucia 18 December 2008 (has links)
Ma recherche sera consacrée au regard que posait Nietzsche (1844-1900) sur, selon ses propres mots, cet « âge d’or », la Renaissance. Il s’agira de traiter de l’évaluation de la Renaissance par Nietzsche. Cette étude portera sur une analyse des auteurs de la Renaissance que Nietzsche a lu, comme par exemple Miguel de Cervantès (1547-1616) et parfois même apprécié tel que Michel de Montaigne (1533-1592) ou encore Nicolas Machiavel (1469- 1527). Elle m’amènera aussi à traiter de l’image de l’artiste et du génie de la Renaissance qu’il soit peintre comme par exemple Raphaël (1483-1520), sculpteur comme Michel-Ange (1475-1564), musicien ou écrivain. Cette lecture nous permettra d’une part d’aborder certaines figures de la Renaissance avec les yeux de Nietzsche, et elle nous donnera alors la possibilité de comprendre pourquoi Nietzsche considère l’époque de la Renaissance comme la « dernière grande époque », et d’autre part de comprendre l’influence sur de la Renaissance sur sa philosophie. Nous tenterons de comprendre pourquoi il pense que la culture de la Renaissance est une « culture noble » et cette époque, « l’âge d’or de ce millénaire ». Comment la Renaissance a-t-elle pu permettre l’épanouissement de grandes individualités et même favoriser l’émergence d’individus d’exception ? Et nous nous demanderons alors pourquoi nous n’avons pas récolté « la dernière grande moisson de culture qu’il était possible de récolter », pourquoi et comment la ruine de cette grande époque, la Renaissance, a-t-elle eu lieu ? Qu’arriva-t-il ? Et qu’est ce que cette époque peut encore nous enseigner ? / My investigations were dedicated to Nietzche (1844-1900) look on, according to his own words, this golden age named La Renaissance. I dealt with La Renaissance assessment according to Nietzche. This study focused on an analysis about La Renaissance authors that Nietzsche read, as for instance Miguel de Cervantès (1547-1616) and even sometimes appreciated.as Michel de Montaigne (1533-1592) or Nicolas Machiavel (1469-1527). It also drove me to deal with La Renaissance artist and genius image whether it’s a painter as Raphaël (1483-1520) for instance or a sculptor as Michelangelo (1475-1564), a musician or a writer. This reading allows us to to talk about some La Renaissance figures through Nietzche eyes and leads then to the possibility to understand why Nietzche considered La Renaissance as the « last important age » and on the other hand, to understand this influence La Renaissance had on his philosophy. I tried to understand why he thought that La Renaissance culture was a « noble » one and this period, « this millenium golden age ». How did La Renaissance lead to important personalities blooming and even contributed to exceptional people emergence And then, I wondered why we didn’t gather « the last culture wealth we were able to amass », why and how this age ruin, La Renaissance one, did take place ? What did happen ? And what does this period can still teach us ?
218

"The king is a thing": Hamlet and the prostheses of nobility

Stewart, Fenn Elan 05 1900 (has links)
The language used in critical readings of Hamlet is rife with implicitly teleological terms: according to many critics, and the ghost of King Hamlet, the story of his father's murder and Claudius' succession requires Hamlet to do something. I ask, why should Hamlet kill his uncle, revenge his father, correct his mother, become king, marry Ophelia, and produce heirs to rule when he is gone? While Hamlet's inaction is often described as delay or paralysis, I suggest that the Danish prince resists teleology through his studied ambivalence towards dynasty: land-owning, child-bearing, wars and marriage. Building on recent theoretical and historical work by scholars like Lee Edelman, Will Fisher, Margreta de Grazia and Madhavi Menon, I suggest that Hamlet, through the interventions of its main character, thwarts the assumption that the relationship between a nobleman and his land is natural, that the desire for possession and rule is inherent. Combining de Grazia's invaluable historicism with Fisher's discussion of prostheses, Ir ead the Renaissance nobleman as a prosthetic creature, physically and politically embodied by his marriage, his children, his land. In delaying the revenge he has been called upon to carry out, in hesitating to take up the crown, Hamlet defers the prostheses of nobility, and opens up a space from which to question the dynastic project. / Arts, Faculty of / English, Department of / Graduate
219

Book Review of The Mapping of Power in Renaissance Italy

Maxson, Brian Jeffrey 08 July 2016 (has links)
Review of The Mapping of Power in Renaissance Italy by Mark Rosen.
220

The Medici Example: How Power Creates Art and Art Creates Power

Hayden, Margaret 01 May 2021 (has links)
This project looks at two members of Florence’s Medici family, Cosimo il Vecchio (1389-1464) and Duke Cosimo I (1519-1574), in an attempt to assess how they used the patronage of art to facilitate their rule. By looking at their individual political representations through art, the specifics of their propagandist works and what form these pieces of art came, it is possible to analyze their respective rules. This analysis allows for a clearer understanding of how these two men, each in very different positions, found art as an ally for their political endeavors. While they were in power only one hundred years apart, they present uniquely different strategies for the purpose of creating and maintaining their power through the patronage of art.

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