Although split-level townhouses have proved elusive on the continent, examples are known in the Zähringen towns of modern Switzerland: several of these towns have also developed elevated walkways. There can be little doubt that the split-level townhouse and its variants were the result of commercial pressure, and an insatiable demand, not found again after the early to mid fourteenth century, for numerous small-scale retail units and undercrofts.

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The plan and design of a large housing development project by itself was a difficult task in the past, the energy issue made the options very limited, and the planner and/or engineer deal with the solution more often technically intended with or without considering the energy problem. This study is centered on the energy issue as part of the design decision making process. This study tries to integrate the energy use effects as part of the basic planning process, such as land use and building style dependent on the land contour as well as solar exposure; and the passive solar energy utilization as part of the design process where the solar use is not an add on solar system but an integrated part of the basic design scheme. A development summary of the analysis and process guideline is introduced for medium-low density housing project in an urban setting with an actual site as a case study to illustrate the process. / Master of Architecture

Master of Architecture

This thesis presents a place for the individual within the contemporary city: Eight houses in a row that restore the solid perimeter blocks of the city while preserving the individual’s interior freedom and inalienable solitude. / Master of Architecture

Thesis. 1976. M.Arch.--Massachusetts Institute of Technology. Dept. of Architecture. / Microfiche copy available in Archives and Rotch. / Includes bibliographical references. / by Kevin Cavanaugh. / M.Arch.

This study is concerned with the roles and relationships between artists-in-residence, community audiences, and program coordinators/art educators as they engage together in community arts programs. This study takes place at Project Row Houses (PRH), a community arts organization located in Houston, Texas and focuses on the artist-in-residence program, which commissions a group of national and international artists for a 6-month period to create art installations in relation to the community and its African-American heritage. This ethnographic case study is based on the activities and events surrounding the 2008 PRH exhibition, Round 29, Thunderbolt Special: The Great Electric Show and Dance, after Sam Lightnin’ Hopkins and employed qualitative data gathering methods of participant-observation, conducting semi-structured, open-ended, in-depth interviews, and through document collection, and contextual information. Observations were recorded through field notes, photographs, and video. Interviews were conducted with 3 artists-in-residence, 3 community audience members, and 3 program coordinators or staff members involved with the program, regarding their experiences at the site and experiences with each other. My analysis presents the roles of artist, community audience, and program coordinator/art educator through three sections on cultural work. Within these sections I discuss topics related to the power of voice, situatedness, and creativity, as it relates to the artists and community audiences. For the role of program coordinator/art educator, I focus more closely on her role in the process of mediation. Topics of power, social dynamics, identity, and representation are also framed within these discussions.

The focus of this creative project is the interior rehabilitation of Renaissance Place, a historic alley-type structure in Downtown Muncie, Indiana, circa. 1895. The emphasis is on the rehabilitation of three of the six units with sensitivity to Americans with Disabilities Act (ADA) and Leadership in Energy and Environmental Design (LEED). Digital lighting studies of the interior space are completed for different times of the year by using a program called Accurender 3. The techniques and products introduced through this project will be presented to the owner. The final product is also intended to be inspirational for other individuals rehabilitating similar structures with desire to incorporate ADA and LEED guidelines. / Department of Family and Consumer Sciences