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Ibn Bajjah's paraphrase of Aristotle's De animaMa??umi, Mu?ammad ?aghir ?asan January 1952 (has links)
No description available.
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The Egyptian elements in the legend of the body and soulDudley, Louise, January 1911 (has links)
Thesis (Ph. D.)--Bryn Mawr College. / Vita. Published also as Bryn Mawr college monographs, v.8. Bibliography: p. ix-xi.
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La imagen divina en el universo y en el alma humanaCarrasquilla Echeverri, María, January 1949 (has links)
Tesis--Pontificia Universidad Javeriana. / Bibliography: p. 80-81.
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De immortalitate animae van Aurelius Augustinus Een behandeling van één van de vroege geschriften van Augustinus, bestaande uit een inleiding, gevolgd door een vertaling en een commentaar. The immortality of the soul, an early writing of Augustine.Wolfskeel, Cornelia Wilhelmina, Augustine, January 1900 (has links)
Proefschrift--Rijksuniversiteit te Utrecht. / "Stellingen" ([3]p.) inserted. Bibliographical references included in "Noten" (p. 241-284).
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Der begriff der nefes̆ in den heiligen Schriften des Alten Testamentes Ein Beitrag zur altjüdischen Religionsgeschichte ...Schwab, Johann, January 1913 (has links)
Inaug.-diss.--München. / "Literaturverzeichnis": p. [vii]-x.
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Ontwikkelingsmomenteu in de xielkunde van Aristoteles een historisch philosophische studie ...Nuyens, Franciscus Johannes Christiaan Jozef. January 1939 (has links)
Academisch proefschrift--Amsterdam. / Summaries in French and German. "Literatuur": p. [321]-328.
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Zu Plutarchs 'De animae procreatione in Timaeo' ein beitrag zum verständnis des Platondeuters Plutarch ...Helmer, Joseph, January 1937 (has links)
Inaug.-diss.--Munich. / Lebenslauf. "Literaturverzeichnis": verso of 2d prelim. leaf.
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Light and SoulLam, LanChee 10 January 2012 (has links)
The lotus is a divine symbol in Asian traditions representing virtues of purity and
non-attachment. "Light and Soul," is a work for orchestra with a duration of thirteen
minutes, uses the growth of the lotus as a model for formal construction and musical
development. The roots of a lotus are in the mud, the stem grows up through the water,
basking in the sunlight. This pattern of growth signifies the progress of the soul from the primeval mud of materialism, through the waters of experience, and into the bright sunshine of enlightenment. In Buddhism, the heart of the human being is like an unopened lotus. When the virtues of the Buddha develop therein, the lotus blossoms, and that is why the Buddha sits on a lotus bloom. Confucian scholar Zhou Dunyi's short essay, "On the Love of the Lotus," points out there are many lovable flowers of grasses and trees both
upon the water and on the land. In the Jin Dynasty, Tao Yuanming loved only the
chrysanthemum. Since the Tang Dynasty, people of the world have loved the peony very
much. However, Zhou Dunyi especially loves the lotus because while growing from the
mud, it is unstained. Then he further lists out the reasons that he loves the lotus and
comments that the lotus is a gentleman among the chrysanthemum and peony. The musical
means of conveying this spiritual metaphor of the lotus in "Light and Soul" are primarily timbral, although there is a rigorous application of intervalic and scalar development in the music which gives it consistency and a sense of unfolding over the length of its duration.
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Light and SoulLam, LanChee 10 January 2012 (has links)
The lotus is a divine symbol in Asian traditions representing virtues of purity and
non-attachment. "Light and Soul," is a work for orchestra with a duration of thirteen
minutes, uses the growth of the lotus as a model for formal construction and musical
development. The roots of a lotus are in the mud, the stem grows up through the water,
basking in the sunlight. This pattern of growth signifies the progress of the soul from the primeval mud of materialism, through the waters of experience, and into the bright sunshine of enlightenment. In Buddhism, the heart of the human being is like an unopened lotus. When the virtues of the Buddha develop therein, the lotus blossoms, and that is why the Buddha sits on a lotus bloom. Confucian scholar Zhou Dunyi's short essay, "On the Love of the Lotus," points out there are many lovable flowers of grasses and trees both
upon the water and on the land. In the Jin Dynasty, Tao Yuanming loved only the
chrysanthemum. Since the Tang Dynasty, people of the world have loved the peony very
much. However, Zhou Dunyi especially loves the lotus because while growing from the
mud, it is unstained. Then he further lists out the reasons that he loves the lotus and
comments that the lotus is a gentleman among the chrysanthemum and peony. The musical
means of conveying this spiritual metaphor of the lotus in "Light and Soul" are primarily timbral, although there is a rigorous application of intervalic and scalar development in the music which gives it consistency and a sense of unfolding over the length of its duration.
|
30 |
Light and SoulLam, LanChee 10 January 2012 (has links)
The lotus is a divine symbol in Asian traditions representing virtues of purity and
non-attachment. "Light and Soul," is a work for orchestra with a duration of thirteen
minutes, uses the growth of the lotus as a model for formal construction and musical
development. The roots of a lotus are in the mud, the stem grows up through the water,
basking in the sunlight. This pattern of growth signifies the progress of the soul from the primeval mud of materialism, through the waters of experience, and into the bright sunshine of enlightenment. In Buddhism, the heart of the human being is like an unopened lotus. When the virtues of the Buddha develop therein, the lotus blossoms, and that is why the Buddha sits on a lotus bloom. Confucian scholar Zhou Dunyi's short essay, "On the Love of the Lotus," points out there are many lovable flowers of grasses and trees both
upon the water and on the land. In the Jin Dynasty, Tao Yuanming loved only the
chrysanthemum. Since the Tang Dynasty, people of the world have loved the peony very
much. However, Zhou Dunyi especially loves the lotus because while growing from the
mud, it is unstained. Then he further lists out the reasons that he loves the lotus and
comments that the lotus is a gentleman among the chrysanthemum and peony. The musical
means of conveying this spiritual metaphor of the lotus in "Light and Soul" are primarily timbral, although there is a rigorous application of intervalic and scalar development in the music which gives it consistency and a sense of unfolding over the length of its duration.
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