Thesis--Hamburg. / Lebenslauf. Bibliography: p. xvi-lxxviii.

Texte remanié de: Diss.--Theologische Fakultät--Göttingen--Georg-August-Universität, 1998. / Bibliogr. p. 589-639. Index.

Texte remanié de: Diss.--Ost- und Aussereuropäische Sprach- und Kulturwissenschaften--Frankfurt a. Main, 1978. / Contient le texte en hébreu : "Pesiqta Rabbati 1" avec trad. allemande en regard. Bibliogr. p. 424-436. Index. Résumé en hébreu.

Texte remanié de: Diss.--Evangelisch-Theologische Fakultät--Heidelberg--Ruprecht-Karls-Universität, 1994. / Bibliogr. p. 301-311. Index.

Doctoral diss.--Melbourne--Australian catholic university, 2000. / Bibliogr. p. 247-261. Index.

Akademisk avhandling--Teologiska fakulteten--Åbo, 1995.

Texte remanié: Th. doct.--Philos.--University of Cambridge, 1995. / En appendice, choix de documents. Bibliogr. p. [265]-283 et notes bibliogr. Index.

Texte remanié de: Inaugural-Diss.--Katholisch-theologische Fakultät--Tübingen--Eberhard Karls Universität, 2001. / Bibliogr. p. 681-727. Index.

Zugl.: Deerfield, Trinity Internat. Univ., Diss., 2006

The inevitable (creativity). Between the ages of seven and fifteen years, Paul had sexual intercourses with his father. He was introduced to this state of matter by pornographic photos. Described as being representations of love, and thinking as such, he accepts to imitate the depicted characters, at the request of his father. From the Laurentians to Montreal, Paul and his father "will make love" everywhere: Onboard the car, at home, in the washroom of a school... They "will make love" despite questions from a mother who seeks to know the truth and whom Paul considers too weak to help him put an end to a relationship that becomes more and more heavier. Finally, Paul is able to say "no" to his father at adolescence. / Writing incest (critic). Studying incest literature in Les Enfants du sabbat by Anne Hebert. Taboo that needs to be shut of. But can not be because of the enchanting attraction of transgression; incest is shown and is said, it uncovers itself like a souvenir which repeats, here again, itself, hides behind lust, mysticism, whereas the voluptuous relationship is disembodied. This art of expression of disappearance which is found at each level in the text (tense used in the narration, characters, space) loans also to incest its defence mechanism and censorship as the symbolical exclusion, identification to the aggressor, and the will to succeed which is initialized by the confession of the victim denounciating the crime against human nature.