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La idea de sociedad en Jean-Jacques RousseauLópez Yáñez, Aina Dolores 23 March 2001 (has links)
No description available.
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The concept of fereedom in the political writings of Jean-Jacques Rousseau /Prioreschi, Mary Mackay January 1969 (has links)
No description available.
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"Nature" at the Opéra : sound and social change in France, 1750-79 /Cole, Catherine Jean. January 2003 (has links)
Thesis (Ph. D.)--University of Chicago, Department of Music, March 2003. / Includes bibliographical references. Also available on the Internet.
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Die Beziehungen zwischen Rousseaus zweitem Discours und dem 90Bosshard, Peter. January 1967 (has links)
Thèse Lettres. Zurich. 1967. / Paraît comme vol. 7 des Züricher Beiträge zur Pädagogik.
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The concept of fereedom in the political writings of Jean-Jacques Rousseau /Prioreschi, Mary Mackay January 1969 (has links)
No description available.
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Les voyages des personnages imaginaires dans l’oeuvre de J.-J. Rousseau.Fefferman, Joyce Ann. January 1965 (has links)
L'oeuvre de Jean-Jacques Rousseau révèle une assez grande variété de forme, de ton, et d'intérêt. Pour cette raison on peut toujours y trouver du nouveau, ce qui explique l'abondance d'interprétations et de réinterprétations que cette oeuvre a suscitée depuis deux siècles. J'avais commencé ma propre étude de Rousseau avec un sujet un peu différent en tête; je songeais à traiter le thème de la promenade chez Rousseau, sujet déjà étudié en détail par maints critiques, et qui se rapporte surtout à la vie de Jean-Jacques. [...]
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Le théâtre de jeunesse de Rousseau : portrait du "moi" en amoureuxBermingham, Ronald P. January 1991 (has links)
This dissertation is a study of the first three plays that Jean-Jacques Rousseau wrote for the operatic stage: Iphis and La Decouverte du nouveau monde, both examples of the genre tragedie lyrique, and Les Muses galantes, an opera-ballet. Semiotic and poetic analyses bring to light striking resemblances between the dramatic situations depicted in the operas and the personal drama of the young Rousseau in love. As a whole, the operas reveal two distinct portraits of the self in love. The first, painted in colours of passion, reveals a self implicated in triangular relationships that are resolved through the abnegation of desire; the second, brushed in shades of contentment, devotion, and fidelity, celebrate the delights of requited love. These two portraits are studied in the light of Rousseau's principal writings in order to demonstrate how the early operatic works reflect true images of an ever evolving self in love.
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Rousseau and Nietzsche : the philosopher as legislator.Forbes, Ian Gregory. January 1979 (has links) (PDF)
Thesis (M.A. 1980) from the Department of Politics, University of Adelaide.
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Man as hero - hero as citizen : models of heroic thought and action in Homer, Plato and Rousseau /Stefanson, Dominic. January 2004 (has links) (PDF)
Thesis (Ph.D.)--University of Adelaide, School of History and Politics, Discipline of Politics, 2005. / Bibliography: leaves [260]-279.
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Man as hero - hero as citizen models of heroic thought and action in Homer, Plato and Rousseau /Stefanson, Dominic. January 2004 (has links)
Thesis (Ph.D.)--University of Adelaide, School of History and Politics, Discipline of Politics, 2005. / Bibliography: leaves [260]-279. Also available in a print format.
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