Habilitationsschrift (Teil 2)--Universitat des Saarlandes.

Habilitationsschrift (Teil 2)--Universitat des Saarlandes.

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Est-ce-que le sabbat est d'origine hébraïque ? Quand est né le dimanche ? Est-ce que Paul est l'inventeur du christianisme ? Comment expliquer la position des chrétiens sabbataires aujourd'hui ? Is the sabbath from hebrew origin ? When the Sunday is "born" ? Was Paul the inventor of christianism ? How to explain the position of the sabbatarien christians ?

Thesis (doctoral)--Universität, Bochum, 2005. / Includes bibliographical references (p. 303-319).

Une analyse du texte hébreu du Psaume 92 est proposée. Celui-ci étant un chant, le premier dessein du travail consiste à analyser les procédés poétiques qui le composent. L’autre intérêt concerne les préoccupations historiques du poème, lesquelles déterminent l’atmosphère qui s’en dégage et qui prévalait lors de sa composition, ses circonstances d’origine, sa date de composition et l’identité de son auteur. Un troisième pôle de l’exégèse, proche du premier, et en opposition avec le second, étudie le texte pour lui-même sans qu’il ne soit ancré dans son contexte historique. La structure du texte est décortiquée d’une part pour découvrir sa beauté technique et d’autre part pour voir comment elle guide le lecteur vers une compréhension optimale de l’instruction du psaume. Les caractéristiques de notre travail sont doubles : 1) être fidèle à l’approche exégétique historico-critique ; 2) apporter une pointe de modernité par le biais de l’analyse structurelle dans le chapitre correspondant. Parmi les résultats les plus probants, on notera que la métaphore végétale du bourgeonnement signifie que justes et méchants ont droit à la vie. Mais alors que celle des justes est restaurée, soutenue et garantie par le Seigneur, cette dernière ne prend pas de part active dans l’existence et la rétribution des méchants. / An analysis of the Hebrew text of psalm 92 is offered. Being a song, the first purpose of this work is to examine the poetic processes that it entails. The other focus pertains to the historical concerns of the poem, insofar as they determine its climate, the one that prevailed as it was composed, the circumstances of its origin, the date of composition and the identity of its author. A third pillar of the exegesis, close to the first one and in opposition to the second, is to study the text for its own sake without regard for its historical context. The structure of the text is scrutinized to, on the one hand, discover its technical beauty and on the other hand to see how it guides the reader towards an optimal understanding of the teaching of the poem. In plain: the characteristics of our work are twofold: 1) to be faithful to the historico-critical exegetic approach; 2) to bring a zest of modernity thanks to a structural analysis in the chapter on structure. Among the evidence-based results, we shall observe that the vegetal metaphor of burgeoning means that the just and the wicked have the right to live. However, if that of the just is restored, sustained and guaranteed by the divinity, the latter shall take no active part in the existence and retribution of the wicked.

Est-ce-que le sabbat est d'origine hébraïque ?Quand est né le dimanche ?Est-ce que Paul est l'inventeur du christianisme ?Comment expliquer la position des chrétiens sabbataires aujourd'hui ?Is the sabbath from hebrew origin ?When the Sunday is "born" ?Was Paul the inventor of christianism ?How to explain the position of the sabbatarien christians ? / Doctorat en Philosophie / info:eu-repo/semantics/nonPublished

The representation of the witch in French literature has evolved considerably over the centuries. While originally portrayed as a benevolent and caring healer in works by Marie de France, Chrétien de Troyes, and the anonymous author of Amadas et Ydoine , the witch eventually underwent a dramatic and unfortunate transformation. By the fifteenth century, authors began to portray her as a malevolent and dangerous agent of the Christian Devil. Martin Le Franc, Pierre de Ronsard, Joachim du Bellay, François Rabelais, and Pierre Corneille all created evil witch figures that corresponded with this new definition. It was not until the eighteenth century, through the works of Voltaire and the Encyclopédistes, that the rehabilitation of the witch began. By the twentieth century, Anne Hébert, Jean-Paul Sartre, Maryse Condé, and Sebastiano Vassalli began to rewrite the witch character by engaging in a process of demystification and by demonstrating that the "witch" was really just a victim of the society in which she lived. These authors humanized their witch figures by concentrating on the victimization of their witch protagonists and by exposing the ways in which their fictional societies unjustly created identities for their witch protagonists that were based on false judgments and rumors. Hébert attacks Sigmund Freud's association of the witch and the hysteric, Sartre utilizes his witches to expose many of his existential ideals, Condé highlights the role that racism played in witchcraft, and Vassalli strives to rewrite history by telling the story from the point of view of his witch character. Each twentieth-century author provides a story that deconstructs the very nature of the witch as this had been constructed over time, and shows how witches expose the problems associated with understanding one's place in the world in both their individual and their social dimensions. The witch, for these authors, challenges dominant norms and reveals how much our identities are influenced by our interactions with other individuals. And, because the witches in each text are marginal beings, they expose the repressiveness of their particular environments and the idiosyncrasies of their cultures. In all these ways, or so these 20 th -century authors contend, we as modern readers, can relate to their situations and learn from their stories.