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1	Roger Fry: Critic to an Age England, B. Jane 12 1900 (has links) This study seeks to determine Roger Fry's position in the cultural and aesthetic dynamics of his era by examining Fry's critical writings and those of his predecessors, contemporaries, and successors. Based on Fry's published works, this thesis begins with a biographical survey, followed by a chronological examination of the evolution of Fry's aesthetics. Equally important are his stance as a champion of modern French art, his role as an art historian, and his opinions regarding British art. The fifth chapter analyzes the relationship between Fry's Puritan background and his basic attitudes. Emphasis is given to his aesthetic, social, and cultural commentaries which indicate that Fry reflected and participated in the artistic, philosophical, and social ferment of his age and thereby contributed to the alteration of British taste. Roger Fry Fry, Roger, 1866-1934. Art criticism -- Great Britain. modern French art art criticism
2	Henri Rousseau, 1908 and after : the corpus, criticism, and history of a painter without a problem Haskell, Caitlin Welsh 25 June 2012 (has links) This dissertation considers Henri Rousseau (1844-1910) as a painter and as a figure of discourse. It addresses the longstanding concern of Rousseau’s resistance to interpretation and proposes that this derives from Rousseau’s incomplete fulfillment of the professional obligations of the artist, specifically, from his failure to motivate his work through the pursuit of what modern art critics commonly called “a problem.” Rousseau did not practice painting as artists of his day did, and because of this difference—first articulated by Guillaume Apollinaire in 1908 as an absence of artistic inquiétude—he entered the discourse of art with unprecedented susceptibility to reinvention. The Rousseau we know today, the Rousseau who was a miraculous modernist in the interwar period, and the Rousseau who emerged in the context of the avant-garde in the earliest years of the twentieth century share little besides a name, and this frustrates any effort to write a coherent history of the painter and his pictures. Rather than propose once again Rousseau’s recuperation into a traditional art-historical narrative, this dissertation tells the history of a maker who produced admirable images but fulfilled few other author-functions, and it tells the history of writers who, compensating for Rousseau’s authorial deficits, produced a new artist, a new body of work, and widespread puzzlement about the place of each in the history of modern art. / text Henri Rousseau Douanier Rousseau Le Douaunier Rousseau Modern art Modern painting Twentieth-century art Twentieth-century painting Art criticism Painter without a problem Just painting Daniel Catton Rich Alfred H. Barr, Jr. Andre Salmon Guillaume Apollinaire Clive Bell Roger Fry The Sleeping Gypsy Jungle paintings Bonne fete The Holy Family Intention deficit disorder Tree of modern art Professionalism Critical resistance

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Roger Fry: Critic to an Age

Henri Rousseau, 1908 and after : the corpus, criticism, and history of a painter without a problem