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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Abordagens de estudo e performance da obra Respons?rio ao vento para violoncelo solo de S?lvio Ferraz

Valente, Kalyne Teles 09 December 2014 (has links)
Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-03-18T21:55:11Z No. of bitstreams: 1 KalyneTelesValente_DISSERT.pdf: 853027 bytes, checksum: bfb33565c73b888e7cc78cad51fc4d19 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-03-18T23:55:48Z (GMT) No. of bitstreams: 1 KalyneTelesValente_DISSERT.pdf: 853027 bytes, checksum: bfb33565c73b888e7cc78cad51fc4d19 (MD5) / Made available in DSpace on 2016-03-18T23:55:48Z (GMT). No. of bitstreams: 1 KalyneTelesValente_DISSERT.pdf: 853027 bytes, checksum: bfb33565c73b888e7cc78cad51fc4d19 (MD5) Previous issue date: 2014-12-09 / Com uma produ??o bastante relevante voltada ao repert?rio do violoncelo, Silvio Ferraz comp?s, em 2012, a pe?a Segundo Respons?rio para violoncelo solista e grupo de c?mara que, em seguida originou o Respons?rio ao Vento, vers?o para violoncelo solo. A pe?a caracteriza-se pela ideia de continuidade constante do som que se transforma atrav?s de diferentes texturas, timbres, din?micas e gestos musicais fazendo uso de t?cnicas estendidas, incluindo grandes se??es em sul tasto tocando em tr?s cordas simultaneamente, trinados de harm?nicos naturais, trinados com harm?nicos naturais abafados, col legno battuto, diferentes tipos de glissando e sons simult?neos de notas harm?nicas e n?o harm?nicas contribuem para uma riqueza de sons e camadas que formam essas texturas. O presente artigo investiga a rela??o do compositor com o violoncelo e contextualiza o Respons?rio ao Vento dentro da produ??o de Silvio Ferraz para o instrumento, analisando as influ?ncias do compositor e abordando aspectos t?cnicos e interpretativos da pe?a a partir de experi?ncias de palco. / Recognized for his relevant writing for the cello, Silvio Ferraz wrote , in 2012, Segundo Respons?rio for cello solo and chamber group which followed Respons?rio ao Vento , a version of the same piece for solo cello . The work is characterized by the idea of continuity of sound moving through different textures , timbres , dynamics and musical gestures. The composer uses extended techniques, such as large sections in sul tasto playing three strings simultaneously, trills of natural harmonics , muffled trills with natural harmonics , col legno batuto , different types of glissando and simultaneous sounds of harmonic and non harmonic notes corroborate to a wealth of sounds and layers that create different textures. This article investigates the relationship of the composer with the cello, and relates Respons?rio ao Vento to his other works and studies the influences of the composer addressing technical and interpretive aspects of the piece drawn from performance experiences.

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