Master of Regional and Community Planning / Department of Landscape Architecture/Regional and Community Planning / John W. Keller / Rural communities are a vital part of America; they account for two-thirds of the land in the U.S. and are home to about one in every nine Americans. Throughout history, our country has been shaped by their presence and social, economic, and cultural influence (Flora et al., 2004). For over the past half century however, communities in rural America have been declining in size and population; in nearly 70% of the counties of the Great Plains, there are fewer people residing there today than there were in 1950. Furthermore, over the last half of the 20th century, residents living on farms in America have dropped by two-thirds (Mayer, 1993). These statistics indicate a drastic pattern of population loss among small town communities and farms throughout rural America, which is devastating because they [towns] ultimately depend on population to contribute to their industries, businesses, and local services in order to function and survive (Wood, 2008). Understanding the causes of rural decline is important in the field of planning; nevertheless, identifying statistical relationships and spatial patterns associated with rural decline is just as important. This research report is both an overview on rural decline, and a comparative analysis of rural decline amongst Kansas counties. The objective of this research report is to identify characteristics, patterns, and trends associated with rural decline, and to rank Kansas counties according to a list of variables which represent those characteristics for analytical purposes. The ultimate goal is to explain any spatial phenomenon associated with the variables and Kansas counties, as well as identify specific counties in Kansas most devastated by factors associated with rural decline. In order to determine which counties are most devastated by factors associated with rural decline, a numerical comprehensive comparative analysis will be conducted; the results of the analysis will serve as a side-by-side measure of rural decline among Kansas counties. It will also serve as the template for conducting the simulation and modeling research; ArcGIS 9.3.1 will be utilized in order display the characteristics, patterns, and trends of rural decline spatially among Kansas counties. The final maps will help serve to derive final conclusions on rural decline in Kansas.

A collection of poems focused primarily on rural America and the South, the creative writing thesis also includes material concerned with the history of Mexico, particularly Mexico at the time of the Spanish Conquest. The introduction combines a personal essay with critical material discussing and defining the idea of the Southern writer.

Between the 1930s and mid-1980s, North Carolina became one of the most industrialized states in the country, with more factory workers, as a percentage of the total workforce, than any other state. And yet, North Carolina generally retained its rural complexion, with small factories dispersed throughout the countryside, instead of concentrated in large industrial cities. This dissertation asks two essential questions: first, how did this rural-industrial geography come to be, and second, what does the creation of this geography reveal about the state of the American political economy in the post-World War II era? I argue that rural industrialization was a central goal of North Carolina’s postwar political leaders and economic development officials. These industry hunters, as I call them, wanted to raise their state’s per capita income by recruiting manufacturers to develop or relocate operations in North Carolina. At the same time, they worried about developing large industrial cities or mill villages, associating them with class conflict, congestion, and a host of other ill-effects. In the hopes of attracting industry to its countryside, the state invested heavily in its secondary roads and highways, increasing the accessibility of rural communities. In their pursuit of rural industrialization, however, North Carolina also constructed a political economy that anticipated the collapse of the New Deal state. While historians typically see New Deal liberalism as the prevailing form of statecraft in the postwar United States, North Carolina achieved economic growth through a model that state officials termed “accessible isolation.” What accessible isolation meant was that North Carolina would provide industries with enough of a state apparatus to make operating a factory in a rural area possible, while maintaining policies of low taxes, limited regulations, and anti-unionism, to make those sites desirable. Essentially, industry hunters offered industrial prospects access to a supply of cheap rural labor, but isolation from the high wages, labor unions, government regulations, and progressive tax code that defined New Deal liberalism. Accessible isolation was attractive to businesses in postwar America because it offered a “business-friendly” alternative to the New Deal, and factories began sprouting throughout rural North Carolina. But the success of accessible isolation was built on a shaky foundation. Indeed, most of the employers persuaded by its promises were those in low-wage, labor-intensive industries, making North Carolina’s rural communities especially vulnerable to transformations in the global economy by the late twentieth century. / History

The photographer discusses his work in Reclamation: The Towns of the Virginia Coalfields, a Master of Fine Arts thesis exhibit held at the Tipton Gallery from February 12th through February 23, 2024. The exhibition focuses on coal towns located in the southwestern part of Virginia. The exhibition consists of 20 framed, archival inkjet prints. Each framed work is 36” x 24” and is representative of the artist’s exploration of the towns. A catalog of the exhibit is included at the end of this thesis. Owens examines formal and conceptual artistic influences, both historical and contemporary. Historic and contemporary photographic influences include Dorothea Lange, Victoria Sambunaris, Carol Highsmith, Andrew Borowiec, Stacy Kranitz, Frank Hunter, Mike Smith, and Builder Levy.