In this essay i present a study on political learning of a minority ethnicity whose political history in the institutional form began in 1993. The ethnicity in question is the Sami’s and in 1993 the Sami Parliament was established. The establishment of the Sami parliament radically changed the preconditions for political work. Sami politics came to be pursued in an organized manner in the form of a public authority and democratically elected units. In these study Sami politician's perceptions of political learning is investigated. Special attention is directed towards individual- as well as organizational and institutional level. The theories used are Vygotsky's sociocultural perspective on learning complemented with a Foucault-inspired discourse analysis. The method used is semi-structured interviews. The results show that learning is essentially perceived to take place on an individual level and that the organizational and institutional level only to some extent supports the individual level of learning

The study focuses on the current status of the Sami indigenous community of Sweden and on the implementation of the concept of self-determination for indigenous peoples, as presented by the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP) of 2007. Nowadays, even if the Sami community of Sweden can enjoy several political, economic, social and cultural rights, a lot remains to be done concerning the development of their self-determination because several international principles related to indigenous rights have not been implemented so far.   Therefore, the aim of the study is to explore how the Sami people of Sweden define and understand the principle of self-determination for indigenous peoples and how they would like to implement it in the future, while also focusing on what can be learned from their particular situation from a conceptual perspective. To achieve that, the research has been mainly based on a field study carried out at the end of April 2014 and at the beginning of May 2014. Several representatives belonging to different Sami political parties and Sami stakeholder’s organisations have been interviewed on the field. Moreover, two academic researchers and one public relations officer have also been contacted and interviewed afterwards to offer a different perspective on the topic.   The findings of the study indicate that the interviewees have highlighted three main issues while defining the concept of self-determination for indigenous peoples: the importance of recognition and self-identification, the respect of indigenous traditions and the protection of traditional lands. Besides, many ideas mostly based on the development of the Swedish Sami Parliament have also been mentioned while thinking about the future. The study has also shown that the indigenous position in Sweden is quite paradoxical because even if the Sami people have some rights, they do not have self-determination as the current situation is still dominated by the state. Finally, another major aspect of the findings has also indicated that self-determination is mainly about changing attitudes between the states and indigenous peoples.

Thesis (doctoral)--Universitetet i Umeå. / Extra t.p. with thesis statement inserted. Summary in English. Includes bibliographical references (p. 126-132).

No description available.

I denna uppsats ville vi undersöka hur den samiska kulturen representeras inom turism I Sverige. Vi utgick från fyra relevanta teman; dessa var autenticitet, identitet, makt och turism. Frågeställningarna var: Hur framställs den samiska kulturen i turismsammanhang i Sápmi? Hur påverkas den samiska identiteten av hur kulturen framställs inom turismnäringen? Hur mycket får samerna själva vara med och bestämma när det kommer till hur kulturen framställs inom turismnäringen?   Vi började med att se över den samiska befolkningens historia. Det är viktigt att förstå hur de har behandlats förr för att kunna förstå varför saker och ting är som de är idag. Teorierna som användes i denna studie hanterar frågor om kulturell representation inom turism, vad det gör med människors identitet samt vad som verkligen menad med autentisk representation. En del teorier är också knutna till maktrelationer, vilket uttrycks i ämnen som handlar om ”Vi” kontra ”Dem”. Dessa teorier utgör en lins som ger en djupare och bredare förståelse av de problem som lyfts och kontextualiseras i den empiriska delen av uppsatsen.   Vi samlade in vårt empiriska data genom intervjuer med människor involverade i turismindustrin. Vi gjorde även en kompletterande strukturerad observation genom att besöka några samiska utställningar och museum.   En viktig slutsats som vi kom fram till är att den samiska befolkningen vill och måste bli mer involverade i hur de representeras av turismindustrin. Samisk turism kan bli en stor inkomstkälla för samerna men de behöver mer statlig finansiering. Förståelsen för kulturen är idag relativt liten, delvis på grund av att industrier som turism ofta använder en stereotypisk bild när de framhäver samer. Mycket kan därför fortfarande göras när det kommer till kulturell representation.

This thesis is concerned with the syntax of productive morphological causatives in the Finno-Ugric language North Sami, within the theoretical setting of the Chomskian Principles and Parameters/Minimalist framework. Providing rich and novel data, the thesis situates North Sami in the general typology of causative constructions, demonstrating that causatives in this language invariably are of the so-called Faire Par-variety. The issues treated in this thesis are directly concerned with the anatomy of the verb phrase and the fine-grained details of its syntactic decomposition. Specifically, it is argued that the syntactic head that introduces the external argument and which provides the locus of agentivity must be distinct from the head hosting the Cause component of an agentive verb. It is shown that the Faire Par causative selects as its complement a truncated verbal projection corresponding to this Cause component. This captures a long-standing observation that the Base Verb in a Faire Par construction is restricted to a class that can descriptively be characterized as agentive. We thus take issue with other proposals that seek to constrain the formation of Faire Par causatives on other grounds. Furthermore, it is shown that the Base Object in a Faire Par causative is an argument of the causative formative, and not of the Base Verb. This conclusion is based on a number of selectional asymmetries that depend on whether the verb has undergone Faire Par-causativization or not.

Syftet med denna uppsats var att studera hur urfolket Samernas rättigheter var beskrivna i den offentliga debatten i Sverige genom att analyser svenska artiklar. Under studien, olika konstruktioner av samiska rättigheter hittades, vilka har blivit analyserade genom metoden kritisk diskurs analys, specifikt den tre dimensionella modellen av Norman Fairclough. Det empiriska materialet utgjordes av debatt-artiklar och nyhetsartiklar från olika tidningar och nyhetsbyårer i Sverige. Perspektivet i analysen var klargjord genom teorin om grupprättigheter. Resultatet visade, bland annat, hur diskussioner om ratificering av ILO-169konventionen har pågått under lång tid och att den har aldrig ratificerats. Detta är på grund av tvetydigheten i hur en kan säkra de samiska land rättigheterna samtidigt som att säkra den svenska statens ekonomiska intressen. / The purpose of this thesis was to study how the rights of the Indigenous Sami people were described in the public debate of Sweden through analysing Swedish articles. During the study, different constructions of Sami rights were found which have been analysed through the method of critical discourse analysis, specifically the three dimensional model by Norman Fairclough. The empirical material consisted of debate articles and news articles from different newspapers and news agencies of Sweden. The perspective of the analysis was clarified through the theory of group rights. The result showed, among other things, how discussions of the ratification of ILO 169-convention have been going on for a long time, and that it has never been ratified. This is due to the ambiguity in how to secure the Sami land rights at the same time as securing the Swedish state’s economical interests.

<p>The focus of the dissertation is on the performance of the yoiks, what the yoikers tell the audience and what the yoikers mean with their narratives. The results demonstrate that the verbal art of yoik includes both song and spoken messages. The analysis of the yoik tradition is couched within performance theory. The discussions of the performance give keys to understanding storytelling, oral history, verbal art and a means to recognize when a yoiksong, vuolle, begins or when it stops and why the performer yoiks its vuolle the way he or she does. I argue that an inside perspective in conjunction with performance theory, provides a highly fruitful method to research in yoik tradition. In order to understand the tacit knowledge in the performance, it has been highly relevant to discuss the seminal work by the Sami author Johan Turi and to compare his theories with Sami scholars like Israel Ruong, Nils Jernsletten and Harald Gaski.</p><p>In the 1900s there were three broader documentation projects of yoik tradition in Sweden. The first one was conducted in the 1910s by Karl Tirén, who used the phonograph and wax cylinders. In the 1940s the Institute of Language and Folklore (ULMA/SOFI) undertook a documentation project and in the 1950s the Swedish Radio did so too. Now, it was now possible, with the modern technology, to analyse the yoik tradition in new ways. It enables re-listening to the stories that was told and to see them in a context where the performers’ artistic skill, together with their social background and their relation to their audience is made visible.</p><p>It has been discussed if there was an epic yoik tradition in South Sami areas. One hypothesis says that epic yoik was found only in northern areas in close connection to Finnish culture. However, this study shows that there was an epic yoik tradition in southern Lapland and probably the last of these epic singers passed away in the 1960s. The yoikers presented here are all good representatives of an epic yoik tradition. Sara Maria Norsa, Nils Petter Svensson, Jonas Eriksson Steggo and Knut Sjaunja are my main informants in the archive material, where their performances are described with accuracy. This makes it possible to analyse the events they are participating in. They are all in fact telling their lives’ stories by describing reindeer herding.</p><p>This dissertation demonstrates the yoik tradition in its context, and I show that the vuolle has a structure where one can recognize when it begins and when it ends. The yoik tradition is not only music or song, the story that is told is equally important. The way of presenting a vuolle is also a part of the yoik tradition and one has to consider both the spoken and the sung messages in order to understand what the performer means. In short, yoik must be recognized as verbal art or storytelling.</p>

The focus of the dissertation is on the performance of the yoiks, what the yoikers tell the audience and what the yoikers mean with their narratives. The results demonstrate that the verbal art of yoik includes both song and spoken messages. The analysis of the yoik tradition is couched within performance theory. The discussions of the performance give keys to understanding storytelling, oral history, verbal art and a means to recognize when a yoiksong, vuolle, begins or when it stops and why the performer yoiks its vuolle the way he or she does. I argue that an inside perspective in conjunction with performance theory, provides a highly fruitful method to research in yoik tradition. In order to understand the tacit knowledge in the performance, it has been highly relevant to discuss the seminal work by the Sami author Johan Turi and to compare his theories with Sami scholars like Israel Ruong, Nils Jernsletten and Harald Gaski. In the 1900s there were three broader documentation projects of yoik tradition in Sweden. The first one was conducted in the 1910s by Karl Tirén, who used the phonograph and wax cylinders. In the 1940s the Institute of Language and Folklore (ULMA/SOFI) undertook a documentation project and in the 1950s the Swedish Radio did so too. Now, it was now possible, with the modern technology, to analyse the yoik tradition in new ways. It enables re-listening to the stories that was told and to see them in a context where the performers’ artistic skill, together with their social background and their relation to their audience is made visible. It has been discussed if there was an epic yoik tradition in South Sami areas. One hypothesis says that epic yoik was found only in northern areas in close connection to Finnish culture. However, this study shows that there was an epic yoik tradition in southern Lapland and probably the last of these epic singers passed away in the 1960s. The yoikers presented here are all good representatives of an epic yoik tradition. Sara Maria Norsa, Nils Petter Svensson, Jonas Eriksson Steggo and Knut Sjaunja are my main informants in the archive material, where their performances are described with accuracy. This makes it possible to analyse the events they are participating in. They are all in fact telling their lives’ stories by describing reindeer herding. This dissertation demonstrates the yoik tradition in its context, and I show that the vuolle has a structure where one can recognize when it begins and when it ends. The yoik tradition is not only music or song, the story that is told is equally important. The way of presenting a vuolle is also a part of the yoik tradition and one has to consider both the spoken and the sung messages in order to understand what the performer means. In short, yoik must be recognized as verbal art or storytelling.

Doctorat en sciences sociales, politiques et économiques / info:eu-repo/semantics/nonPublished