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Romanian folkloric influences on George Enescu's artstic [i.e. artistic] and musical development as exemplified by his third violin sonataZlateva, Maria Zlateva, 1970- 05 August 2011 (has links)
Not available / text
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Alberto Ginastera's Sonata for Guitar Op. 47: an analysisKing, Charles, 1956- January 1992 (has links)
No description available.
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The binary sonata tradition in the mid-eighteenth century : bipartite and tripartite "First halves" in the Venice XIII collection of keyboard sonatas by Domenico ScarlattiCampbell, Alan Douglas. January 2000 (has links)
Comparatively few theoretical studies exist on the keyboard sonatas of Domenico Scarlatti. His music remains largely unexplored. This study investigates formal and functional aspects of the "first halves" in the Venice XIII collection (K 514--K 543) and reveals links to the aesthetics and traditions of his contemporaries. It suggests and examines relationships to the development of the sonata genre. To accomplish this, the study proposes a theoretical base for critical analysis and presents a specialised terminology to examine the features of mid-eighteenth-century sonata forms. The arguments of Michelle Fillion, J. P. Larsen, and Wilhelm Fischer are central to the discussion. Studies by William Caplin, Barbara Foster, Klaus Heimes, Ralph Kirkpatrick, and James Unger also contribute to the development of the theoretical base. An analysis section views the selected repertoire and some contemporary works according to the criteria the thesis establishes. An epilogue sums up pertinent observations made in the analysis section.
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Works for violin and piano by French composers, 1870-1950Lee, Chag-Hee. Kim, Hyun-Jung. Ko, Eunae. Shon, Eun-Jung. January 2007 (has links)
Thesis (D.M.A.)--University of Maryland, College Park, 2007. / Compact discs.
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The violoncello-piano sonatas of Ludwig van Beethoven /Szabo, Edward J. January 1966 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University, 1966. / Typescript; issued also on microfilm. Sponsor: Ernest Harris. Dissertation Committee: Charles Walton. Includes bibliographical references (leaves 135-141).
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Two selected works for solo trumpet commissioned by the International Trumpet Guild a structural and performance analysis with a history of the commission project, with three recitals of selected works by Arutunian, Haydn, Fasch, Chaynes and others /Wurtz, Gary Thomas. January 2001 (has links)
Thesis (D.M.A.)--University of North Texas, 2001. / Accompanied by 4 recitals, recorded Mar. 30, 1998, Mar. 29, 1999, Nov. 27, 2000 and July 23, 2001. Includes bibliographical references and discography (p. 157-163).
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A transcription of César Franck's Sonata in A major for the baritone saxophoneOxford, William Todd, Franck, César, January 2001 (has links)
Treatise (D.M.A.)--University of Texas at Austin, 2001. / Vita. Includes bibliographical references. Available also from UMI Company.
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Beethoven's opus 111 a study of the manuscript and printed sources, with a new critical edition /Timbrell, Charles Wilkinson, Beethoven, Ludwig van, January 1976 (has links)
Thesis--University of Maryland. / Vita. Photocopy of typescript. Ann Arbor, Mich. : University Microfilms International, 1978. -- 22 cm. Includes bibliographical references (leaves 195-202).
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The Violin Sonata of Amy Beach /Hung, Yu-Hsien Judy. January 2005 (has links)
Thesis (D.M.A.)--Louisiana State University, Baton Rouge, 2005. / Includes bibliographical references (p. 92-94).
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Wit and humor as a dramatic force in the Beethoven piano sonatas /Carr, Cassandra Irene. January 1985 (has links)
Thesis (Ph. D.)--University of Washington, 1985. / Vita. Includes bibliographical references (leaves [286]-291).
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